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Bach's autograph of the soprano aria in the cantata Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105

The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: Bachkantaten), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as Thomaskantor and director of church music in Leipzig, a position which he took up in 1723.

Working for Leipzig's Thomaskirche and Nikolaikirche, it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era.^[1] Works from three annual cycles of cantatas for the liturgical calendar have survived. These relate to the readings prescribed by the Lutheran liturgy for the specific occasion. The last known cantata was composed in 1745.

In addition to the church cantatas composed for occasions of the liturgical year, Bach wrote sacred cantatas for functions like weddings or Ratswahl (the inauguration of a new town council). His secular cantatas, around 50 known works, less than half of which surviving with both text and music, were written for academic functions of the University of Leipzig, or anniversaries and entertainment among the nobility and in society, some of them Glückwunschkantaten (congratulatory cantatas) and Huldigungskantaten (homage cantatas).

Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas (i.e. for one soloist singer) and dialogue cantatas for two singers. The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. Hymns were mostly set to their Lutheran chorale tune. His chorale cantata cycle contains at least 40 chorale cantatas, each of these entirely based on text and tune of such hymn.

Titles of the cantatas

Although the German term Bachkantate (Bach cantata) became very familiar, Bach himself rarely used the title Cantata in his manuscripts. In Ich will den Kreuzstab gerne tragen, BWV 56, he wrote Cantata à Voce Sola e Stromenti (Cantata for solo voice and instruments). Another cantata in which Bach used that term is Ich bin vergnügt mit meinem Glücke, BWV 84. Typically, he began a heading with the abbreviation J.J. (Jesu juva, "Jesus, help"), followed by the name of the celebration, the beginning of the words and the instrumentation, for example in Gloria in excelsis Deo, BWV 191. Bach often signed his cantatas with SDG, short for Soli Deo Gloria ("glory to the only God" / "glory to God alone").^[2]

Bach often wrote a title page for the autograph score and copies of the original parts. For example, he titled the parts of Aus tiefer Not schrei ich zu dir, BWV 38, using a mix of languages to describe the occasion, the incipit, the precise scoring and his name: "Dominica 21. post Trinit / Aus tieffer Noth schrey ich zu dir. / â / 4. Voc. / 2. Hautbois. / 2. Violini. / Viola. / 4. Tromboni / e / Continuo. / di / Signore / J.S.Bach".^[3] The occasion for which the piece was performed is given first, in Latin: "Dominica 21. post Trinit" (21st Sunday after Trinity Sunday, with Trinit short for Trinitatem). The title follows, given in German in the orthography of Bach's time. The scoring and finally his name appear in a mix of French and Italian, the common languages among musicians at the time, partly abbreviated.

BWV number

Bach wrote more than 200 cantatas, of which many have survived. In the Bach-Werke-Verzeichnis (BWV), Wolfgang Schmieder assigned them each a number within groups: 1–200 (sacred cantatas), 201–216 (secular cantatas), and 217–224 (cantatas of doubtful authorship). Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious." However, the spurious cantatas retain their BWV numbers. The List of Bach cantatas is organized by BWV number but sortable by other criteria.

Structure of a Bach cantata

A typical Bach cantata of his first year in Leipzig follows the scheme:

Opening chorus
Recitative
Aria
Recitative (or Arioso)
Aria
Chorale

The opening chorus (Eingangschor) is usually a polyphonic setting, with the orchestra presenting the themes or contrasting material first. Most arias follow the form of a da capo aria, repeating the first part after a middle section. The final chorale is typically a homophonic setting of a traditional melody.

Bach used an expanded structure to take up his position in Leipzig with the cantatas Die Elenden sollen essen, BWV 75, and Die Himmel erzählen die Ehre Gottes, BWV 76, both in two parts, to be performed before and after the sermon (post orationem) and during communion (sub communione). Each part is a sequence of an opening movement, five movements with alternating recitatives and arias, and a chorale. In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from the Old Testament, Part I reflects the Gospel and Part II the Epistle.^[4]

Bach did not follow any strict scheme but composed as he wanted to express the words. A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia of Wir danken dir, Gott, wir danken dir, BWV 29. A solo movement begins Gott, man lobet dich in der Stille, BWV 120, because its first words speak of silence. Many cantatas composed in Weimar are set like chamber music, mostly for soloists, with a four-part setting only in the closing chorale, which may have been sung by the soloists. In an early cantata, Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172, Bach marked a repeat of the opening chorus after the chorale.

The chorale can be as simple as a traditional four-part setting, or be accompanied by an obbligato instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiar Herz und Mund und Tat und Leben, BWV 147, or have complex vocal parts embedded in the concerto as in Ärgre dich, o Seele, nicht, BWV 186, in a form called Choralphantasie (chorale fantasia). In Nun komm, der Heiden Heiland, BWV 61, for the first Sunday in Advent, the beginning of a new liturgical year, he rendered the opening chorus as a French overture.

Singers and instrumentation

Schlosskirche in Weimar (c. 1660, burned 1774) where Bach composed and performed church cantatas monthly from 1714 to 1717

Thomaskirche in 1885, one of the two Leipzig churches where Bach composed and performed church cantatas almost weekly from 1723 to 1726

Vocal

Typically Bach employs soprano, alto, tenor and bass soloists and a four-part choir, also SATB. He sometimes assigns the voice parts to the dramatic situation, for example soprano for innocence or alto for motherly feelings. The bass is often the vox Christi, the voice of Jesus, when Jesus is quoted directly, as in Es wartet alles auf dich, BWV 187, or indirectly, as in O Ewigkeit, du Donnerwort, BWV 60.

In the absence of clear documentary evidence, there are different options as to how many singers to deploy per part in choral sections. This is reflected in the recordings discussed below. Ton Koopman, for example, is a conductor who has recorded a complete set of the cantatas and who favours a choir with four singers per part. On the other hand, some modern performances and recordings use one voice per part. Joshua Rifkin is well known is an advocate of this approach, although it has yet to be followed through in a complete set of cantatas. Nonetheless, Bach would have had more singers available at Leipzig, for example, while the space in the court chapel in Weimar was limited. One size of choir probably does not fit all the cantatas.

الآلات

The orchestra that Bach used is based on string instruments (violin, viola) and basso continuo, typically played by cello, violone (at the same octave)^[5] and organ. A continuo bass is the rule in Baroque music; its absence is noteworthy and often has a special reason, such as describing fragility.^{[مطلوب أمثلة]}

The specific character of a cantata or a single movement is rather defined by wind instruments, such as oboe, oboe da caccia, oboe d'amore, flauto traverso, recorder, trumpet, horn, trombone, and timpani. In movements with winds, a bassoon usually joins the continuo group.

Festive occasions call for richer instrumentation. Some instruments also carry symbolic meaning, such as a trumpet, the royal instrument of the Baroque, for divine majesty and three trumpets for the Trinity. In an aria of BWV 172, addressing the Heiligste Dreifaltigkeit (Most holy Trinity), the bass is accompanied only by three trumpets and timpani.

In many arias Bach uses obbligato instruments, which accompany the singer as an equal partner. These instrumental parts are frequently set in virtuoso repetitive patterns called figuration. Instruments include, in addition to the ones mentioned, organ, flauto piccolo (sopranino recorder), violino piccolo, viola d'amore, violoncello piccolo (a smaller cello), tromba da tirarsi (slide trumpet) and corno da tirarsi.

In his early compositions Bach also used instruments that had become old-fashioned, such as viola da gamba. Alto recorders (flauti dolci) are sometimes used in connection with death and mourning as in Gottes Zeit ist die allerbeste Zeit, BWV 106.

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Some cantatas are composed for a solo singer (Solokantate), as Jauchzet Gott in allen Landen, BWV 51, for soprano, sometimes concluded by a chorale, as in Ich will den Kreuzstab gerne tragen, BWV 56, for bass.

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Some cantatas are structured as a dialogue, mostly for Jesus and the Soul (bass and soprano), set like miniature operas. Bach titled them for example Concerto in Dialogo, concerto in dialogue. An early example is Tritt auf die Glaubensbahn, BWV 152 (1714). He composed four such works in his third annual cycle, Selig ist der Mann, BWV 57 (1725), Liebster Jesu, mein Verlangen, BWV 32, Ich geh und suche mit Verlangen, BWV 49 (both 1726), and Ach Gott, wie manches Herzeleid, BWV 58 (1727).^[6]

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Within the Lutheran liturgy, certain readings from the Bible were prescribed for every event during the church year; specifically, it was expected that an Epistel from an Epistle and Evangelium from a Gospel would be read. Music was expected for all Sundays and holidays except the quiet times (tempus clausum) of Advent and Lent; the cantatas were supposed to reflect the readings. Many opening movements are based on quotations from the Bible, such as Sie werden aus Saba alle kommen, BWV 65, from Isaiah 60:6 NIV. Ideally, a cantata text started with an Old Testament quotation related to the readings, and reflected both the Epistle and the Gospel, as in the exemplary Die Himmel erzählen die Ehre Gottes, BWV 76. Most of the solo movements are based on poetry of contemporary writers, such as court poet Salomon Franck in Weimar or Georg Christian Lehms or Picander in Leipzig, with whom Bach collaborated. The final words were usually a stanza from a chorale. Bach's Chorale cantatas are based exclusively on one chorale, for example the early Christ lag in Todes Banden, BWV 4, and most cantatas of his second annual cycle in Leipzig.^{[بحاجة لمصدر]}

The German text may pose difficulties in translation and comprehension. Sometimes caused by archaic language, these issues are also a result of the different social context of modern artists and listeners, who do not share the same biblical and theological knowledge and perspectives as Bach or his audience.^[7]

Periods of cantata composition

The following lists of works (some marked as questioned) rely mainly on Alfred Dürr's Die Kantaten von Johann Sebastian Bach. Usually the cantatas appear in the year of their first performance, sometimes also for later performances and then in brackets.

Mühlhausen

Bach moved to Mühlhausen in 1707 when he was 22 to take up an appointment as the organist of St. Blasius church (Divi Blasii). There is evidence suggesting that he composed a cantata as an audition piece for Mühlhausen, and this may have been Christ lag in Todes Banden, BWV 4. One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example, Nach dir, Herr, verlanget mich, BWV 150.

A couple of the surviving cantatas can be firmly dated to his time in Mühlhausen. For example, Gott ist mein König, BWV 71, was composed for the inauguration of the town council in 1708. By Bach's own account, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, was also composed at Mühlhausen. Other cantatas are assumed to date from this period:

Lobe den Herrn, meine Seele, BWV 143, related to Psalm 146, likely for New Year's Day
Der Herr denket an uns, BMV 196, assumed to be a wedding cantata
Gottes Zeit ist die allerbeste Zeit, BWV 106, a funeral cantata

Weimar

Bach worked in Weimar from 1708. He composed a secular cantata, Was mir behagt, ist nur die muntre Jagd, BWV 208, in 1713. The composition of cantatas for the Schlosskirche (court chapel) on a regular monthly basis started with his promotion to Konzertmeister in March 1714.^[8] His goal was to compose a complete set of cantatas for the liturgical year within four years. The cantatas 54 and 199 were performed within the cycle but possibly composed earlier.

1713: Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18? * 63?
1714: Himmelskönig, sei willkommen, BWV 182 * Weinen, Klagen, Sorgen, Zagen, BWV 12 * 172 * 21 * 54 * 199 * 61 * 152
1715: Der Himmel lacht! Die Erde jubilieret, BWV 31 * 165 * 185 * 162 * 163 * 132
1716: Mein Gott, wie lang, ach lange? BWV 155 * 161 * 80a *70a * 186a * 147a

Köthen

Bach worked in Köthen from 1717 to 1723, where he composed for example the Brandenburg Concertos. He had no responsibility for church music, but his employer Prince Leopold did commission secular cantatas. Later in Leipzig, he derived several church cantatas from congratulatory cantatas, such as Erfreut euch, ihr Herzen, BWV 66, for Easter from the birthday cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a.^[9]^[10]

1717?: Durchlauchtster Leopold, BWV 173a (or between 1720 and 1722)
1718: Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a
1719: Die Zeit, die Tag und Jahre macht, BWV 134a

Even after he moved to Leipzig he retained his title of Fürstlich Köthenischer Kapellmeister (that is director of music to the court at Köthen). He continued to compose for the court until Leopold's funeral in 1729. There is evidence that he reused musical material from works that he premiered in Leipzig in the 1720s, for example the secular cantata Schwingt freudig euch empor, BWV 36.1, believed to have been composed to honour one of the Bach's academic colleagues in Leipzig, was the basis of a secular cantata with a text in honour of Leopold's second wife.^[11]

Leipzig

In Leipzig Bach was responsible for the town's church music in the Thomaskirche and Nikolaikirche and was head of the Thomasschule. Church cantata performances alternated in the two churches for ordinary Sundays and took place in both churches on high holidays such as Christmas, then one in the morning, one in the afternoon, and again alternating for the three days such an occasion was celebrated. Academic functions took place at the Universitätskirche St. Pauli. There is debate whether Bach performed Wer mich liebet, der wird mein Wort halten, BWV 59, there a week before he began his cantorate. Bach started it on the first Sunday after Trinity of 1723 and wrote a first annual cycle. Bach's major works such as the Passions and the Mass in B minor are inserted in the listing for comparison.

1723: Jesus nahm zu sich die Zwölfe, BWV 22 * Du wahrer Gott und Davids Sohn, BWV 23 (audition pieces)

First cantata cycle

1723: Die Elenden sollen essen, BWV 75 * 76 * (21) * 24 * 167 * 147 * Magnificat * 186 * 136 * 105 * 46 * 179 * (199) * 69a * 77 * 25 * 119 * 138 * 95 * 148 * 48 * (162) * 109 * 89 * (163?) * 60 * 90 * 70 * (61) * (63) * 40 * 64
1724: Singet dem Herrn ein neues Lied, BWV 190 * 153 * 65 * 154 * (155) * 73 * 81 * 83 * 144 * 181 + (18) * (22 23) * (182) * St John Passion * (4) * 66 * 134 * 67 * 104 * (12) * 166 * 86 * 37 * 44 * 59 * 173 * 184 * 194

Second cantata cycle

مقال رئيسي: Bach's second cantata cycle

After Trinity of 1724 he started a second annual cycle of mainly chorale cantatas. The chorale was typically the chorale prescribed for that week (Hauptlied or Wochenlied). These cantatas were performed even after his death, according to Christoph Wolff probably because the well-known hymns were appealing to the audience.^[12]

1724: O Ewigkeit, du Donnerwort, BWV 20 * 2 * 7 * 135 * 10 * 93 * 107 * 178 * 94 * 101 * 113 * 33 * 78 * 99 * 8 * 130 * 114 * 96 * 5 * 180 * 38 * 115 * 139 * 26 * 116 * 62 * 91 * 121 * 133 * 122
1725: Jesu, nun sei gepreiset, BWV 41 * 123 * 124 * 3 * 111 * 92 * 125 * 126 * 127 * 1

The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas:

1725: BWV 249, early version (later versions known as the Easter Oratorio but the 1725 version was a cantata) * 6 * 42 * 85 * 103 * 108 * 87 * 128 * 183 * 74 * 68 * 175 * 176

Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle.

Other cantatas by Bach that are usually seen as belonging to the chorale cantata cycle:

BWV 4 (version as performed again at Easter 1725, somewhat different from the early Mühlhausen version) * 137 (1725) * 58 (1727) * 129 (1727) * 80 (1727 or later, although an early version of this cantata, BWV 80b, may have been composed for or performed on Reformation Day in 1724) * 112 (1731) * 140 (1731) * 177 (1732) * 9 (1732) * 14 (1735)

For four further chorale cantatas it is unclear for which occasion they were composed, and whether they were intended to be added to the cycle:

BWV 117 (1728–1731) * 192 (1730) * 100 (1732–1735) * 97 (1734?)

Third to fifth year in Leipzig

مقال رئيسي: Church cantatas of Bach's third to fifth year in Leipzig

After Trinity of 1725 Bach began a third annual cycle, but with less consistency. The first cantata is written for the ninth Sunday after Trinity, but the following year he added a substantial work for the first Sunday after Trinity. The cycle extends over several years, although the cantatas from 1727 have been termed as "between the third and fourth cycles".^[13] Cantatas for some occasions are not extant.

Between Trinity and Advent 1725 (apart from chorale cantatas):

Trinity IX: BWV 168
Trinity XIII: BWV 164
Reformation Day: BWV 79

Liturgical year from Advent 1725 to the last Sunday after Trinity 1726 (includes 18 cantatas by Johann Ludwig Bach (JLB)):

Christmas: BWV 110
Christmas 2: BWV 57
Christmas 3: BWV 151
Christmas I: BWV 28
New Year: BWV 16
Epiphany I: BWV 32
Epiphany II: BWV 13
Epiphany III: BWV 72
Purification: JLB 9^[14]
Epiphany IV: JLB 1^[15]
Epiphany V: JLB 2^[16]
Septuagesima: JLB 3^[17]
Sexagesima: JLB 4^[18]
Estomihi: JLB 5^[19]
Easter: JLB 21 (a.k.a. BWV 15)
Easter 2: JLB 10^[20]
Easter 3: JLB 11^[21]
Easter I: JLB 6^[22]
Easter II: JLB 12^[23]
Easter III: JLB 8^[24] (+BWV 146?)
Easter IV: JLB 14^[25]
Ascension: BWV 43
Trinity I: BWV 39
St. John's Day: JLB 17^[26]
Visitation: JLB 13^[27]
Trinity V: BWV 88
Trinity VI: BWV 170 and JLB 7^[28]
Trinity VII: BWV 187
Trinity VIII: BWV 45
Trinity X: BWV 102
Trinity XI: JLB 15^[29]
Trinity XII: BWV 35
Trinity XIII: JLB 16^[30]
Trinity XIV: BWV 17
St. Michael's Day: BWV 19
Trinity XVI: BWV 27
Trinity XVII: BWV 47
Trinity XVIII: BWV 169
Trinity XIX: BWV 56
Trinity XX: BWV 49
Trinity XXI: BWV 98
Trinity XXII: BWV 55
Trinity XXIII: BWV 52

Church cantatas of 1727 (apart from chorale cantatas):

New Year I: BWV 58
Purification: BWV 82
Septuagesima: BWV 84
Pentecost: BWV 34
Pentecost 2: BWV 173

Other:

Passions performed in this period: St Mark Passion, BC D 5b (1726), St Matthew Passion, BWV 244b (1727?) and St. John Passion, BWV 245 (1728?)
Chorale cantatas: BWV 137 (Trinity XII), 129 (Trinity) and 117
Council election: BWV Anh. 4 and possibly BWV 193
Wedding: BWV 34a and 195
Funeral: BWV 157 and motet BWV 228
Motet for New Year BWV 225

Secular cantatas:

Picander cycle of 1728–29

مقال رئيسي: Picander cycle of 1728–29

There is some circumstantial evidence that a complete fourth cycle of Bach cantatas, in scholarship indicated as the Picander cycle, may have existed.^[13]^[31]^[32]

Extant cantatas of the fourth cycle:

1728: 149 * 188 * 197a * 117
1729: Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 * O angenehme Melodei, BWV 210a * Klagt, Kinder, klagt es aller Welt, BWV 244a * 156 * 159 * 145 * 174

Other cantatas and church music

Not belonging to the foregoing:

1730: Jauchzet Gott in allen Landen, BWV 51
1731: Wir danken dir, Gott, wir danken dir, BWV 29 * Schwingt freudig euch empor, BWV 36
1732: Ich ruf zu dir, Herr Jesu Christ, BWV 177 * Was Gott tut, das ist wohlgetan, BWV 100
1733: Kyrie–Gloria Mass, BWV 232 I (early version) * Laßt uns sorgen, laßt uns wachen, BWV 213
1734: Preise dein Glücke, gesegnetes Sachsen, BWV 215 * Christmas Oratorio
1735: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio)
1738?: Kyrie–Gloria Masses, BWV 233–236
1742: Gott, man lobet dich in der Stille, BWV 120 * Mer hahn en neue Oberkeet, BWV 212
1744?: O holder Tag, erwünschte Zeit, BWV 210
1745: Gloria in excelsis Deo, BWV 191
1748?: Mass in B minor, BWV 232 (largely a compilation of previously composed music)

Parodies

Bach sometimes reused an earlier composition, typically revising and improving it in a process called parody. For example, a movement from a partita for violin, in ceaseless motion, was arranged as an orchestral sinfonia with the organ as solo instrument for the wedding cantata 120a and again in Cantata 29, for which the organ was accompanied by a full orchestra dominated by trumpets. Not only a single movement but a complete cantata was reworked from the Shepherd cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, to become the Easter Oratorio. Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. His Easter cantata Ein Herz, das seinen Jesum lebend weiß, BWV 134, is a parody of six of eight movements of the cantata for New Year's Day, Die Zeit, die Tag und Jahre macht, BWV 134a. Six movements of his congratulatory cantata Durchlauchtster Leopold, BWV 173a, form the cantata for Pentecost Monday of 1724, Erhöhtes Fleisch und Blut, BWV 173, while a seventh movement was made part of the cantata for Pentecost Tuesday of 1725, Er rufet seinen Schafen mit Namen, BWV 175.

Bach's four short masses are parodies of cantata movements; he used several movements of Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, for two of them. When he compiled his Mass in B minor, he again used many cantata movements, such as a part of Weinen, Klagen, Sorgen, Zagen, BWV 12, for the Crucifixus of the Credo.

Oratorios

Bach's oratorios can be considered as expanded cantatas. They were also meant to be performed during church services. Distinct from the cantatas, a narrator, the Evangelist, tells a story in the exact Bible wording, while soloists and the choir have "roles" such as Mary or "the shepherds", in addition to reflective chorales or arias commenting on the story. The St Matthew Passion and the St John Passion were intended to be performed on Good Friday, before and after the sermon. The six parts of the Christmas Oratorio were intended to be performed on six feast days of the Christmas season, each part composed as a cantata with an opening chorus (except in Part 2) and a closing chorale.

Performances by Bach

Bach composed the cantatas and performed them, conducting from the keyboard. The choir was the Thomanerchor, which also served the other main churches of Leipzig for which Bach was responsible. Cantatas, under his personal direction, were performed in the Nikolaikirche and in the Thomaskirche, alternating on ordinary Sundays. On high feast days, the same cantata was performed in the morning in one of these churches, in a vespers service in the other.^[33]

Later performances and recordings

After Bach's death the cantatas fell into obscurity even more than his oratorios. There is some evidence for the chorale cantatas being performed at Leipzig after Bach's death, but the cantatas were little known until a society called the Bach-Gesellschaft began to publish the composer's complete works starting in 1851. Only one of the cantatas, Gott ist mein König, BWV 71, had been published during Bach's lifetime. The cantata Wie schön leuchtet der Morgenstern, BWV1, was selected as the first work to appear in the Bach-Gesellschaft-Ausgabe, the first complete edition.^[34]

In 1928, The New York Times reported the presentation in Paris of two secular Bach cantatas by opera soprano Marguerite Bériza and her company in staged productions, The Peasant Cantata and The Coffee Cantata.^[35] In 1931 a recording was made of a performance of Christ lag in Todes Banden, in Barcelona.

The number of performances and recordings increased in the decades after the Second World War. In the early 1950s Fritz Lehmann recorded several cantatas with the Berliner Motettenchor and the Berlin Philharmonic. From 1953, Max Thurn conducted for the broadcaster NDR a series of Bach cantatas, with members of the NDR Chor and members of the NDR Sinfonieorchester.^[36]^[37] Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the cantatas.

Between 1958 and 1987, the London Bach Society, conducted by Paul Steinitz performed all the extant church and secular cantatas, 208 separate works, in various venues, mostly in the Church of St Bartholomew-the-Great, London. Diethard Hellmann called the Kantorei (chorale) of the Christuskirche, Bachchor Mainz, in 1965 and produced more than 100 cantatas on a weekly basis with the Südwestrundfunk. Fritz Werner started recording with the Heinrich-Schütz-Chor Heilbronn and the Pforzheim Chamber Orchestra a series that they called Les Grandes Cantates de J.S. Bach.

The Thomanerchor has sung a weekly cantata during the evening service Motette on Saturday.^[38] The cantatas are also regularly performed on Sundays at Holy Trinity Lutheran Church, New York City, under the direction of the Cantor (currently Donald R. Meineke).^[39]

Complete recordings

While individual cantatas were recorded as early as the 1930s, a complete set was not attempted until the 1970s.

Nikolaus Harnoncourt and Gustav Leonhardt began recording the Teldec set. This 20-year collaboration used historical instruments, with boys' choirs and boy soloists for most soprano and a few alto parts. Harnoncourt conducted the Wiener Sängerknaben or the Tölzer Knabenchor and the Concentus Musicus Wien. Leonhardt conducted the Tölzer Knabenchor, Knabenchor Hannover and the Collegium Vocale Gent, and the ensemble Leonhardt-Consort
Helmuth Rilling, Gächinger Kantorei, and the Bach-Collegium Stuttgart completed a recording of the sacred cantatas and oratorios on Bach's 300th birthday, 21 March 1985.
Ton Koopman and the Amsterdam Baroque Orchestra & Choir recorded all vocal works by Bach over ten years starting in 1994, including the cantatas.^[40]
Pieter Jan Leusink recorded the complete cantatas in 15 months in 1999 and 2000 with the Holland Boys Choir and Netherlands Bach Collegium for Brilliant Classics.
Sir John Eliot Gardiner and his Monteverdi Choir undertook the Bach Cantata Pilgrimage, performing and recording in the year 2000 the sacred cantatas at churches all over Europe and in the United States.
Masaaki Suzuki commenced in 1995 a project to record the complete sacred cantatas with his Bach Collegium Japan for the Swedish label BIS; he completed the process in 2013.^[41]
Sigiswald Kuijken has recorded Cantatas for the Complete Liturgical Year with La Petite Bande, with the soloists forming the choir.

The Fifth Gospel

In 1929 the Swedish bishop Nathan Söderblom, a recipient of the Nobel Peace Prize, called Bach's cantatas the Fifth Gospel.^[42]^[43]

Bach cantatas listed in the first chapter of the Bach-Werke-Verzeichnis (1998)

قالب:Bach's compositions (legend) قالب:Bach's compositions (scoring) قالب:Bach's compositions (background) قالب:Bach's compositions (header) |- style="background: #E3F6CE;" | data-sort-value="0001.000" | 1 | data-sort-value="001.002" | 1. | 1725-03-25 | Cantata Wie schön leuchtet der Morgenstern (Annunciation) | F maj. | data-sort-value="stbSATB Hnx2 Odcx2 Vlx2 Str Bc" | stbSATB 2Hn 2Odc 2Vl Str Bc | data-sort-value="000.01: 001" | 1: 1 | data-sort-value="I/28 2: 003" | I/28.2: 3 | after Z 8359; text after Nicolai | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0002.000" | 2 | data-sort-value="002.002" rowspan="2" | 1. | rowspan="2" | 1724-06-18 | Cantata Ach Gott, vom Himmel sieh darein (Trinity II) | G min. | data-sort-value="atbSATB Tbnx4 Obx2 Str Bc" | atbSATB 4Tbn 2Ob Str Bc | data-sort-value="000.01: 053" | 1: 53 | data-sort-value="I/16: 081" | I/16: 81 | after Z 4431; text after Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0002.006" | 2/6 | chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6) | G Dor. | SATB | data-sort-value="000.01: 072" | 1: 72 | data-sort-value="III/02 1: 026" | III/2.1: 25
III/2.2: 156 | after Z 4431; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0003.000" | 3 | data-sort-value="003.001" rowspan="2" | 1. | rowspan="2" | 1725-01-14 | Cantata Ach Gott, wie manches Herzeleid (Epiphany II) | rowspan="2" | A maj. | data-sort-value="satbSATB Hn Tbn Obax2 Str Bc" | satbSATB Hn Tbn 2Oba Str Bc | data-sort-value="000.01: 073" | 1: 73 | data-sort-value="I/05: 189" | I/5: 189 | data-sort-value="after Z 0533a; text after Moller" | after Z 533a; text after Moller | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0003.006" | 3/6 | chorale setting "Ach Gott, wie manches Herzeleid" (s. 18) | SATB | data-sort-value="000.01: 094" | 1: 94 | data-sort-value="III/02 1: 028" | III/2.1: 26
III/2.2: 90 | data-sort-value="after Z 0533a; text by Moller" | after Z 533a; text by Moller | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0004.200" | 4.2 | data-sort-value="004.001" rowspan="2" | 1. | rowspan="2" | 1724-04-09 | Cantata Christ lag in Todes Banden (Easter) | E min. | data-sort-value="satbSATB Cnt Tbnx3 Str Bc" | satbSATB Cnt 3Tbn Str Bc | data-sort-value="000.01: 095" | 1: 95 | data-sort-value="I/09: 001" | I/9: 1 | after BWV 4.1; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0004.208" | 4/8 | chorale setting "Christ lag in Todes Banden" (s. 7) | E min.
D min. | SATB | data-sort-value="000.01: 124" | 1: 124 | data-sort-value="III/02 2: 104" | III/2.2: 104 | after Z 7012a; text by Luther | قالب:BDW |- | data-sort-value="0004.100" | 4.1 | data-sort-value="004.002" | 1. | 1707-04-24 | Cantata Christ lag in Todes Banden (Easter; early version, lost) | | data-sort-value="satbSATB Vlx2 Vax2 Bc" | satbSATB 2Vl 2Va Bc | | data-sort-value="I/09: 002" | I/9 | after Z 7012a; → BWV 4.2; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0005.000" | 5 | data-sort-value="005.001" rowspan="3" | 1. | rowspan="3" | 1724-10-15 | Cantata Wo soll ich fliehen hin (Trinity XIX) | rowspan="3" | G min. | data-sort-value="satbSATB Tdt Obx2 Str Bc" | satbSATB Tdt 2Ob Str Bc | data-sort-value="000.01: 125" | 1: 125 | I/24: 133 | after Z 2164; text after Heermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0005.007" rowspan="2" | 5/7 | chorale setting "Wo soll ich fliehen hin" (s. 11) | rowspan="2" | SATB | data-sort-value="000.01: 150" rowspan="2" | 1: 150 | rowspan="2" data-sort-value="III/02 1: 093" | III/2.1: 66
III/2.2: 180 | after Z 2164; text by Heermann | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Auf meinen lieben Gott" | after Z 2164 |- style="background: #E3F6CE;" | data-sort-value="0006.000" | 6 | data-sort-value="006.001" rowspan="2" | 1. | rowspan="2" | 1725-04-02 | Cantata Bleib bei uns, denn es will Abend werden (Easter 2) | C min. | data-sort-value="satbSATB Obx2 Odc Str Vc Bc" | satbSATB 2Ob Odc Str Vc Bc | data-sort-value="000.01: 151" | 1: 151 | data-sort-value="I/10: 043" | I/10: 43 | data-sort-value="after Z 0439 (/3: → BWV 0649)" | after Z 439 (/3: → BWV 649), Z 350a (/6); text after Lk 24:29 (/1), by Melanchthon & Selnecker (/3), Luther (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0006.006" | 6/6 | chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2) | G min. | SATB | data-sort-value="000.01: 176" | 1: 176 | data-sort-value="III/02 2: 040" | III/2.2: 40 | data-sort-value="after Z 0350; text by Luther" | after Z 350a; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0007.000" | 7 | data-sort-value="007.001" | 1. | 1724-06-24 | Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist) | E min. | data-sort-value="atbSATB Obax2 Vlx2 Str Bc" | atbSATB 2Oba 2Vl Str Bc | data-sort-value="000.01: 177" | 1: 177 | data-sort-value="I/29: 025" | I/29: 25 | after Z 7246; text after Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0008.100" | 8.1 | data-sort-value="008.002" | 1. | 1724-09-24 | Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) | E maj. | data-sort-value="satbSATB Hn Fl Obax2 Str Bc" | satbSATB Hn Fl 2Oba Str Bc | data-sort-value="000.01: 211" | 1: 211 | I/23: 105 | after Z 6634; by Vetter, D. (/6); text after Neumann; → BWV 8.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0008.200" | 8.2 | data-sort-value="009.002" | 1. | 1747-09-17 | Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) | D maj. | data-sort-value="satbSATB Fl Obax2 Tai Vlx2 Str Bc" | satbSATB Fl 2Oba Tai 2Vl Str Bc | | I/23: 163 | data-sort-value="after BWV 0008.1" | after BWV 8.1 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0009.000" | 9 | data-sort-value="009.003" rowspan="2" | 1. | rowspan="2" | 1734-08-01 | Cantata Es ist das Heil uns kommen her (Trinity VI) | rowspan="2" | E maj. | satbSATB Fl Oba Str Bc | data-sort-value="000.01: 243" | 1: 243 | data-sort-value="I/17 2: 083" | I/17.2: 83 | after Z 4430; text after Speratus | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0009.007" | 9/7 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | SATB | data-sort-value="000.01: 274" | 1: 274 | data-sort-value="III/02 1: 070" | III/2.1: 52
III/2.2: 172 | after Z 4430; text by Speratus | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0010.000" | 10 | data-sort-value="010.002" rowspan="2" | 1. | rowspan="2" | 1724-07-02 | Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation) | rowspan="2" | G min. | data-sort-value="satbSATB Tr Obx2 Str Bc" | satbSATB Tr 2Ob Str Bc | data-sort-value="000.01: 275" | 1: 275 | data-sort-value="I/28 2: 131" | I/28.2: 131 | after Magnificat peregrini toni; text after Magnificat; → BWV 648 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0010.007" | 10/7 | chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11) | SATB | data-sort-value="000.01: 303" | 1: 303 | data-sort-value="III/02 1: 118" | III/2.1: 82
III/2.2: 205 | after Magnificat peregrini toni; text: German Magnificat | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0012.000" rowspan="2" | 12 | data-sort-value="011.003" rowspan="2" | 1. | 1714-04-22 | rowspan="2" | Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions) | F Dor. | data-sort-value="atbSATB Tr Ob Vlx2 Vax2 Bas Bc" rowspan="2" | atbSATB Tr Ob 2Vl 2Va Bas Bc | data-sort-value="000.02: 059" | 2: 59 | data-sort-value="I/11 2: 001" rowspan="2" | I/11.2: 1 | rowspan="2" | after Z 5629 (/7: → BWV 69.1/6); text by Franck, S.?; text after Acts 14:22 (/3); text by Rodigast (/7); /2 → BWV 232/14 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | 1724-04-30 | G min. | |- style="background: #E3F6CE;" | data-sort-value="0013.000" | 13 | data-sort-value="012.002" rowspan="3" | 1. | rowspan="3" | 1726-01-20 | Cantata Meine Seufzer, meine Tränen (Epiphany II) | D min. | data-sort-value="satbSATB Flx2 Odc Str Bc" | satbSATB 2Fl Odc Str Bc | data-sort-value="000.02: 079" | 2: 79 | data-sort-value="I/05: 229" | I/5: 229 | after Z 6543 (/3), Z 2293b (/6); text by Lehms, Heermann (/3), Fleming (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0013.006" rowspan="2" | 13/6 | chorale setting "In allen meinen Taten" (s. 9) | B♭ maj. | rowspan="2" | SATB | data-sort-value="000.02: 098" | 2: 98 | data-sort-value="III/02 2: 058" | III/2.2: 58 | rowspan="2" | after Z 2293b; text by Fleming | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Nun ruhen alle Wälder" | G maj. | | data-sort-value="III/02 2: 216" | III/2.2: 216 |- style="background: #E3F6CE;" | data-sort-value="0014.000" | 14 | data-sort-value="013.002" rowspan="2" | 1. | rowspan="2" | 1735-01-30 | Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV) | rowspan="2" | G min. | data-sort-value="stbSATB Hn Obx2 Str Bc" | stbSATB Hn 2Ob Str Bc | data-sort-value="000.02: 099" | 2: 99 | data-sort-value="I/06: 139" | I/6: 139 | after Z 4434; text after Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0014.005" | 14/5 | chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3) | SATB | data-sort-value="000.02: 132" | 2: 132 | data-sort-value="III/02 1: 128" | III/2.1: 88
III/2.2: 103 | after Z 4434; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0016.000" rowspan="2" | 16 | data-sort-value="014.003" rowspan="3" | 1. | 1726-01-01 | rowspan="2" | Cantata Herr Gott, dich loben wir (New Year/Circumcision) | rowspan="3" | A min. | data-sort-value="atbSATB Hn Obx2 Odc Str Bc" | atbSATB Hn 2Ob Odc Str Bc | data-sort-value="000.02: 173" rowspan="2" | 2: 173 | data-sort-value="I/04: 103" rowspan="2" | I/4: 103 | rowspan="2" | after Z 8652 (/1), 5267 (/6; → BWV 419); text by Lehms, Luther (/1), Eber (/6) | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | 1731-01-01 | data-sort-value="atbSATB Hn Obx2 Va Str Bc" | atbSATB Hn 2Ob Va Str Bc |- style="background: #E3F6CE;" | data-sort-value="0016.006" | 16/6 | 1726-01-01 | chorale setting "Helft mir Gotts Güte preisen" (s. 6) | SATB | data-sort-value="000.02: 198" | 2: 198 | data-sort-value="III/02 2: 056" | III/2.2: 56 | after Z 5267; text by Eber | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0017.000" | 17 | data-sort-value="015.002" rowspan="2" | 1. | rowspan="2" | 1726-09-22 | Cantata Wer Dank opfert, der preiset mich (Trinity XIV) | rowspan="2" | A maj. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.02: 199" | 2: 199 | I/21: 147 | after Z 8244 (/7); text: Meiningen, after Ps 50:23 (/1; → BWV 236/6), Lk 17:15–16 (/4), by Gramann (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0017.007" | 17/7 | chorale setting "Nun lob, mein Seel, den Herren" (s. 3) | SATB | data-sort-value="000.02: 225" | 2: 225 | data-sort-value="III/02 2: 004" | III/2.2: 4 | after Z 8244; text by Gramann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0018.200" | 18.2 | data-sort-value="016.002" rowspan="2" | 1. | rowspan="2" | 1724-02-13 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | rowspan="2" | A min. | data-sort-value="stbSATB Flx2 Bas Vax4 Vc Bc" | stbSATB 2Fl Bas 4Va Vc Bc | data-sort-value="000.02: 227" | 2: 227
(in g) | data-sort-value="I/07: 107" | I/7: 107 | data-sort-value="after BWV 0018.1" | after BWV 18.1; text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0018.205" rowspan="2" | 18/5 | chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8) | rowspan="2" | SATB | data-sort-value="000.02: 252" rowspan="2" | 2: 252
(in g) | data-sort-value="III/02 2: 071" | III/2.2: 71 | after Z 7549; text by Spengler | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="016.003" rowspan="2" | 1. | rowspan="2" | 1715-02-24 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | rowspan="2" | G min. | data-sort-value="III/02 2: 056" | III/2.2: 56 | after Z 7549; text by Agricola |- style="background: #E3F6CE;" | data-sort-value="0018.001" | 18.1 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | data-sort-value="stbSATB Bas Vax4 Vc Bc" | stbSATB Bas 4Va Vc Bc | | data-sort-value="I/07: 081" | I/7: 81 | after Z 7549 (/5); text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5); → BWV 18.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0019.000" | 19 | data-sort-value="017.003" rowspan="3" | 1. | rowspan="3" | 1726-09-29 | Cantata Es erhub sich ein Streit (Michaelmas) | rowspan="3" | C maj. | data-sort-value="stbSATB Trx3 Tmp Obx2 Obax2 Tai Str Bc" | stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc | data-sort-value="000.02: 253" | 2: 253 | data-sort-value="I/30: 055" | I/30: 55 | after Z 6543 (/7); text after Picander | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0019.007" rowspan="2" | 19/7 | chorale setting "Freu dich sehr, o meine Seele" (s. 9) | rowspan="2" | SATB | data-sort-value="000.02: 288" rowspan="2" | 2: 288 | rowspan="2" data-sort-value="III/02 1: 087" | III/2.1: 62
III/2.2: 177 | after Z 6543 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Weg, mein Herz, mit den Gedanken" | after Z 6543; text by Gerhardt |- style="background: #E3F6CE;" | data-sort-value="0020.000" | 20 | data-sort-value="018.002" rowspan="2" | 1. | rowspan="2" | 1724-06-11 | Cantata O Ewigkeit, du Donnerwort (Trinity I) | rowspan="2" | F maj. | data-sort-value="atbSATB Tdt Tmp Obx3 Str Bc" | atbSATB Tdt Tmp 3Ob Str Bc | data-sort-value="000.02: 291" | 2: 291 | I/15: 133 | after Z 5820; text after Rist | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0020.007" | 20/7
20/11 | chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16) | SATB | data-sort-value="000.02: 317" | 2: 317,
327 | data-sort-value="III/02 2: 017" | III/2.2: 17 | after Z 5820; text by Rist | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0021.100" | 21.1 | data-sort-value="019.002" | 1. | data-sort-value="1713-11-30" | before Dec. 1713 | Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; 1714-06-17: Trinity III) | C min. | data-sort-value="satbSATB Trx3 Tmp Ob Str Bc" | satbSATB 3Tr Tmp Ob Str Bc | | I/16: 109 | after Z 2778 (/9); text by Franck, S.?; text after Ps 94:19 (/2), 42:12 (/6), 116:7 (/9), Rv 5:12–13 (/11), by Neumark (/9); → BWV 21.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0021.200" | 21.2 | data-sort-value="019.003" | 1. | data-sort-value="1720-09-28" | autumnح. autumn 1720 | Cantata Ich hatte viel Bekümmernis (2nd version: in ogni tempore) | D min. | data-sort-value="satbSATB Trx3 Tmp Ob Str Bas Bc" | satbSATB 3Tr Tmp Ob Str Bas Bc | | I/16 | after BWV 21.1 (same text); → BWV 21.3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0021.300" | 21.3 | data-sort-value="019.004" | 1. | 1723-06-13 | Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III) | C min. | data-sort-value="satbSATB Trx3 Tmp Tnex4 Ob Str Bas Bc" | satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc | data-sort-value="000.05 1: 001" | 5¹: 1 | I/16 | after BWV 21.2 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0022.000" | 22 | data-sort-value="021.001" | 1. | 1723-02-07 | Cantata Jesus nahm zu sich die Zwölfe (Estomihi) | | satbSATB Ob Str Bc | data-sort-value="000.05 1: 065" | 5¹: 65 | data-sort-value="I/08: 001" | I/8: 1 | after Z 4297a (/5); text after Luke 18:31, 34 (/1), by Cruciger (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0023.100" | 23.1 | data-sort-value="022.001" | 1. | data-sort-value="1723-01-15" | 1723 | Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) | C min. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.05 1: 093" | 5¹: 93 | data-sort-value="I/08: 033" | I/8: 33 | data-sort-value="→ BWV 0023.2" | → BWV 23.2, .3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0023.200" | 23.2 | data-sort-value="022.002" | 1. | 1723-02-07 | Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) | B min. | data-sort-value="satbSATB Cnt Tbnx3 Obax2 Str Bc" | satbSATB Cnt 3Tbn 2Oba Str Bc | | data-sort-value="I/08: 069" | I/8: 69 | data-sort-value="after BWV 0023.1" | after BWV 23.1, Z 58 (/4); text by Luther after Agnus Dei (/4); → BWV 23.3, 245.2/40 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0023.300" | 23.3 | data-sort-value="022.003" | 1. | data-sort-value="1729-12-31" | 1728–1731 | Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) | C min. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.05 1: 094" | 5¹: 93 | data-sort-value="I/08: 035" | I/8: 33 | data-sort-value="after BWV 0023.2" | after BWV 23.1, .2; text by Luther after Agnus Dei (/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0024.000" | 24 | data-sort-value="023.001" rowspan="3" | 1. | rowspan="3" | 1723-06-20 | Cantata Ein ungefärbt Gemüte (Trinity IV) | rowspan="3" | F maj. | data-sort-value="satbSATB Tr Obx2 Obax2 Str Bc" | satbSATB Tr 2Ob 2Oba Str Bc | data-sort-value="000.05 1: 125" | 5¹: 125 | data-sort-value="I/17 1: 047" | I/17.1: 47 | after Z 5148 (/6); text by Neumeister, Heermann (/6), after Mt 7:12 (/3) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0024.006" rowspan="2" | 24/6 | chorale setting "O Gott, du frommer Gott" (s. 1) | rowspan="2" | SATB | data-sort-value="000.05 1: 150" rowspan="2" | 5¹: 150 | data-sort-value="III/02 2: 195" rowspan="2" | III/2.2: 195 | after Z 5148; text by Heermann | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Was frag ich nach der Welt" | after Z 5148; text by Kindermann |- style="background: #E3F6CE;" | data-sort-value="0025.000" | 25 | data-sort-value="024.001" rowspan="4" | 1. | rowspan="4" | 1723-08-29 | Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV) | E min. | data-sort-value="stbSATB Cnt Tbnx3 Flx3 Obx2 Str Bc" | stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc | data-sort-value="000.05 1: 153" | 5¹: 153 | data-sort-value="I/21: 079" | I/21: 79 | after Z 6543 (/6); text after Rambach, Ps 38:4 (/1), by Heermann (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0025.006" rowspan="3" | 25/6 | chorale setting "Treuer Gott, ich muss dir klagen" (s. 12) | rowspan="3" | C maj. | rowspan="3" | SATB | data-sort-value="000.05 1: 188" rowspan="3" | 5¹: 188 | rowspan="2" data-sort-value="III/02 1: 011" | III/2.1: 15
III/2.2: 150 | after Z 6543; text by Heermann | rowspan="3" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Weg, mein Herz, mit den Gedenken" | after Z 6543; text by Gerhardt |- style="background: #E3F6CE;" | chorale setting "Freu dich sehr, o meine Seele" | data-sort-value="III/02 2: 168" | III/2.2: 168 | after Z 6543 |- style="background: #E3F6CE;" | data-sort-value="0026.000" | 26 | data-sort-value="024.002" rowspan="2" | 1. | rowspan="2" | 1724-11-19 | Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV) | rowspan="2" | A min. | data-sort-value="satbSATB Hn Fl Obx3 Str Bc" | satbSATB Hn Fl 3Ob Str Bc | data-sort-value="000.05 1: 189" | 5¹: 189 | data-sort-value="I/27: 029" | I/27: 29 | after Z 1887b; text after Franck, M. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0026.006" | 26/6 | chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8) | SATB | data-sort-value="000.05 1: 216" | 5¹: 216 | data-sort-value="III/02 2: 028" | III/2.2: 28 | after Z 1887b; text by Franck, M. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0027.000" | 27 | data-sort-value="025.002" | 1. | 1726-10-06 | Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI) | C min. | data-sort-value="satbSSATB Hn Obx2 Odc Str Org Bc" | satbSSATB Hn 2Ob Odc Str Org Bc | data-sort-value="000.05 1: 217" | 5¹: 217 | I/23: 221 | after Z 2778 (/1); by Rosenmüller (/6 = BWV Anh. 170); text by E. J. of Schwarzburg-Rudolstadt (/1), Albinus (/6), after Neumeister (/3) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0028.000" | 28 | data-sort-value="026.002" rowspan="3" | 1. | rowspan="3" | 1725-12-30 | Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I) | rowspan="3" | A min. | data-sort-value="satbSATB Cnt Tbnx3 Obx2 Tai Str Bc" | satbSATB Cnt 3Tbn 2Ob Tai Str Bc | data-sort-value="000.05 1: 245" | 5¹: 245 | data-sort-value="I/03 2: 075" | I/3.2: 75 | after Z 8244 (/2), 5267 (/6); text by Neumeister, Gramann (/2), Eber (/6), after Jer 32:41 (/3); → BWV 28/2a, Anh. 160/2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0028.006" rowspan="2" | 28/6 | chorale setting "Helft mir Gotts Güte preisen" (s. 12) | rowspan="2" | SATB | data-sort-value="000.05 1: 272" rowspan="2" | 5¹: 272 | data-sort-value="III/02 1: 008" | III/2.1: 13
III/2.2: 49 | after Z 5267; text by Eber | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Zeuch ein zu deinen Toren" | data-sort-value="III/02 2: 015" | III/2.2: 15 | after Z 5267; text by Gerhardt |- | data-sort-value="0028.202" | 28/2a | data-sort-value="027.002" | 1. | data-sort-value="1725-07-01" | 1725? | Motet Sei Lob und Preis mit Ehren | C maj. | SATB | data-sort-value="000.39: 167" | 39: 167 | data-sort-value="III/03: 015" | III/3: 15 | data-sort-value="after BWV 0028/2" | after BWV 28/2; ↔ Anh. 160/2; was BWV 231 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0029.000" | 29 | data-sort-value="027.003" rowspan="2" | 1. | rowspan="2" | 1731-08-27 | Cantata Wir danken dir, Gott, wir danken dir (council election) | rowspan="2" | D maj. | data-sort-value="satbSATB Trx3 Tmp Obx2 Str Org Bc" | satbSATB 3Tr Tmp 2Ob Str Org Bc | data-sort-value="000.05 1: 273" | 5¹: 273 | data-sort-value="I/32 2: 001" | I/32.2: 1 | data-sort-value="after BWV 0120.2/4" | after BWV 120.2/4 (/1), Z 8244 (/8); text after Ps 75:2 (/2; → BWV 232/7, /23), by Gramann (/8) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0029.008" | 29/8 | chorale setting "Nun lob, mein Seel, den Herren" (s. 5) | SATB | data-sort-value="000.05 1: 316" | 5¹: 316 | data-sort-value="III/02 2: 065" | III/2.2: 65 | after Z 8244; text by Gramann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0030.200" | 30.2 | data-sort-value="028.002" rowspan="3" | 1. | rowspan="3" | 1738-06-24 | Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist) | D maj. | data-sort-value="satbSATB Flx2 Obx2 Oba Vl Str Bc" | satbSATB 2Fl 2Ob Oba Vl Str Bc | data-sort-value="000.05 1: 321" | 5¹: 321 | data-sort-value="I/29: 059" | I/29: 59 | after BWV 30.1, Z 6543 (/6); text by Picander?, Olearius, J. (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0030.206" rowspan="2" | 30.2/6 | chorale setting "Tröstet, tröstet, meine Lieben" (s. 3) | A maj. | rowspan="2" | SATB | data-sort-value="000.05 1: 360" rowspan="2" | 5¹: 360 | rowspan="2" data-sort-value="III/02 2: 042" | III/2.2: 42 | after Z 6543; text by Olearius, J. | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Freu dich sehr, o meine Seele" | G maj. | after Z 6543 |- style="background: #E3F6CE;" | data-sort-value="0030.100" | 30.1 | data-sort-value="030.002" | 1. | 1737-09-28 | Secular cantata Angenehmes Wiederau (for Hennicke (de) at Wiederau (de) manor) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx2 Obx2 Oba Str Bc" | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc | data-sort-value="000.05 1: 399" | 5¹: 399
34: 325 | data-sort-value="I/39: 051" | I/39: 51 | text by Picander; → BWV 30.2, 195.2/6, /8 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0031.200" | 31.2 | data-sort-value="031.002" rowspan="2" | 1. | rowspan="2" | 1724-04-09 | Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) | rowspan="2" | C maj. | data-sort-value="stbSSATB Trx3 Tmp Ob Obax2 Bas Vlx2 Vax2 Bc" | stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc | data-sort-value="000.07: 001" | 7: 1 | data-sort-value="I/09: 041" | I/9: 41 | after BWV 31.1 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0031.209" | 31/9 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5) | SATB | data-sort-value="000.07: 050" | 7: 50 | data-sort-value="III/02 1: 078" | III/2.1: 56 | after Z 4482a; text by Herman | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0031.100" | 31.1 | data-sort-value="031.003" | 1. | 1715-04-21 | Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter) | C maj. | data-sort-value="stbSSATB Trx3 Tmp Obx3 Tai Bas Vlx2 Vax2 Bc" | stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc | | data-sort-value="I/09" | I/9
rev 2: 37 | after Z 4482a (/9); text by Franck, S, Herman (/9); → BWV 31.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0032.000" | 32 | data-sort-value="032.002" rowspan="3" | 1. | rowspan="3" | 1726-01-13 | Cantata Liebster Jesu, mein Verlangen (Epiphany I) | E min. | sbSATB Ob Str Bc | data-sort-value="000.07: 053" | 7: 53 | data-sort-value="I/05: 143" | I/5: 143 | after Z 6543 (/6); text by Lehms, Gerhardt (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0032.006" rowspan="2" | 32/6 | chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12) | rowspan="2" | G maj. | rowspan="2" | SATB | data-sort-value="000.07: 080" rowspan="2" | 7: 80 | rowspan="2" data-sort-value="III/02 2: 018" | III/2.2: 18 | after Z 6543; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Freu dich sehr, o meine Seele" | after Z 6543 |- style="background: #E3F6CE;" | data-sort-value="0033.000" | 33 | data-sort-value="033.002" rowspan="2" | 1. | rowspan="2" | 1724-09-03 | Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII) | rowspan="2" | A min. | data-sort-value="atbSATB Obx2 Str Bc" | atbSATB 2Ob Str Bc | data-sort-value="000.07: 081" | 7: 81 | data-sort-value="I/21: 023" | I/21: 23 | after Z 7292b; text after Hubert | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0033.006" | 33/6 | chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4) | SATB | data-sort-value="000.07: 114" | 7: 114 | data-sort-value="III/02 1: 080" | III/2.1: 58
III/2.2: 10 | after Z 7292b; text by Hubert | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0034.100" | 34.1 | data-sort-value="034.002" | 1. | 1727-06-01 | Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost) | D maj. | data-sort-value="atbSATB Trx3 Tmp Flx2 Obx2 Str Bc" | atbSATB 3Tr Tmp 2Fl 2Ob Str Bc | data-sort-value="000.07: 115" | 7: 115 | I/13: 129 | text after Ps 128:6 (/5); → BWV 34.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0034.200" | 34.2 | data-sort-value="035.002" | 1. | data-sort-value="1728-07-01" | after 1727 | Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete) | D maj. | satbSATB Vl Va Bc | data-sort-value="000.41: 117" | 41: 117 | data-sort-value="I/33: 027" | I/33: 27 | data-sort-value="after BWV 0034.1" | after BWV 34.1; text after Ps 128:4–6 (/3–/4), Nm 6:24–26 (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0035.000" | 35 | data-sort-value="036.002" | 1. | 1726-09-08 | Cantata Geist und Seele wird verwirret (Trinity XII) | D min. | data-sort-value="a Obx2 Tai Str Org Bc" | a 2Ob Tai Str Org Bc | data-sort-value="000.07: 171" | 7: 171 | I/20: 215 | text by Lehms; → BWV 1059 | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0036.400" | 36.4 | data-sort-value="037.001" rowspan="2" | 1. | data-sort-value="1728-07-01" rowspan="2" | 1726–1730ح. 1726–1730 | Cantata Schwingt freudig euch empor (Advent I; early version) | rowspan="2" | D maj. | stbSATB Oba Str Bc | data-sort-value="000.07: 395" | 7: 395 | data-sort-value="I/01: 017" | I/1: 17 | data-sort-value="after BWV 0036.1" | after BWV 36.1, Z 8359 (/5); text by Picander?, by Nicolai (/5); → BWV 36.5 | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0036.405" | 36.4/5 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 7) | SATB | data-sort-value="000.07: 399" | 7: 399 | data-sort-value="III/02 1: 033" | III/2.1: 28 | after Z 8359; text by Nicolai | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0036.500" | 36.5 | data-sort-value="037.002" rowspan="3" | 1. | rowspan="3" | 1731-12-02 | Cantata Schwingt freudig euch empor (Advent I) | rowspan="2" | D maj. | data-sort-value="satbSATB Obax2 Str Bc" | satbSATB 2Oba Str Bc | data-sort-value="000.07: 221" | 7: 221 | data-sort-value="I/01: 041" | I/1: 41 | data-sort-value="after BWV 0036.4" | after BWV 36.4, Z 1174 (/2, /6, /8), Z 8359 (/4); text by Picander?, by Luther (/2, /6, /8), Nicolai (/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0036.504" | 36.5/4 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 6) | SATB | data-sort-value="000.07: 243" | 7: 243 | data-sort-value="III/02 2: 048" | III/2.2: 48,
109, 180 | after Z 8359; text by Nicolai | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0036.508" | 36.5/8 | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | B min. | SATB | data-sort-value="000.07: 258" | 7: 258 | data-sort-value="III/02 2: 018" | III/2.2: 18 | after Z 1174; text by Luther | قالب:BDW |- | data-sort-value="0036.200" | 36.2 | data-sort-value="039.001" | 1. | data-sort-value="1725-11-30" | 1726-11-30 or
1725-11-30 | Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) | | stbSATB Oba Va Str Bc (?) | | I/35 | text by Picander; after BWV 36.1/1, /3, /5, /7, /9 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0036.300" | 36.3 | data-sort-value="039.002" | 1. | 1735-07-27 | Secular cantata Die Freude reget sich (birthday of Rivinius, J. F. (de)?) | D maj. | satSATB Fl Oba Str Bc | data-sort-value="000.34: 039" | 34: 39 | I/38: 255 | data-sort-value="after BWV 0036.1/1" | after BWV 36.1/1, /3, /5, /7, /8 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0036.100" | 36.1 | data-sort-value="040.002" | 1. | data-sort-value="1725-04-30" | April–May 1725 | Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. (de)?) | D maj. | stbSATB Oba Str Va Bc | data-sort-value="000.34: 039" | 34: 39 | data-sort-value="I/39: 001" | I/39: 1 | data-sort-value="→ BWV 0036.2" |→ BWV 36.2–.4 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0037.000" | 37 | data-sort-value="041.002" rowspan="2" | 1. | rowspan="2" | 1724-05-18 | Cantata Wer da gläubet und getauft wird (Ascension) | rowspan="2" | A maj. | data-sort-value="satbSATB Obax2 Str Bc" | satbSATB 2Oba Str Bc | data-sort-value="000.07: 259" | 7: 259 | data-sort-value="I/12: 079" | I/12: 79 | after Z 8359 (/3), 5354 (/6); text after Mk 16: 16, by Nicolai (/3), Kolross (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0037.006" | 37/6 | chorale setting "Ich dank dir, lieber Herre" (s. 4) | SATB | data-sort-value="000.07: 282" | 7: 282 | data-sort-value="III/02 2: 197" | III/2.2: 197 | after Z 5354; text by Kolross | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0038.000" | 38 | data-sort-value="042.002" rowspan="2" | 1. | rowspan="2" | 1724-10-29 | Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI) | rowspan="2" | E min. | data-sort-value="satbSATB Tbnx4 Obx2 Str Bc" | satbSATB 2Ob 4Tbn Str Bc | data-sort-value="000.07: 283" | 7: 283 | I/25: 217 | after Z 4437; text after Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0038.006" | 38/6 | chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5) | SATB | data-sort-value="000.07: 300" | 7: 300 | data-sort-value="III/02 1: 094" | III/2.1: 67
III/2.2: 8 | after Z 4437; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0039.000" | 39 | data-sort-value="043.002" rowspan="3" | 1. | rowspan="3" | 1726-06-23 | Cantata Brich dem Hungrigen dein Brot (Trinity I) | G min. | data-sort-value="sabSATB Flx2 Obx2 Str Bc" | sabSATB 2Fl 2Ob Str Bc | data-sort-value="000.07: 336" | 7: 336 | I/15 179 | after Z 6543 (/7); text: Meiningen, after Is 58:7–8 (/1), Hb 13:16 (/4), by Denicke (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0039.007" rowspan="2" | 39/7 | chorale setting "Kommt, lasst euch den Herren lehren" (s. 6) | rowspan="2" | B♭ maj. | rowspan="2" | SATB | data-sort-value="000.07: 348" rowspan="2" | 7: 348 | rowspan="2" data-sort-value="III/02 1: 116" | III/2.1: 81
III/2.2: 37 | after Z 6543; text by Denicke | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Freu dich sehr, o meine Seele" | after Z 6543 |- style="background: #E3F6CE;" | data-sort-value="0040.000" | 40 | data-sort-value="044.002" rowspan="4" | 1. | rowspan="4" | 1723-12-26 | Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2) | F maj. | data-sort-value="atbSATB Hnx2 Obx2 Str Bc" | atbSATB 2Hn 2Ob Str Bc | data-sort-value="000.07: 349" | 7: 349 | data-sort-value="I/03 1: 003" | I/3.1: 3 | after Z 2072 (/3), 4870 (/6), 7880a (/8); text after 1Jh 3:8 (/1; → BWV 233/6), by Füger (/3), Gerhardt (/6), Keymann (/8) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0040.003" | 40/3 | chorale setting "Wir Christenleut" (s. 3) | G min. | SATB | data-sort-value="000.07: 377" | 7: 377 | data-sort-value="III/02 2: 186" | III/2.2: 186 | after Z 2072; text by Füger | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0040.006" | 40/6 | chorale setting "Schwing dich auf zu deinem Gott" (s. 2) | D min. | SATB | data-sort-value="000.07: 387" | 7: 387 | data-sort-value="III/02 2: 082" | III/2.2: 82 | after Z 4870; text by Gerhardt | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0040.008" | 40/8 | chorale setting "Freuet euch, ihr Christen alle" (s. 4) | F min. | SATB | data-sort-value="000.07: 394" | 7: 394 | data-sort-value="III/02 2: 006" | III/2.2: 6 | after Z 7880a; text by Keymann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0041.000" | 41 | data-sort-value="045.002" rowspan="2" | 1. | rowspan="2" | 1725-01-01 | Cantata Jesu, nun sei gepreiset (New Year) | rowspan="2" | C maj. | data-sort-value="satbSATB Trx3 Tmp Obx3 Str Vc Bc" | satbSATB 3Tr Tmp 3Ob Str Vc Bc | data-sort-value="000.10: 001" | 10: 1 | data-sort-value="I/04: 037" | I/4: 37 | after Z 8477a; text after Hermann; /6 → BWV 171/6 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0041.006" | 41/6 | chorale setting "Jesu, nun sei gepreiset" (s. 3) | SATB | data-sort-value="000.10: 058" | 10: 58 | data-sort-value="III/02 1: 131" | III/2.1: 90
III/2.2: 8 | after Z 8477a; text by Hermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0042.000" | 42 | data-sort-value="046.002" rowspan="2" | 1. | rowspan="2" | 1725-04-08 | Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti) | D maj. | data-sort-value="satbSATB Obx2 Bas Str Bc" | satbSATB 2Ob Bas Str Bc | data-sort-value="000.10: 063" | 10: 63 | data-sort-value="I/11 1: 061" | I/11.1: 61 | after Z 1945b (/7); text after Jh 20:19 (/2), by Fabricius (/4), Luther after Da pacem Domine & Walter after 1Tm 2:2 (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0042.007" | 42/7 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | F♯ min. | SATB | data-sort-value="000.10: 091" | 10: 91 | data-sort-value="III/02 1: 020" | III/2.1: 21
III/2.2: 51, 154 | after Z 1945b; text by Luther after Da pacem Domine & Walter after 1Tm 2:2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0043.000" | 43 | data-sort-value="047.002" | 1. | 1726-05-30 | Cantata Gott fähret auf mit Jauchzen (Ascension) | C maj. | data-sort-value="satbSATB Trx3 Tmp Obx2 Str Bc" | satbSATB 3Tr Tmp 2Ob Str Bc | data-sort-value="000.10: 093" | 10: 93 | I/12: 133 | after Z 5741b (/11: by Peter (de)); text: Meiningen, after Ps 47:6–7 (/1), Mk 16:19 (/4), by Rist (/11) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0044.000" | 44 | data-sort-value="049.001" rowspan="3" | 1. | rowspan="3" | 1724-05-21 | Cantata Sie werden euch in den Bann tun (Exaudi) | G min. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.10: 127" | 10: 127 | I/12: 165 | data-sort-value="after Z 0533a" | after Z 533a (/4), 2293b (/7); text after Jh 16:2 (/1–2), by Moller (/4), Fleming (/7) | قالب:BDW |- style="background: #E3F6CE;" | rowspan="2" data-sort-value="0044.007" | 44/7 | chorale setting "In allen meinen Taten" (s. 7) | rowspan="2" | B♭ maj. | rowspan="2" | SATB | data-sort-value="000.10: 150" rowspan="2" | 10: 150 | rowspan="2" data-sort-value="III/02 1: 108" | III/2.1: 75
III/2.2: 203 | after Z 2293b; text by Fleming | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Nun ruhen alle Wälder" | after Z 2293b; text by Gerhardt |- style="background: #E3F6CE;" | data-sort-value="0045.000" | 45 | data-sort-value="050.001" rowspan="2" | 1. | rowspan="2" | 1726-08-11 | Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII) | rowspan="2" | E maj. | data-sort-value="atbSATB Flx2 Ob Oba Str Bc" | atbSATB 2Fl Ob Oba Str Bc | data-sort-value="000.10: 151" | 10: 151 | I/18: 197 | after Z 5206b–c (/7); text: Meiningen, after Mh 6:8 (/1), Mt 7:22–23 (/4), by Heermann (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0045.007" | 45/7 | chorale setting "O Gott, du frommer Gott" (s. 7) | SATB | data-sort-value="000.10: 186" | 10: 186 | data-sort-value="III/02 2: 047" | III/2.2: 47 | after Z 5206b–c; text by Heermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0046.000" | 46 | data-sort-value="051.001" rowspan="2" | 1. | rowspan="2" | 1723-08-01 | Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) | D min. | data-sort-value="atbSATB Tdt Hn Flx2 Odcx2 Str Bc" | atbSATB Tdt Hn 2Fl 2Odc Str Bc | data-sort-value="000.10: 187" | 10: 187 | I/19: 109 | after Z 5105a (/6); text after Lm 1:12 (/1), by Meyfart (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0046.006" | 46/6 | chorale setting "O großer Gott von Macht" (s. 9) | G min. | SATB | data-sort-value="000.10: 236" | 10: 236 | data-sort-value="III/02 2: 045" | III/2.2: 45 | after Z 5105a; text by Meyfart | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0047.000" | 47 | data-sort-value="052.001" rowspan="2" | 1. | rowspan="2" | 1726-10-13 | Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) | rowspan="2" | G min. | data-sort-value="sbSATB Obx2 Str Org Bc" | sbSATB 2Ob Str Org Bc | data-sort-value="000.10: 239" | 10: 239 | I/23: 319 | after Z 1689a (/5); text by Helbig, after Lk 14:11 (/1) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0047.005" | 47/5 | chorale setting "Warum betrübst du dich, mein Herz" (s. 11) | SATB | data-sort-value="000.10: 274" | 10: 274 | data-sort-value="III/02 2: 052" | III/2.2: 52 | after Z 1689a | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0048.000" | 48 | data-sort-value="052.002" rowspan="4" | 1. | rowspan="4" | 1723-10-03 | Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX) | G min. | data-sort-value="atSATB Tr Obx2 Str Bc" | atSATB Tr 2Ob Str Bc | data-sort-value="000.10: 275" | 10: 275 | I/24: 105 | after Z 2051 (/3), 4486 (/7); text after Rm 7:24, by Rutilius (de) (/3) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0048.003" | 48/3 | chorale setting "Ach Gott und Herr" (s. 4) | B♭ maj. | SATB | data-sort-value="000.10: 288" | 10: 288 | data-sort-value="III/02 1: 037" | III/2.1: 30
III/2.2: 166 | after Z 2051; text by Rutilius (de) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0048.007" rowspan="2" | 48/7 | chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12) | rowspan="2" | G min. | rowspan="2" | SATB | data-sort-value="000.10: 298" rowspan="2" | 10: 298 | rowspan="2" data-sort-value="III/02 1: 040" | III/2.1: 33
III/2.2: 158 | after Z 4486 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Herr Jesu Christ, du höchstes Gut" | after Z 4486; text by Ringwaldt |- style="background: #E3F6CE;" | data-sort-value="0049.000" | 49 | data-sort-value="053.002" | 1. | 1726-11-03 | Cantata Ich geh und suche mit Verlangen (Trinity XX) | G min. | sb Oba Str Vl Org Bc | data-sort-value="000.10: 299" | 10: 299 | I/25: 107 | after Z 8359; text by Birkmann, Nicolai & after Jer 31:3, Rv 3:20 (/6); /1 → BWV 1053/3 | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0050.000" | 50 | data-sort-value="054.002" | 1. | | Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) | D maj. | data-sort-value="SATBx2 Trx3 Tmp Obx3 Str Bc" | 2SATB 3Tr Tmp 3Ob Str Bc | data-sort-value="000.10: 341" | 10: 341 | I/30: 141 | text after Rv 12:10; in SBB P 136 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0051.000" | 51 | data-sort-value="055.001" | 1. | 1730-09-17 | Cantata Jauchzet Gott in allen Landen (Trinity XV) | C maj. | data-sort-value="s Trx2 Tmp Str Bc" | s (2)Tr (Tmp) Str Bc | data-sort-value="000.12 2: 001" | 12²: 1 | data-sort-value="I/22: 077" | I/22: 77 | after Z 8244 (/4); text after Ps 128:2 & 26:2 (/2), by Gramann (/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0052.000" | 52 | data-sort-value="055.002" | 1. | 1726-11-24 | Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII) | F maj. | data-sort-value="sSATB Hnx2 Obx3 Bas Str Bc" | sSATB 2Hn 3Ob Bas Str Bc | data-sort-value="000.12 2: 025" | 12²: 25 | I/26: 131 | after BWV 1046a/1 (/1), Z 2461 (/6); text by Birkmann, Reusner (/6) | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0054.000" | 54 | data-sort-value="056.003" | 1. | data-sort-value="1715-12-31" | 1714–1717? | Cantata Widerstehe doch der Sünde (Oculi) | E♭ maj. | data-sort-value="a Vlx2 Vax2 Bc" | a 2Vl 2Va Bc | data-sort-value="000.12 2: 059" | 12²: 59 | data-sort-value="I/18: 003" | I/18: 3 | text by Lehms; → BWV 247/53? | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0055.000" | 55 | data-sort-value="057.002" rowspan="2" | 1. | rowspan="2" | 1726-11-17 | Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII) | G min. | tSATB Fl Oba Str Bc | data-sort-value="000.12 2: 073" | 12²: 73 | data-sort-value="I/26: 055" | I/26: 55 | after Z 6551 (/5); text by Birkmann, Rist (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0055.005" | 55/5 | chorale setting "Werde munter, mein Gemüte" (s. 6) | B♭ maj. | SATB | data-sort-value="000.12 2: 086" | 12²: 86 | data-sort-value="III/02 2: 053" | III/2.2: 53 | after Z 6551; text by Rist | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0056.000" | 56 | data-sort-value="058.001" rowspan="2" | 1. | rowspan="2" | 1726-10-27 | Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX) | G min. | data-sort-value="bSATB Obx2 Tai Str Vc Bc" | bSATB 2Ob Tai Str Vc Bc | data-sort-value="000.12 2: 087" | 12²: 87 | I/24: 173 | after Z 6773 (/5); text by Birkmann, Franck, J. (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0056.005" | 56/5 | chorale setting "Du, o schönes Weltgebäude" (s. 6) | C Dor. | SATB | data-sort-value="000.12 2: 104" | 12²: 104 | data-sort-value="III/02 2: 048" | III/2.2: 48 | after Z 6773; text by Franck, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0057.000" | 57 | data-sort-value="058.002" rowspan="2" | 1. | rowspan="2" | 1725-12-26 | Cantata Selig ist der Mann (Christmas 2) | G min. | data-sort-value="sbSATB Obx2 Tai Str Bc" | sbSATB 2Ob Tai Str Bc | data-sort-value="000.12 2: 105" | 12²: 105 | data-sort-value="I/03 1: 083" | I/3.1: 83 | after Z 1912a–c (/8); text by Lehms, Fritsch (/8), after Jm 1:12 (/1) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0057.008" | 57/8 | chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6) | B♭ maj. | SATB | data-sort-value="000.12 2: 132" | 12²: 132 | data-sort-value="III/02 2: 050" | III/2.2: 50 | after Z 1912a–c; text by Fritsch | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0058.200" | 58.2 | data-sort-value="059.002" | 1. | data-sort-value="1733-01-04" | 1733-01-04
or
1734-01-03 | Cantata Ach Gott, wie manches Herzeleid (New Year I) | C maj. | data-sort-value="sb Obx2 Tai Vl Str Bc" | sb 2Ob Tai Vl Str Bc | data-sort-value="000.12 2: 133" | 12²: 133 | data-sort-value="I/04: 217" | I/4: 217 | data-sort-value="after BWV 0058.1; text by Birkmann" | after BWV 58.1; text by Birkmann, Moller (/1), Behm (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0058.100" | 58.1 | data-sort-value="060.001" | 1. | 1727-01-05 | Cantata Ach Gott, wie manches Herzeleid (New Year I; early version) | C maj. | sb Vl Str Bc | | data-sort-value="I/04: 241" | I/4: 241 | data-sort-value="after Z 0533a (/1, 5); text by Birkmann" | after Z 533a (/1, /5); text by Birkmann, Moller (/1), Behm (/5); → BWV 58.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0059.000" | 59 | data-sort-value="060.002" | 1. | 1724-05-28 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) | C maj. | data-sort-value="sbSATB Trx2 Tmp Str Bc" | sbSATB 2Tr Tmp Str Bc | data-sort-value="000.12 2: 151" | 12²: 151 | data-sort-value="I/13: 065" | I/13: 65 | after Z 7445a (/3); text by Neumeister, Luther (/3), after Jh 14:23 (/1); → BWV 74/1–/2, 175/7 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0060.000" | 60 | data-sort-value="061.002" rowspan="2" | 1. | rowspan="2" | 1723-11-07 | Cantata O Ewigkeit, du Donnerwort (Trinity XXIV) | D maj. | data-sort-value="atbSATB Hn Obax2 Str Bc" | atbSATB Hn 2Oba Str Bc | data-sort-value="000.12 2: 169" | 12²: 169 | data-sort-value="I/27: 001" | I/27: 1 | after Z 5820 (/1), 7173 (/5); text by Rist (/1), Burmeister (/5), after Rv 14:13 (/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0060.005" | 60/5 | chorale setting "Es ist genug, so nimm" (s. 5) | A maj. | SATB | data-sort-value="000.12 2: 190" | 12²: 190 | data-sort-value="III/02 1: 046" | III/2.1: 37
III/2.2: 127 | after Z 7173; text by Burmeister | قالب:BDW |- id="NBA I-1" style="background: #E3F6CE;" | data-sort-value="0061.000" | 61 | data-sort-value="062.001" | 1. | 1714-12-02 | Cantata Nun komm, der Heiden Heiland (Advent I – first setting) | A min. | data-sort-value="stbSATB Fag Vlx2 Vax2 Bc" | stbSATB Fag 2Vl 2Va Bc | data-sort-value="000.16: 001" | 16: 1 | data-sort-value="I/01: 001" | I/1: 1 | after Z 1174 (/1), 8359 (/6); text by Neumeister, Luther (/1), Nicolai (/6), after Rv 3:20 (/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0062.000" | 62 | data-sort-value="063.001" rowspan="3" | 1. | rowspan="3" | 1724-12-03 | Cantata Nun komm, der Heiden Heiland (Advent I – second setting) | rowspan="2" | B min. | data-sort-value="satbSATB Hn Obx2 Str Bc" | satbSATB Hn 2Ob Str Bc | data-sort-value="000.16: 019" | 16: 19 | data-sort-value="I/01: 075" | I/1: 75 | after Z 1174; text after Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0062.006" rowspan="2" | 62/6 | rowspan="2" | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | rowspan="2" | SATB | data-sort-value="000.16: 050" | 16: 50 | data-sort-value="III/02 1: 096" | III/2.1: 68 | rowspan="2" | after Z 1174; text by Luther | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | A min. | | data-sort-value="III/02 2: 097" | III/2.2: 97 |- style="background: #E3F6CE;" | data-sort-value="0063.000" | 63 | data-sort-value="064.001" | 1. | data-sort-value="1714-12-25" | 1714-12-25
1723-12-25 | Cantata Christen, ätzet diesen Tag (Christmas; two versions) | C maj. | data-sort-value="satbSATB Trx4 Tmp Obx3 Bas Str Bc" | satbSATB 4Tr Tmp 3Ob Bas Str Bc | data-sort-value="000.16: 051" | 16: 51 | data-sort-value="I/02: 001" | I/2: 1 | text by Heineccius? | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0064.000" | 64 | data-sort-value="065.001" rowspan="4" | 1. | rowspan="4" | 1723-12-27 | Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) | E min. | data-sort-value="sabSATB Cnt Tbnx3 Oba Str Bc" | sabSATB Cnt 3Tbn Oba Str Bc | data-sort-value="000.16: 111" | 16: 111, 371 | data-sort-value="I/03 1: 113" | I/3.1: 113 | after Z 1947 (/2), 5206b–c (/4), 8032 (/8); text after Knauer (scores), 1Jh 3:1 (/1), by Luther (/2), Kindermann (/4), Franck, J. (/8) | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0064.002" | 64/2 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | G maj. | SATB | data-sort-value="000.16: 371" | 16: 371 | data-sort-value="III/02 1: 013" | III/2.1: 16
III/2.2: 92 | after Z 1947; text by Luther | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0064.004" | 64/4 | chorale setting "Was frag ich nach der Welt" (s. 1) | D maj. | SATB | data-sort-value="000.16: 372" | 16: 372 | data-sort-value="III/02 1: 014" | III/2.1: 16
III/2.2: 151 | after Z 5206b–c; text by Kindermann | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0064.008" | 64/8 | chorale setting "Jesu, meine Freude" (s. 5) | E min. | SATB | data-sort-value="000.16: 132" | 16: 132 | data-sort-value="III/02 1: 012" | III/2.1: 15
III/2.2: 80 | after Z 8032; text by Franck, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0065.000" | 65 | data-sort-value="066.001" rowspan="5" | 1. | rowspan="5" | 1724-01-06 | Cantata Sie werden aus Saba alle kommen (Epiphany) | C maj. | data-sort-value="tbSATB Hnx2 Flx2 Odcx2 Str Bc" | tbSATB 2Hn 2Fl 2Odc Str Bc | data-sort-value="000.16: 133" | 16: 133 | data-sort-value="I/05: 001" | I/5: 1 | data-sort-value="after Z 0192b (/2)" | after Z 192b (/2), 7568 (/7); text after Is 60:6 (/1), by Spangenberg (/2), Gerhardt (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0065.002" rowspan="2" | 65/2 | chorale setting "Ein Kind geboren zu Bethlehem" (s. 4) | rowspan="2" | A min. | rowspan="2" | SATB | data-sort-value="000.16: 152" rowspan="2" | 16: 152 | data-sort-value="III/02 2: 009" rowspan="2" | III/2.2: 9 | data-sort-value="after Z 0192b; text by Spangenberg" | after Z 192b; text by Spangenberg | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Puer natus in Bethlehem" | data-sort-value="after Z 0192b" | after Z 192b |- style="background: #E3F6CE;" | data-sort-value="0065.007" rowspan="2" | 65/7 | chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10) | rowspan="2" | A min. | rowspan="2" | SATB | data-sort-value="000.16: 166" rowspan="2" | 16: 166 | data-sort-value="III/02 2: 024" rowspan="2" | III/2.2: 24 | after Z 7568; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Was mein Gott will, das gscheh allzeit" | after Z 7568; text by Albert of Prussia |- style="background: #E3F6CE;" | data-sort-value="0066.200" | 66.2 | data-sort-value="067.001" rowspan="2" | 1. | rowspan="2" | 1724-04-10 | Cantata Erfreut euch, ihr Herzen (Easter 2) | D maj. | data-sort-value="atbSATB Tr Obx2 Str Bc" | atbSATB Tr 2Ob Str Bc | data-sort-value="000.16: 167" | 16: 167 | data-sort-value="I/10: 001" | I/10: 1 | data-sort-value="after BWV 0066.1" | after BWV 66.1/8, /1–/4, Z 8584/3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0066.206" | 66.2/6 | chorale setting "Alleluja", s. 3 from "Christ ist erstanden" | F♯ min. | SATB | data-sort-value="000.16: 214" | 16: 214 | data-sort-value="III/02 1: 079" | III/2.1: 57 | after Z 8584/3 | قالب:BDW |- | data-sort-value="0066.100" | 66.1 | data-sort-value="067.002" | 1. | 1718-12-10 | Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen) | | data-sort-value="atbSATB Obx2 Bas Str Bc" | atbSATB 2Ob Bas Str Bc (?) | | I/35 | text by Hunold; → BWV 66.2/1–/5 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0067.000" | 67 | data-sort-value="068.002" rowspan="2" | 1. | rowspan="2" | 1724-04-16 | Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti) | rowspan="2" | A maj. | data-sort-value="atbSATB Hn Fl Obax2 Str Bc" | atbSATB Hn Fl 2Oba Str Bc | data-sort-value="000.16: 215" | 16: 215 | data-sort-value="I/11 1: 001" | I/11.1: 1 | after Z 1743 (/4), 4373 (/7); text after 2Ti 2:8 (/1), Jh 20:19 (/6; → BWV 234/2), by Herman (/4), Ebert (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0067.007" | 67/7 | chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1) | SATB | data-sort-value="000.16: 246" | 16: 246 | data-sort-value="III/02 1: 004" | III/2.1: 10
III/2.2: 25 | after Z 4373; text by Ebert | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0068.000" | 68 | data-sort-value="069.002" | 1. | 1725-05-21 | Cantata Also hat Gott die Welt geliebt (Pentecost 2) | D min. | data-sort-value="sbSATB Hn Cnt Tbnx3 Obx2 Tai Str Vc Bc" | sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc | data-sort-value="000.16: 247" | 16: 247 | data-sort-value="I/14: 031" | I/14: 31 | after Z 5920 (/1), BWV 208/13 (/2) and /7 (/4); text by Ziegler, C. M., Liscow (/1), after Jh 3:18 (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0069.200" | 69.2 | data-sort-value="070.002" rowspan="2" | 1. | rowspan="2" | 1748-08-26 | Cantata Lobe den Herrn, meine Seele (council election) | rowspan="2" | D maj. | data-sort-value="satbSATB Trx3 Tmp Obx3 Oba Bas Str Bc" | satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | data-sort-value="000.16: 281" | 16: 281 | data-sort-value="I/32 2: 111" | I/32.2: 111 | data-sort-value="after BWV 0069.1/1" | after BWV 69.1/1, /3, /5, Z 7247 (/6); text after Knauer (scores), Ps 103:2 (/1), by Luther (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0069.206" | 69.2/6 | chorale setting "Es woll uns Gott genädig sein" (s. 3) | SATB | data-sort-value="000.16: 325" | 16: 325 | data-sort-value="III/02 2: 192" | III/2.2: 192 | after Z 7247; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0069.100" | 69.1 | data-sort-value="071.002" rowspan="2" | 1. | rowspan="2" | 1723-08-15 | Cantata Lobe den Herrn, meine Seele (Trinity XII) | D maj. | data-sort-value="satbSATB Trx3 Tmp Fl Obx3 Oba Odc Bas Str Bc" | satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc | data-sort-value="000.16: 373" | 16: 373 | I/20: 117 | after BWV 12/7 (/6); text after Knauer (scores), Ps 103:2 (/1), by Rodigast (/6); → BWV 69.2/1, /3, /5 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0069.106" | 69.1/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | G maj. | SATB | data-sort-value="000.16: 379" | 16: 379 | data-sort-value="III/02 1: 076" | III/2.1: 55
III/2.2: 174 | after BWV 12/7; text by Rodigast | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0070.200" | 70.2 | data-sort-value="072.001" rowspan="2" | 1. | 1723-11-21 | Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI) | C maj. | satbSATB Tr Ob Str Vc Bc | data-sort-value="000.16: 327" | 16: 327 | I/27: 107 | after BWV 70.1, Z 6543 (/7); text by Franck, S, Keymann (/11) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0070.211" | 70.2/11 | rowspan="2" | 1716-12-06 | chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5) | rowspan="2" | C maj. | SATB | data-sort-value="000.16: 368" | 16: 368 | data-sort-value="III/02 2: 200" | III/2.2: 200 | = BWV 70.1/6 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0070.100" | 70.1 | data-sort-value="073.002" | 1. | Cantata Wachet! Betet! Betet! Wachet! (Advent II) | satbSATB Tr Ob Str Vc Bc | data-sort-value="000.16: 327" | 16: 327 | data-sort-value="I/01: 076" | I/1 | after Z 3449 (/6); text by Franck, S, Keymann (/6); → BWV 70.2/1, /3, /5, /8, /10, /11 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0071.000" | 71 | data-sort-value="073.003" | 1. | 1708-02-04 | Cantata Gott ist mein König (council election) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx2 Vc Obx2 Bas Str Vne Org" | satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org | data-sort-value="000.18: 001" | 18: 1 | data-sort-value="I/32 1: 003" | I/32.1: 3 | after Z 5148 (/2); text by Eilmar?, Heermann & after 2Sm 19:35 & 37 (/2), Ps 74:12 (/1), 16–17 (/4), 19 (/6), Dt 33:25 & Gn 21:22b (/3) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0072.000" | 72 | data-sort-value="075.001" | 1. | 1726-01-27 | Cantata Alles nur nach Gottes Willen (Epiphany III) | A min. | data-sort-value="sabSATB Obx2 Str Bc" | sabSATB 2Ob Str Bc | data-sort-value="000.18: 055" | 18: 55 | data-sort-value="I/06: 059" | I/6: 59 | after Z 7568 (/6); text by Franck, S, Albert of Prussia (/6); /1 → BWV 235/2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0073.000" | 73 | data-sort-value="075.002" rowspan="2" | 1. | rowspan="2" | 1724-01-23 | Cantata Herr, wie du willt, so schicks mit mir (Epiphany III) | G min. | data-sort-value="stbSATB Hn Obx2 Str Bc" | stbSATB Hn 2Ob Str Bc | data-sort-value="000.18: 085" | 18: 85 | data-sort-value="I/06: 003" | I/6: 3 | after Z 4441a (/1), 5264b (/5); text by Bienemann (de) (/1), Helmbold (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0073.005" | 73/5 | chorale setting "Von Gott will ich nicht lassen" (s. 9) | C min.
A min. | SATB | data-sort-value="000.18: 104" | 18: 104 | data-sort-value="III/02 2: 107" | III/2.2: 107 | after Z 5264b; text by Helmbold | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0074.000" | 74 | data-sort-value="076.002" rowspan="3" | 1. | rowspan="3" | 1725-05-20 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) | C maj. | data-sort-value="satbSATB Trx3 Tmp Obx2 Odc Str Bc" | satbSATB 3Tr Tmp 2Ob Odc Str Bc | data-sort-value="000.18: 105" | 18: 105 | data-sort-value="I/13: 083" | I/13: 83 | after BWV 59/1 & /4 (/1–/2), Z 2496 (/8); text by Ziegler, C. M., Gerhardt (/8), after Jh 14:23 (/1), 28 (/4), Rm 8:1 (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0074.008" rowspan="2" | 74/8 | chorale setting "Gott Vater, sende deinen Geist" (s. 2) | rowspan="2" | A min. | rowspan="2" | SATB | data-sort-value="000.18: 146" rowspan="2" | 18: 146 | rowspan="2" data-sort-value="III/02 1: 112" | III/2.1: 78
III/2.2: 212 | after Z 2496; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Kommt her zu mir, spricht Gottes Sohn" | after Z 2496; text by Grünwald |- style="background: #E3F6CE;" | data-sort-value="0075.000" | 75 | data-sort-value="077.002" | 1. | 1723-05-30 | Cantata Die Elenden sollen essen (Trinity I) | E min. | data-sort-value="satbSATB Tr Obx2 Oba Bas Str Bc" | satbSATB Tr 2Ob Oba Bas Str Bc | data-sort-value="000.18: 147" | 18: 147 | data-sort-value="I/15: 085" | I/15: 85 | after Z 5629 (/7=/14: → BWV 100/6); text after Ps 22:27 (/1), by Rodigast (/7, /14) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0076.000" | 76 | data-sort-value="079.001" | 1. | 1723-06-06 | Cantata Die Himmel erzählen die Ehre Gottes (Trinity II) | C maj. | data-sort-value="satbSATB Tr Obx2 Oba Str Vdg Bc" | satbSATB Tr 2Ob Oba Str Vdg Bc | data-sort-value="000.18: 189" | 18: 189 | data-sort-value="I/16: 001" | I/16: 1 | after Z 7247 (/7=/14); text after Ps 12:2 & 4 (/1), by Luther (/7, /14); /8 ↔ BWV 528/1 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0077.000" | 77 | data-sort-value="080.002" rowspan="3" | 1. | rowspan="3" | 1723-08-22 | Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII) | C maj. | data-sort-value="satbSATB Tdt Obx2 Str Bc" | satbSATB Tdt 2Ob Str Bc | data-sort-value="000.18: 233" | 18: 233 | data-sort-value="I/21: 001" | I/21: 1 | after Z 4431 (/6); text after Knauer, Lk 10:27 (/1), by Denicke? (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0077.006" rowspan="2" | 77/6 | chorale setting "Wenn einer alle Ding verstünd" (s. 8)? | rowspan="2" | G min. | rowspan="2" | SATB | data-sort-value="000.18: 254" rowspan="2" | 18: 254 | rowspan="2" data-sort-value="III/02 1: 010" | III/2.1: 14
III/2.2: 150 | after Z 4431; text by Denicke | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Ach Gott, vom Himmel sieh darein" | after Z 4431; text by Luther |- style="background: #E3F6CE;" | data-sort-value="0078.000" | 78 | data-sort-value="081.002" rowspan="2" | 1. | rowspan="2" | 1724-09-10 | Cantata Jesu, der du meine Seele (Trinity XIV) | rowspan="2" | G min. | data-sort-value="satbSATB Hn Fl Obx2 Str Vne Bc" | satbSATB Hn Fl 2Ob Str Vne Bc | data-sort-value="000.18: 255" | 18: 255 | I/21: 115 | after Z 6804; text after Rist | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0078.007" | 78/7 | chorale setting "Jesu, der du meine Seele" (s. 12) | SATB | data-sort-value="000.18: 286" | 18: 286 | data-sort-value="III/02 1: 084" | III/2.1: 60
III/2.2: 150 | after Z 6804; text by Rist | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0079.000" | 79 | data-sort-value="082.002" | 1. | 1725-10-31 | Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd ح.1730) | G maj. | data-sort-value="sabSATB Hnx2 Tmp Flx2 Obx2 Str Bc" | sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc | data-sort-value="000.18: 287" | 18: 287 | data-sort-value="I/31: 001" | I/31: 1 | after Z 5142 (/3), 159 (/6); text after Ps 84:12 (/1), by Rinkart (/3), Helmbold (/6); → BWV 236/2, /4, 234/5 | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0080.300" | 80.3 | data-sort-value="083.002" | 1. | data-sort-value="1735-10-31" | 1735ح. 1735? | Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition) | D maj. | data-sort-value="satbSATB Obx3 Obax2 Odc Str Bc" | satbSATB 3Ob 2Oba Odc Str Bc | data-sort-value="000.18: 317" | 18: 317 | data-sort-value="I/31: 071" | I/31: 71 | after BWV 80.2 (same text) | قالب:BDW |- | data-sort-value="0080.100" | 80.1 | data-sort-value="085.001" | 1. | 1715-03-24 | Cantata Alles, was von Gott geboren (Oculi; music lost) | | data-sort-value="satbSATB Ob Str Bc" | satb(?)SATB Ob Str Bc | | data-sort-value="I/08 2: 000" | I/8.2: V | after Z 7377 (/1, /6)?; text by Franck, S, Luther (/6); → BWV 80.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0080.200" | 80.2 | data-sort-value="085.002" rowspan="2" | 1. | data-sort-value="1730-10-31" rowspan="2" | 1729–1731ح. 1729–1731 | Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) | rowspan="2" | D maj. | data-sort-value="sbSATB Ob Str Bc" | sbSATB Ob Str Bc | data-sort-value="000.18: 351" | 18: 351 | data-sort-value="I/31: 065" | I/31: 65 | after Z 7377, BWV 80.1 (/2–/4, /6–/7); text by Franck, S, Luther (/1, /2, /5, /8); → BWV 80.3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0080.208" | 80/8 | chorale setting "Ein feste Burg ist unser Gott" (s. 4) | SATB | data-sort-value="000.18: 378" | 18: 378 | data-sort-value="III/02 1: 035" | III/2.1: 29
III/2.2: 162 | after Z 7377; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0081.000" | 81 | data-sort-value="085.003" rowspan="2" | 1. | rowspan="2" | 1724-01-30 | Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV) | rowspan="2" | E min. | data-sort-value="atbSATB Flx2 Obax2 Str Bc" | atbSATB 2Fl 2Oba Str Bc | data-sort-value="000.20 1: 001" | 20¹: 1 | data-sort-value="I/06: 111" | I/6: 111 | after Z 8032 (/7); text after Ps 10:1 (/2), Mt 8:26 (/4), by Franck, J. (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0081.007" | 81/7 | chorale setting "Jesu, meine Freude" (s. 2) | SATB | data-sort-value="000.20 1: 024" | 20¹: 24 | data-sort-value="III/02 2: 188" | III/2.2: 188 | after Z 8032; text by Franck, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0082.100" | 82.1 | data-sort-value="086.002" | 1. | 1727-02-02 | Cantata Ich habe genug (Purification; 1st version) | C min. | b Ob Str Bc | data-sort-value="000.20 1: 025" | 20¹: 25 | data-sort-value="I/28 1: 077" | I/28.1: 77 | text by Birkmann; → BWV 82.2–.4 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0082.200" | 82.2 | data-sort-value="086.003" | 1. | 1731-02-02 | Cantata Ich habe genug (Purification; 2nd version) | E min. | s Fl Str Bc | | data-sort-value="I/28 1: 155" | I/28.1: 155 | data-sort-value="after BWV 0082.1" | after BWV 82.1 (same text); → 82.3–.4 | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0082.202" | 82.2/2–/3 | data-sort-value="086.004" | 1. | data-sort-value="1731-07-01" | ح.1731 (AMB) | data-sort-value="Notebook A. M. Bach (1725) No. 34" | Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" | E min. | s Bc | data-sort-value="000.43 2: 046" | 43²: 46 | data-sort-value="V/04: 124" | V/4:122 | data-sort-value="after BWV 0082.2" | after BWV 82.2; text by Birkmann | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0082.203" | 82.2/3 | data-sort-value="086.005" | 1. | data-sort-value="1731-07-01" | ح.1731 (AMB) | data-sort-value="Notebook A. M. Bach (1725) No. 38" | Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) | E min. | s Bc | data-sort-value="000.43 2: 049" | 43²: 49 | data-sort-value="V/04: 128" | V/4:122 | data-sort-value="after BWV 0082.2" | after BWV 82.2; text by Birkmann | قالب:BDW |- | data-sort-value="0082.300" | 82.3 | data-sort-value="086.006" | 1. | data-sort-value="1735-02-02" | ح.1735 | Cantata Ich habe genug (Purification; 3rd version) | C min. | data-sort-value="b or mezzo Ob Str Bc" | b or mezzo Ob Str Bc | | data-sort-value="I/28 1: 109" | I/28.1: 109 | data-sort-value="after BWV 0082.1–.2" | after BWV 82.1–.2 (same text); → 82.4 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0082.400" | 82.4 | data-sort-value="086.007" | 1. | data-sort-value="1747-02-02" | 1746–1748 | Cantata Ich habe genug (Purification; 4th version) | C min. | data-sort-value="b or mezzo Ob Odc Str Bc" | b (or mezzo) Ob Odc Str Bc | | data-sort-value="I/28 1: 111" | I/28.1: 109 | data-sort-value="after BWV 0082.1–.3" | after BWV 82.1–.3 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0083.000" | 83 | data-sort-value="087.002" rowspan="2" | 1. | rowspan="2" | 1724-02-02 | Cantata Erfreute Zeit im neuen Bunde (Purification) | F maj. | data-sort-value="atbSATB Hnx2 Obx2 Vl Str Bc" | atbSATB 2Hn 2Ob Vl Str Bc | data-sort-value="000.20 1: 051" | 20¹: 51 | data-sort-value="I/28 1: 003" | I/28.1: 3 | after Z 3986 (/5); text after Lk 2:29–31 (/2), Hb 4:16 (/3), by Luther (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0083.005" | 83/5 | chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4) | D min. | SATB | data-sort-value="000.20 1: 076" | 20¹: 76 | data-sort-value="III/02 2: 188" | III/2.2: 188 | after Z 3986; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0084.000" | 84 | data-sort-value="088.002" rowspan="3" | 1. | rowspan="3" | 1727-02-09 | Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae) | E min. | sSATB Ob Str Bc | data-sort-value="000.20 1: 077" | 20¹: 77 | data-sort-value="I/07: 021" | I/7: 21 | after Z 2778 (/5); text after Picander, by E. J. of Schwarzburg-Rudolstadt (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0084.005" rowspan="2" | 84/5 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12) | rowspan="2" | B min. | rowspan="2" | SATB | data-sort-value="000.20 1: 098" rowspan="2" | 20¹: 98 | rowspan="2" data-sort-value="III/02 1: 030" | III/2.1: 27
III/2.2: 63 | after Z 2778; text by E. J. of Schwarzburg-Rudolstadt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Wer nur den lieben Gott lässt walten" | after Z 2778; text by Neumark |- style="background: #E3F6CE;" | data-sort-value="0085.000" | 85 | data-sort-value="089.001" rowspan="2" | 1. | rowspan="2" | 1725-04-15 | Cantata Ich bin ein guter Hirt (Misericordias Domini) | rowspan="2" | C min. | data-sort-value="satbSATB Obx2 Str Vc Bc" | satbSATB 2Ob Str Vc Bc | data-sort-value="000.20 1: 099" | 20¹: 99 | data-sort-value="I/11 1: 157" | I/11.1: 157 | after Z 4457 (/3), 2542 (/6); text after Jh 10:12 (/1), by Becker (/3), Homburg (de) (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0085.006" | 85/6 | chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4) | SATB | data-sort-value="000.20 1: 118" | 20¹: 118 | data-sort-value="III/02 1: 106" | III/2.1: 74
III/2.2: 69 | after Z 2542; text by Homburg (de) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0086.000" | 86 | data-sort-value="089.002" rowspan="2" | 1. | rowspan="2" | 1724-05-14 | Cantata Wahrlich, wahrlich, ich sage euch (Rogate) | rowspan="2" | E maj. | data-sort-value="satbSATB Obax2 Str Bc" | satbSATB 2Oba Str Bc | data-sort-value="000.20 1: 119" | 20¹: 119 | data-sort-value="I/12: 045" | I/12: 45 | after Z 2496c (/3), 4430 (/6); text after Jh 16:23 (/1), by Grünwald (/3), Speratus (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0086.006" | 86/6 | chorale setting "Es ist das Heil uns kommen her" (s. 11) | SATB | data-sort-value="000.20 1: 134" | 20¹: 134 | data-sort-value="III/02 2: 003" | III/2.2: 3 | after Z 4430; text by Speratus | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0087.000" | 87 | data-sort-value="090.002" rowspan="3" | 1. | rowspan="3" | 1725-05-06 | Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate) | rowspan="3" | D min. | data-sort-value="atbSATB Obx2 Odcx2 Str Bc" | atbSATB 2Ob 2Odc Str Bc | data-sort-value="000.20 1: 135" | 20¹: 135 | data-sort-value="I/12: 061" | I/12: 61 | after Z 8032 (/7); text after Ziegler, C. M., Jh 16:24 (/1), by Müller, H. (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0087.007" rowspan="2" | 87/7 | chorale setting "Selig ist die Seele" (s. 9) | rowspan="2" | SATB | data-sort-value="000.20 1: 152" rowspan="2" | 20¹: 152 | rowspan="2" data-sort-value="III/02 1: 105" | III/2.1: 73
III/2.2: 54 | after Z 8032; text by Müller, H. | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Jesu, meine Freude" | after Z 8032; text by Franck, J. |- style="background: #E3F6CE;" | data-sort-value="0088.000" | 88 | data-sort-value="091.002" rowspan="2" | 1. | rowspan="2" | 1726-07-21 | Cantata Siehe, ich will viel Fischer aussenden (Trinity V) | D maj. | data-sort-value="satbSATB Hnx2 Obax2 Tai Str Bc" | satbSATB 2Hn 2Oba Tai Str Bc | data-sort-value="000.20 1: 153" | 20¹: 153 | data-sort-value="I/17 2: 033" | I/17.2: 33 | after Z 2778 (/7); text: Meiningen, after Jer 16:16 (/1), Lk 5:10 (/4), by Neumark (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0088.007" | 88/7 | chorale setting "Wer nur den lieben Gott lässt walten" (s. 7) | B min. | SATB | data-sort-value="000.20 1: 178" | 20¹: 178 | data-sort-value="III/02 2: 058" | III/2.2: 58 | after Z 2778; text by Neumark | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0089.000" | 89 | data-sort-value="092.002" rowspan="2" | 1. | rowspan="2" | 1723-10-24 | Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII) | C min. | data-sort-value="sabSATB Hn Obx2 Str Bc" | sabSATB Hn 2Ob Str Bc | data-sort-value="000.20 1: 179" | 20¹: 179 | data-sort-value="I/26: 001" | I/26: 1 | after Z 2164 (/6); text after Hs 11:8 (/1), by Heermann (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0089.006" | 89/6 | chorale setting "Wo soll ich fliehen hin" (s. 7) | G min. | SATB | data-sort-value="000.20 1: 194" | 20¹: 194 | data-sort-value="III/02 2: 167" | III/2.2: 167 | after Z 2164; text by Heermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0090.000" | 90 | data-sort-value="093.002" rowspan="3" | 1. | rowspan="3" | 1723-11-14 | Cantata Es reißet euch ein schrecklich Ende (Trinity XXV) | rowspan="3" | D min. | data-sort-value="atbSATB Tr Str Bc" | atbSATB (Tr) Str Bc | data-sort-value="000.20 1: 195" | 20¹: 195 | data-sort-value="I/27: 059" | I/27: 59 | after Z 2561 (/5); text by Moller (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0090.005" rowspan="2" | 90/5 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | rowspan="2" | SATB | data-sort-value="000.20 1: 214" rowspan="2" | 20¹: 214 | rowspan="2" data-sort-value="III/02 1: 041" | III/2.1: 33
III/2.2: 158 | after Z 2561; text by Moller | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Vater unser im Himmelreich" | after Z 2561; text by Luther |- style="background: #E3F6CE;" | data-sort-value="0091.200" | 91.2 | data-sort-value="094.000" | 1. | data-sort-value="1747-06-25" | 1746–1747 | Cantata Gelobet seist du, Jesu Christ (Christmas; later version) | G maj. | data-sort-value="satbSATB Hnx2 Tmp Obx3 Str Bc" | satbSATB 2Hn Tmp 3Ob Str Bc | data-sort-value="000.22: 001" | 22: 1 | data-sort-value="I/02: 131" | I/2: 131 | data-sort-value="after BWV 0091" | after BWV 91.1 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0091.100" | 91.1 | data-sort-value="094.001" rowspan="2" | 1. | rowspan="2" | 1724-12-25 | Cantata Gelobet seist du, Jesu Christ (Christmas; early version) | rowspan="2" | G maj. | data-sort-value="satbSATB Hnx2 Tmp Obx3 Str Bc" | satbSATB 2Hn Tmp 3Ob Str Bc | data-sort-value="000.22: 001, 333" | 22: 1,
333 | data-sort-value="I/02: 164" | I/2: 164 | after Z 1947; text after Luther; → BWV 91.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0091.106" | 91/6 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | SATB | | data-sort-value="III/02 1: 130" | III/2.1: 89
III/2.2: 30 | after Z 1947; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0092.000" | 92 | data-sort-value="094.002" | 1. | 1725-01-28 | Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae) | B min. | data-sort-value="satbSATB Obax2 Str Bc" | satbSATB 2Oba Str Bc | data-sort-value="000.22: 033" | 22: 33 | data-sort-value="I/07: 041" | I/7: 41 | after Z 7568; text after Gerhardt | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0093.000" | 93 | data-sort-value="096.001" | 1. | 1724-07-09 | Cantata Wer nur den lieben Gott läßt walten (Trinity V) | C min. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.22: 069" | 22: 69 | data-sort-value="I/17 2: 003" | I/17.2: 3 | after Z 2778; text after Neumark; /4 → BWV 647 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0094.000" | 94 | data-sort-value="097.001" rowspan="2" | 1. | rowspan="2" | 1724-08-06 | Cantata Was frag ich nach der Welt (Trinity IX) | rowspan="2" | D maj. | data-sort-value="satbSATB Fl Obx2 Obax2 Str Bc" | satbSATB Fl 2Ob 2Oba Str Bc | data-sort-value="000.22: 095" | 22: 95 | data-sort-value="I/19: 043" | I/19: 43 | after Z 5206b–c; text after Kindermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0094.008" | 94/8 | chorale setting "Was frag ich nach der Welt" (s. 8) | SATB | data-sort-value="000.22: 127" | 22: 127 | data-sort-value="III/02 1: 072" | III/2.1: 53
III/2.2: 173 | after Z 5206b–c; text by Kindermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0095.000" | 95 | data-sort-value="098.001" rowspan="2" | 1. | rowspan="2" | 1723-09-12 | Cantata Christus, der ist mein Leben (Trinity XVI) | rowspan="2" | G maj. | data-sort-value="stbSATB Hn Cnt Obx2 Obax2 Str Bc" | stbSATB Hn or Cnt 2Ob 2Oba Str Bc | data-sort-value="000.22: 129" | 22: 129 | data-sort-value="I/23: 065" | I/23: 65 | data-sort-value="after Z 0132 & 3986 (/1: → BWV 0282)" | after Z 132 & 3986 (/1: → BWV 282), 5404a (/3), 4482 (/7); text by Simon Graf (de) & Luther (/1), Herberger (/3), Herman (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0095.007" | 95/7 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4) | SATB | data-sort-value="000.22: 153" | 22: 153 | data-sort-value="III/02 1: 089" | III/2.1: 64 | after Z 4482; text by Herman | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0096.000" | 96 | data-sort-value="099.002" rowspan="2" | 1. | rowspan="2" | 1724-10-08 | Cantata Herr Christ, der einge Gottessohn (Trinity XVIII) | rowspan="2" | F maj. | data-sort-value="satbSATB Hn Tbn Flx2 Vl Obx2 Str Bc" | satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc | data-sort-value="000.22: 155" | 22: 155 | data-sort-value="I/24: 001" | I/24: 1 | after Z 4297a; text after Cruciger | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0096.006" | 96/6 | chorale setting "Herr Christ, der einge Gottessohn" (s. 5) | SATB | data-sort-value="000.22: 184" | 22: 184 | data-sort-value="III/02 1: 092" | III/2.1: 66
III/2.2: 179 | after Z 4297a; text by Cruciger | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0097.000" | 97 | data-sort-value="100.001" rowspan="3" | 1. | data-sort-value="1734-07-25" rowspan="3" | 1734-07-25?
after 1735 | Cantata In allen meinen Taten (two versions; Trinity V?) | rowspan="3" | B♭ maj. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.22: 185" | 22: 185, 336 | I/34: 197 | after Z 2293b; text by Fleming; /9 → BWV 392 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0097.009" rowspan="2" | 97/9 | chorale setting "In allen meinen Taten" (s. 9) | rowspan="2" | SATB | data-sort-value="000.22: 230" rowspan="2" | 22: 230 | rowspan="2" data-sort-value="III/02 1: 066" | III/2.1: 49 | after Z 2293b; text by Fleming; → BWV 392 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Nun ruhen alle Wälder" | after Z 2293b; text by Gerhardt; → BWV 392 |- style="background: #E3F6CE;" | data-sort-value="0098.000" | 98 | data-sort-value="101.001" | 1. | 1726-11-10 | Cantata Was Gott tut, das ist wohlgetan (Trinity XXI) | B♭ maj. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.22: 231" | 22: 231 | I/25: 241 | after Z 5629 (/1); text by Birkmann, Rodigast (/1) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0099.000" | 99 | data-sort-value="102.001" | 1. | 1724-09-17 | Cantata Was Gott tut, das ist wohlgetan (Trinity XV) | G maj. | satbSATB Hn Fl Oba Str Bc | data-sort-value="000.22: 251" | 22: 251 | data-sort-value="I/22: 041" | I/22: 41 | after Z 5629; text after Rodigast; /1 → BWV 100/1 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0100.000" | 100 | data-sort-value="102.002" rowspan="2" | 1. | data-sort-value="1734-12-31" rowspan="2" | 1734–1735 | Cantata Was Gott tut, das ist wohlgetan | rowspan="2" | G maj. | data-sort-value="satbSATB Hnx2 Tmp Fl Oba Str Bc" | satbSATB 2Hn Tmp Fl Oba Str Bc | data-sort-value="000.22: 277" | 22: 277 | I/34: 239 | after Z 5629, BWV 99/1 (/1), 75/7 (/6); text by Rodigast | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0100.006" | 100/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | SATB | data-sort-value="000.22: 323" | 22: 323 | data-sort-value="III/02 1: 103" | III/2.1: 72 | data-sort-value="after BWV 0075/7=/14" | after 75/7=/14; text by Rodigast | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0101.000" | 101 | data-sort-value="103.002" rowspan="2" | 1. | rowspan="2" | 1724-08-13 | Cantata Nimm von uns, Herr, du treuer Gott (Trinity X) | rowspan="2" | D min. | data-sort-value="satbSATB Hnx2 Tmp Fl Oba Str Bc" | satbSATB 2Hn Tmp Fl Oba Str Bc | data-sort-value="000.23: 001" | 23: 1 | I/19: 173 | after Z 2561; text after Moller | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0101.007" | 101/7 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | SATB | data-sort-value="000.23: 032" | 23: 32 | data-sort-value="III/02 1: 073" | III/2.1: 54
III/2.2: 174 | after Z 2561; text by Moller | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0102.000" | 102 | data-sort-value="105.001" rowspan="3" | 1. | rowspan="3" | 1726-08-25 | Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X) | G min. | data-sort-value="atbSATB Fl Vl Obx2 Str Bc" | atbSATB Fl Vl 2Ob Str Bc | data-sort-value="000.23: 033" | 23: 33 | I/19: 229 | after Z 2561 (/7); text: Meiningen, after Jer 5:3 (/1: → BWV 235/1), Rm 2:4–5 (/4), by Heermann (/7); /3 & /5 → BWV 233/4 & /5 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0102.007" rowspan="2" | 102/7 | chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7) | rowspan="2" | C min. | rowspan="2" | SATB | data-sort-value="000.23: 066" rowspan="2" | 23: 66 | rowspan="2" data-sort-value="III/02 2: 062" | III/2.2: 62 | after Z 2561; text by Heermann | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Vater unser im Himmelreich" | after Z 2561; text by Luther |- style="background: #E3F6CE;" | data-sort-value="0103.000" | 103 | data-sort-value="106.001" rowspan="4" | 1. | data-sort-value="1725-04-22" rowspan="4" | 1725-04-22
1731-04-15 | Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions) | rowspan="4" | B min. | data-sort-value="atSATB Tr Fl Fl Vl Obax2 Str Bc" | atSATB Tr Fl Fl (or) Vl 2Oba Str Bc | data-sort-value="000.23: 067" | 23: 67 | data-sort-value="I/11 2: 025" | I/11.2: 25 | after Z 7568 (/6); text by Ziegler, C. M., Gerhardt (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0103.006" rowspan="3" | 103/6 | chorale setting "Barmherzger Vater, höchster Gott" (s. 9) | rowspan="3" | SATB | data-sort-value="000.23: 094" rowspan="3" | 23: 94 | rowspan="3" data-sort-value="III/02 1: 102" | III/2.1: 72
III/2.2: 68 | rowspan="2" | after Z 7568; text by Gerhardt | rowspan="3" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Ich hab in Gottes Herz und Sinn" |- style="background: #E3F6CE;" | chorale setting "Was mein Gott will, das gscheh allzeit" | after Z 7568; text by Albert of Prussia |- style="background: #E3F6CE;" | data-sort-value="0104.000" | 104 | data-sort-value="106.002" rowspan="4" | 1. | rowspan="4" | 1724-04-23 | Cantata Du Hirte Israel, höre (Misericordias) | G maj. | data-sort-value="tbSATB Obx2 Obax2 Tai Str Bc" | tbSATB 2Ob 2Oba Tai Str Bc | data-sort-value="000.23: 095" | 23: 95 | data-sort-value="I/11 1: 113" | I/11.1: 113 | after Z 4457 (/6); text after Ps 80:2 (/1), by Becker (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0104.006" rowspan="3" | 104/6 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 1) | rowspan="2" | A maj. | rowspan="3" | SATB | data-sort-value="000.23: 116" rowspan="2" | 23: 116 | rowspan="2" data-sort-value="III/02 2: 189" | III/2.2: 189 | after Z 4457; text by Becker | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | rowspan="2" | chorale setting "Allein Gott in der Höh sei Ehr" | rowspan="2" | after Z 4457; text by Decius |- style="background: #E3F6CE;" | G maj. | | data-sort-value="III/02 2: 071" | III/2.2: 71 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0105.000" | 105 | data-sort-value="107.002" rowspan="2" | 1. | rowspan="2" | 1723-07-25 | Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) | rowspan="2" | G min. | data-sort-value="satbSATB Hn Obx2 Str Bc" | satbSATB Hn 2Ob Str Bc | data-sort-value="000.23: 117" | 23: 117 | data-sort-value="I/19: 001" | I/19: 1 | after Z 6804 (/6); text after Ps 143:2 (/1), by Rist (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0105.006" | 105/6 | chorale setting "Jesu, der du meine Seele" (s. 11) | SATB | data-sort-value="000.23: 146" | 23: 146 | data-sort-value="III/02 1: 071" | III/2.1: 52 | after Z 6804; text by Rist | قالب:BDW |- | data-sort-value="0106.000" | 106 | data-sort-value="108.002" | 1. | data-sort-value="1708-09-16" | 1708-09-16? | Cantata Gottes Zeit ist die allerbeste Zeit (funeral; aka Actus tragicus) | E♭ maj. | data-sort-value="satbSATB Flx2 Vdgx2 Bc" | satbSATB 2Fl 2Vdg Bc | data-sort-value="000.23: 147" | 23: 147 | data-sort-value="I/34: 001" | I/34: 1 | after Z 1680 (/2d), 3986 (/3b), 2461 (/4); text after Olearius, J., Acts 17:28 & Ps 90:12 & Is 38:1 & JS 14:18 & Rv 22:20 (/2), Ps 31:6 & Lk 23:43 & by Luther (/3), Reusner (/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0107.000" | 107 | data-sort-value="109.002" | 1. | 1724-07-23 | Cantata Was willst du dich betrüben (Trinity VII) | B min. | data-sort-value="stbSATB Hn Flx2 Obax2 Str Bc" | stbSATB Hn 2Fl 2Oba Str Bc | data-sort-value="000.23: 179" | 23: 179 | data-sort-value="I/18: 055" | I/18: 55 | after Z 5264b; text by Heermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0108.000" | 108 | data-sort-value="110.002" rowspan="3" | 1. | rowspan="3" | 1725-04-29 | Cantata Es ist euch gut, daß ich hingehe (Cantate) | A maj. | data-sort-value="atbSATB Obax2 Str Bc" | atbSATB 2Oba Str Bc | data-sort-value="000.23: 203" | 23: 203 | data-sort-value="I/12: 017" | I/12: 17 | after Z 2496 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jh 16:7 (/1), 13 (/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0108.006" rowspan="2" | 108/6 | chorale setting "Gott Vater, sende deinen Geist" (s. 10) | rowspan="2" | B min. | rowspan="2" | SATB | data-sort-value="000.23: 230" rowspan="2" | 23: 230 | rowspan="2" data-sort-value="III/02 1: 098" | III/2.1: 69
III/2.2: 26 | after Z 2496; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Kommt her zu mir, spricht Gottes Sohn" | after Z 2496; text by Grünwald |- style="background: #E3F6CE;" | data-sort-value="0109.000" | 109 | data-sort-value="111.002" | 1. | 1723-10-17 | Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) | D min. | data-sort-value="atSATB Hn Obx2 Str Bc" | atSATB (Hn) 2Ob Str Bc | data-sort-value="000.23: 231" | 23: 231 | I/25: 157 | after Z 7549 (/6); text after Mk 9:24 (/1), by Spengler (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0110.000" | 110 | data-sort-value="112.002" rowspan="2" | 1. | rowspan="2" | 1725-12-25 | Cantata Unser Mund sei voll Lachens (Christmas) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx2 Obx3 Oba Odc Bas Str Bc" | satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc | data-sort-value="000.23: 263" | 23: 263 | data-sort-value="I/02: 071" | I/2: 71 | after Z 2072 (/7); text by Lehms, Füger (/7), after Ps 126:2–3 (/1), Jer 10:6 (/3), Lk 2:14 (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0110.007" | 110/7 | chorale setting "Wir Christenleut" (s. 5) | B min. | SATB | data-sort-value="000.23: 324" | 23: 324 | data-sort-value="III/02 2: 032" | III/2.2: 32 | after Z 2072; text by Füger | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0111.000" | 111 | data-sort-value="113.002" | 1. | 1725-01-25 | Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III) | A min. | data-sort-value="satbSATB Obx2 Str Bc" | satbSATB 2Ob Str Bc | data-sort-value="000.24: 001" | 24: 1 | data-sort-value="I/06: 027" | I/6: 27 | after Z 7568; text after Albert of Prussia | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0112.000" | 112 | data-sort-value="114.002" rowspan="3" | 1. | rowspan="3" | 1731-04-08 | Cantata Der Herr ist mein getreuer Hirt (Misericordias) | rowspan="3" | G maj. | data-sort-value="satbSATB Hnx2 Obax2 Str Bc" | satbSATB 2Hn 2Oba Str Bc | data-sort-value="000.24: 029" | 24: 29 | data-sort-value="I/11 1: 179" | I/11.1: 179 | rowspan="2" | after Z 4457; text by Meuslin after Ps. 23 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0112.005" rowspan="2" | 112/5 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 5) | rowspan="2" | SATB | data-sort-value="000.24: 048" rowspan="2" | 24: 48 | rowspan="2" data-sort-value="III/02 1: 101" | III/2.1: 71
III/2.2: 183,
202 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Allein Gott in der Höh sei Ehr" | after Z 4457; text by Decius |- style="background: #E3F6CE;" | data-sort-value="0113.000" | 113 | data-sort-value="115.002" rowspan="2" | 1. | rowspan="2" | 1724-08-20 | Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI) | rowspan="2" | B min. | data-sort-value="satbSATB Fl Obax2 Str Bc" | satbSATB Fl 2Oba Str Bc | data-sort-value="000.24: 049" | 24: 49 | data-sort-value="I/20: 079" | I/20: 79 | after Z 4486; text after Ringwaldt | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0113.008" | 113/8 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | data-sort-value="000.24: 080" | 24: 80 | data-sort-value="III/02 1: 074" | III/2.1: 54
III/2.2: 175 | after Z 4486; text by Ringwaldt | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0114.000" | 114 | data-sort-value="116.002" rowspan="2" | 1. | rowspan="2" | 1724-10-01 | Cantata Ach, lieben Christen, seid getrost (Trinity XVII) | rowspan="2" | G min. | data-sort-value="satbSATB Hn Fl Obx2 Str Bc" | satbSATB Hn Fl 2Ob Str Bc | data-sort-value="000.24: 081" | 24: 81 | I/23: 287 | after Z 4441a; text after Gigas | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0114.007" | 114/7 | chorale setting "Ach, lieben Christen, seid getrost" (s. 6) | SATB | data-sort-value="000.24: 108" | 24: 108 | data-sort-value="III/02 1: 091" | III/2.1: 65
III/2.2: 179 | after Z 4441a; text by Gigas | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0115.000" | 115 | data-sort-value="117.002" rowspan="3" | 1. | rowspan="3" | 1724-11-05 | Cantata Mache dich, mein Geist, bereit (Trinity XXII) | rowspan="3" | G maj. | satbSATB Hn Fl Oba Str Vc Bc | data-sort-value="000.24: 109" | 24: 109 | data-sort-value="I/26: 021" | I/26: 21 | after Z 6274a; text after Freystein | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0115.006" rowspan="2" | 115/6 | chorale setting "Mache dich, mein Geist, bereit" (s. 10) | rowspan="2" | SATB | data-sort-value="000.24: 132" rowspan="2" | 24: 132 | data-sort-value="III/02 1: 027" rowspan="2" | III/2.1: 25
III/2.2: 23 | after Z 6274a; text by Freystein | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Straf mich nicht in deinem Zorn" | after Z 6274a; text by Albinus |- style="background: #E3F6CE;" | data-sort-value="0116.000" | 116 | data-sort-value="118.002" | 1. | 1724-11-26 | Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV) | A maj. | data-sort-value="satbSATB Hn Obax2 Str Bc" | satbSATB Hn 2Oba Str Bc | data-sort-value="000.24: 133" | 24: 133 | data-sort-value="I/27: 079" | I/27: 79 | after Z 4373; text after Ebert | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0117.000" | 117 | data-sort-value="119.002" rowspan="3" | 1. | data-sort-value="1729-12-31" rowspan="3" | 1728–1731 | Cantata Sei Lob und Ehr dem höchsten Gut | rowspan="3" | G maj. | data-sort-value="atbSATB Flx2 Obx2 Obax2 Str Bc" | atbSATB 2Fl 2Ob 2Oba Str Bc | data-sort-value="000.24: 159" | 24: 159 | I/34: 151 | rowspan="3" | after Z 4430; text by Schütz, J. J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0117.004" rowspan="2" | 117/4
117/9 | chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9) | rowspan="2" | SATB | data-sort-value="000.24: 159" rowspan="2" | 24: 159 | data-sort-value="III/02 1: 100" | III/2.1: 71
III/2.2: 203 | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Sei Lob und Ehr dem höchsten Gut" | data-sort-value="III/02 1: 001" | III/2.1: 9
III/2.2: 147 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0119.000" | 119 | data-sort-value="121.002" | 1. | 1723-08-30 | Cantata Preise, Jerusalem, den Herrn (council election) | C maj. | data-sort-value="satbSATB Trx4 Tmp Flx2 Obx3 Odcx2 Str Bc" | satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc | data-sort-value="000.24: 193" | 24: 193 | data-sort-value="I/32 1: 129" | I/32.1: 129 | after Z 8652 (/9); text after Ps 147:12–14 (/1), by Luther (/9) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0120.100" | 120.1 | data-sort-value="122.002" | 1. | data-sort-value="1729-08-25" | 1729 or earlier | Cantata Gott, man lobet dich in der Stille (council election) | A maj. | data-sort-value="satbSATB Trx3 Obx2 Obax2 Vl Str Bc" | satbSATB 3Tr 2Ob 2Oba Vl Str Bc | data-sort-value="000.24: 247" | 24: 247 | data-sort-value="I/32 2: 053" | I/32.2: 53 | after Z 8652 (/6); text after Ps 65:2 (/1), by Luther (/6); ↔ BWV 120.2/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔ 1019a/3 → .3/4) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0120.200" | 120.2 | data-sort-value="123.002" | 1. | data-sort-value="1729-07-01" | 1729? | Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete) | D maj. | data-sort-value="satbSATB Trx3 Tmp Obx2 Obax2 Str Org Bc" | satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc | data-sort-value="000.41: 149" | 41: 149 | data-sort-value="I/33: 075" | I/33: 75 | after BWV 1006/1 (/4 → 29/1), 137/5 (/8); text after JS 50:24 (/2), by Luther (/5), Neander (/8); ↔ BWV 120.1/2 (/1 → .3/2), /4 (/3 ↔ 1019a/3 → .3/4), /1 (/6 → .3/1) | قالب:BDW |- | data-sort-value="0120.300" | 120.3 | data-sort-value="124.002" | 1. | 1730-06-26 | Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable) | | data-sort-value="saSATB Trx3 Tmp Obax2 Vl Str Bc" | saSATB 3Tr Tmp 2Oba Vl Str Bc ? | | I/34
I/32.2 | after BWV 120.1/1 (=.2/6), /2 (=.2/1 → 232^II/9), /4 (=.2/3 ↔ 1019a/3); text by Picander | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0121.000" | 121 | data-sort-value="125.001" rowspan="2" | 1. | rowspan="2" | 1724-12-26 | Cantata Christum wir sollen loben schon (Christmas 2) | rowspan="2" | E min. | data-sort-value="satbSATB Cnt Tbnx3 Oba Str Bc" | satbSATB Cnt 3Tbn Oba Str Bc | data-sort-value="000.26: 001" | 26: 1 | data-sort-value="I/03 1: 057" | I/3.1: 57 | data-sort-value="after Z 0297c, text after Luther" | after Z 297c, text after Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0121.006" | 121/6 | chorale setting "Christum wir sollen loben schon" (s. 8) | SATB | data-sort-value="000.26: 020" | 26: 20 | data-sort-value="III/02 2: 031" | III/2.2: 31 | data-sort-value="after Z 0297c, text by Luther" | after Z 297c, text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0122.000" | 122 | data-sort-value="126.001" rowspan="2" | 1. | rowspan="2" | 1724-12-31 | Cantata Das neugeborne Kindelein (Christmas I) | rowspan="2" | G min. | data-sort-value="satbSATB Flx3 Obx2 Tai Str Bc" | satbSATB 3Fl 2Ob Tai Str Bc | data-sort-value="000.26: 021" | 26: 21 | data-sort-value="I/03 2: 053" | I/3.2: 53 | data-sort-value="after Z 0491; text after Schneegaß" | after Z 491; text after Schneegaß | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0122.006" | 122/6 | chorale setting "Das neugeborne Kindelein" (s. 5) | SATB | data-sort-value="000.26: 040" | 26: 40 | data-sort-value="III/02 1: 055" | III/2.1: 43
III/2.2: 30,
101 | data-sort-value="after Z 0491; text by Schneegaß" | after Z 491; text by Schneegaß | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0123.000" | 123 | data-sort-value="127.001" rowspan="2" | 1. | rowspan="2" | 1725-01-06 | Cantata Liebster Immanuel, Herzog der Frommen (Epiphany) | rowspan="2" | B min. | data-sort-value="atbSATB Flx2 Obax2 Str Bc" | atbSATB 2Fl 2Oba Str Bc | data-sort-value="000.26: 041" | 26: 41 | data-sort-value="I/05: 047" | I/5: 47 | after Z 4932c; text after Fritsch | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0123.006" | 123/6 | chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6) | SATB | data-sort-value="000.26: 060" | 26: 60 | data-sort-value="III/02 2: 108" | III/2.2: 108 | after Z 4932c; text by Fritsch | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0124.000" | 124 | data-sort-value="128.001" | 1. | 1725-01-07 | Cantata Meinen Jesum laß ich nicht (Epiphany I) | E maj. | satbSATB Hn Oba Str Bc | data-sort-value="000.26: 061" | 26: 61 | data-sort-value="I/05: 115" | I/5: 115 | after Z 3449; text after Keymann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0125.000" | 125 | data-sort-value="129.001" | 1. | 1725-02-02 | Cantata Mit Fried und Freud ich fahr dahin (Purification) | E min. | atbSATB Hn Fl Ob Oba Str Bc | data-sort-value="000.26: 083" | 26: 83 | data-sort-value="I/28 1: 031" | I/28.1: 31 | after Z 3986; text after Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0126.000" | 126 | data-sort-value="130.001" rowspan="2" | 1. | rowspan="2" | 1725-02-04 | Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae) | rowspan="2" | A min. | data-sort-value="atbSATB Tr Obx2 Str Bc" | atbSATB Tr 2Ob Str Bc | data-sort-value="000.26: 111" | 26: 111 | data-sort-value="I/07: 155" | I/7: 155 | data-sort-value="after Z 0350, 1945b; text by Luther" | after Z 350a, 1945b (/6); text after Luther, Jonas, Walter | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0126.006" | 126/6 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | SATB | data-sort-value="000.26: 131" | 26: 131 | data-sort-value="III/02 2: 126" | III/2.2: 126
(in g) | after Z 1945b; text by Luther, Walter | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0127.000" | 127 | data-sort-value="131.001" rowspan="2" | 1. | rowspan="2" | 1725-02-11 | Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi) | rowspan="2" | F maj. | data-sort-value="stbSATB Tr Flx2 Obx2 Str Bc" | stbSATB Tr 2Fl 2Ob Str Bc | data-sort-value="000.26: 133" | 26: 133 | data-sort-value="I/08: 107" | I/8: 107 | after Z 2570; text after Eber; /1 → BWV 127/1 (variant) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0127.005" | 127/5 | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8) | SATB | data-sort-value="000.26: 160" | 26: 160 | data-sort-value="III/02 1: 060" | III/2.1: 46
III/2.2: 169 | after Z 2570; text by Eber | قالب:BDW |- | data-sort-value="0127.V01" | 127/1 (var.) | data-sort-value="131.002" | 1. | data-sort-value="1750-01-01" | ح.1750 | Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) | E♭ maj. | data-sort-value="SATB Flx2 Obx2 Str Bc" | SATB 2Fl 2Ob Str Bc | | data-sort-value="I/41: 095" | I/41: 95 | data-sort-value="after BWV 0127/1" | after BWV 127/1; → BC D 10 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0128.000" | 128 | data-sort-value="132.001" | 1. | 1725-05-10 | Cantata Auf Christi Himmelfahrt allein (Ascension) | G maj. | data-sort-value="atbSATB Tr Hnx2 Obx2 Obax2 Odc Str Bc" | atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc | data-sort-value="000.26: 163" | 26: 163 | I/12: 101 | after Z 4457 (/1), 5206b (/5); text by Ziegler, C. M., Sonnemann (de; fr; nl) (/1), Avenarius (scores) (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0129.000" | 129 | data-sort-value="133.001" rowspan="3" | 1. | rowspan="3" | 1727-06-08 | Cantata Gelobet sei der Herr, mein Gott (Trinity) | rowspan="3" | D maj. | data-sort-value="sabSATB Trx3 Tmp Fl Obx2 Oba Str Bc" | sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc | data-sort-value="000.26: 185" | 26: 185 | data-sort-value="I/15: 037" | I/15: 37 | rowspan="2" | after Z 5206b; text by Olearius, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0129.005" rowspan="2" | 129/5 | chorale setting "Gelobet sei der Herr, mein Gott" (s. 5) | rowspan="2" | SATB | data-sort-value="000.26: 224" rowspan="2" | 26: 224 | rowspan="2" data-sort-value="III/02 1: 114" | III/2.1: 80 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "O Gott, du frommer Gott" | after Z 5206b; text by Heermann |- style="background: #E3F6CE;" | data-sort-value="0130.100" | 130.1 | data-sort-value="134.001" rowspan="2" | 1. | rowspan="2" | 1724-09-29 | Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version) | rowspan="2" | C maj. | data-sort-value="satbSATB Trx3 Tmp Fl Obx3 Str Bc" | satbSATB 3Tr Tmp Fl 3Ob Str Bc | data-sort-value="000.26: 231" | 26: 231 | data-sort-value="I/30: 001" | I/30: 1 | data-sort-value="after Z 0368; text after Eber" | after Z 368; text after Eber; → BWV 130.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0130.106" | 130/6 | chorale setting "Herr Gott, dich loben alle wir" (s. 11) | SATB | data-sort-value="000.26: 268" | 26: 268 | data-sort-value="III/02 1: 085" | III/2.1: 61
III/2.2: 218 | data-sort-value="after Z 0368; text by Eber" | after Z 368; text by Eber | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0130.200" | 130.2 | data-sort-value="134.002" | 1. | data-sort-value="1733-12-31" | 1732–1735 | Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version) | C maj. | data-sort-value="satbSATB Trx3 Tmp Fl Obx3 Str Bc" | satbSATB 3Tr Tmp Fl 3Ob Str Bc | | data-sort-value="I/30: 048" | I/30: 48 | data-sort-value="after BWV 0130.1 (same text)" | after BWV 130.1 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0131.000" | 131 | data-sort-value="135.001" | 1. | data-sort-value="1707-07-01" | 1707 | Cantata Aus der Tiefen rufe ich, Herr, zu dir | G min. | satbSATB Ob Bas Str Bc | data-sort-value="000.28: 001" | 28: 1 | data-sort-value="I/34: 067" | I/34: 67 | after Z 4486 (/2, /4); text after Ps. 130, by Ringwaldt (/2, /4); → BWV 131a | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0132.000" | 132 | data-sort-value="136.002" | 1. | 1715-12-22 | Cantata Bereitet die Wege, bereitet die Bahn (Advent IV) | A maj. | satbSATB Ob Bas Str Vc Bc | data-sort-value="000.28: 033" | 28: 33 | data-sort-value="I/01: 099" | I/1: 99
rev 2: 97 | text by Franck, S., Cruciger (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0133.000" | 133 | data-sort-value="137.001" rowspan="2" | 1. | rowspan="2" | 1724-12-27 | Cantata Ich freue mich in dir (Christmas 3) | A maj. | data-sort-value="satbSATB Cnt Obax2 Str Bc" | satbSATB Cnt 2Oba Str Bc | data-sort-value="000.28: 051" | 28: 51 | data-sort-value="I/03 1: 135" | I/3.1: 135 | ↔ Z 5187; text after Ziegler, C. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0133.006" | 133/6 | chorale setting "Ich freue mich in dir" (s. 4) | D maj. | SATB | data-sort-value="000.28: 080" | 28: 80 | data-sort-value="III/02 1: 056" | III/2.1: 44
III/2.2: 34 | ↔ Z 5187; text by Ziegler, C. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0134.300" | 134.3 | data-sort-value="138.001" | 1. | data-sort-value="1731-03-27" | 1731-03-27
1735-04-12 | Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version) | B♭ maj. | data-sort-value="atSATB Obx2 Str Bc" | atSATB 2Ob Str Bc | data-sort-value="000.28: 081" | 28: 81 | data-sort-value="I/10: 069" | I/10: 69 | data-sort-value="after BWV 0134.2" | after BWV 134.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0134.200" | 134.2 | data-sort-value="138.002" | 1. | 1724-04-11 | Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version) | B♭ maj. | data-sort-value="atSATB Obx2 Str Bc" | atSATB 2Ob Str Bc | data-sort-value="000.28: 081, 287" | 28: 81, 287 | data-sort-value="I/10: 106" | I/10: 106 | data-sort-value="after BWV 0134.1" | after BWV 134.1; → BWV 134.3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0134.100" | 134.1 | data-sort-value="138.003" | 1. | 1719-01-01 | Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year) | B♭ maj. | data-sort-value="atSATB Obx2 Str Bc" | atSATB 2Ob Str Bc | data-sort-value="000.29: 209" | 29: 209 | data-sort-value="I/35: 049" | I/35: 49 | text by Hunold; → BWV 134.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0135.000" | 135 | data-sort-value="139.002" | 1. | 1724-06-25 | Cantata Ach Herr, mich armen Sünder (Trinity III) | E min. | data-sort-value="atbSATB Cnt Tbn Obx2 Str Bc" | atbSATB Cnt Tbn 2Ob Str Bc | data-sort-value="000.28: 119" | 28: 119 | I/16: 197 | after Z 5385a; text after Schneegaß | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0136.000" | 136 | data-sort-value="140.002" rowspan="2" | 1. | rowspan="2" | 1723-07-18 | Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII) | A min. | data-sort-value="atbSATB Hn Obx2 Obax2 Str Bc" | atbSATB Hn 2Ob 2Oba Str Bc | data-sort-value="000.28: 137" | 28: 137 | I/18: 129 | after Z 2164 (/6); text after Ps 139:23 (/1: → BWV 234/6), by Heermann (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0136.006" | 136/6 | chorale setting "Wo soll ich fliehen hin" (s. 9) | B min. | SATB | data-sort-value="000.28: 164" | 28: 164 | data-sort-value="III/02 2: 191" | III/2.2: 191 | after Z 2164; text by Heermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0137.000" | 137 | data-sort-value="141.002" rowspan="3" | 1. | rowspan="3" | 1725-08-19 | Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII) | rowspan="3" | C maj. | data-sort-value="satbSATB Trx3 Tmp Obx2 Str Bc" | satbSATB 3Tr Tmp 2Ob Str Bc | data-sort-value="000.28: 165" | 28: 165 | I/20: 171 | after Z 1912a–c; text by Neander; /2 → BWV 650; /5 → 120.2/8 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0137.005" rowspan="2" | 137/5 | chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5) | rowspan="2" | SATB | data-sort-value="000.28: 196" rowspan="2" | 28: 196 | rowspan="2" data-sort-value="III/02 1: 077" | III/2.1: 56 | after Z 1912a–c; text by Neander; → BWV 120.2/8 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" | after Z 1912a–c; text by Fritsch |- style="background: #E3F6CE;" | data-sort-value="0138.000" | 138 | data-sort-value="142.001" | 1. | 1723-09-05 | Cantata Warum betrübst du dich, mein Herz (Trinity XV) | B min. | data-sort-value="satbSATB Obax2 Str Bc" | satbSATB 2Oba Str Bc | data-sort-value="000.28: 197" | 28: 197 | data-sort-value="I/22: 019" | I/22: 19 | after Z 1689a; /4 → BWV 236/3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0139.000" | 139 | data-sort-value="143.001" | 1. | 1724-11-12 | Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII) | E maj. | data-sort-value="satbSATB Obax2 Str Bc" | satbSATB 2Oba Str Bc | data-sort-value="000.28: 223" | 28: 223 | data-sort-value="I/26: 097" | I/26: 97 | after Z 2383; text after Rube (fr) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0140.000" | 140 | data-sort-value="144.001" rowspan="2" | 1. | rowspan="2" | 1731-11-25 | Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII) | rowspan="2" | E♭ maj. | data-sort-value="stbSATB Hn Obx2 Tai Vl Str Bc" | stbSATB Hn 2Ob Tai Vl Str Bc | data-sort-value="000.28: 249" | 28: 249 | I/27: 149 | after Z 8405a, text after Nicolai; /4 → BWV 645 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0140.007" | 140/7 | chorale setting "Wachet auf, ruft uns die Stimme" (s. 3) | SATB | data-sort-value="000.28: 284" | 28: 284 | data-sort-value="III/02 1: 017" | III/2.1: 19
III/2.2: 101 | after Z 8405a, text by Nicolai | قالب:BDW |- | data-sort-value="0143.000" rowspan="2" | 143 | data-sort-value="145.003" rowspan="2" | 1. | data-sort-value="1710-01-01" rowspan="2" | 1709–1711ح. 1709–1711? | rowspan="2" | Cantata Lobe den Herrn, meine Seele (New Year) | B♭ maj. | data-sort-value="stbSATB Hnx3 Tmp Bas Str Bc" | stbSATB 3Hn Tmp Bas Str Bc | data-sort-value="000.30: 043" | 30: 43 | data-sort-value="I/04: 165" | I/4: 165
rev 2: 3 | rowspan="2" | after Z 4373; text after Ps 146, by Ebert (/2, /7) | rowspan="2" | قالب:BDW |- | C maj. | data-sort-value="stbSATB Trx3 Tmp Bas Str Bc" | stbSATB 3Tr Tmp Bas Str Bc | | data-sort-value="rev 02: 119" | rev 2: 119 |- style="background: #E3F6CE;" | data-sort-value="0144.000" | 144 | data-sort-value="146.002" rowspan="3" | 1. | rowspan="3" | 1724-02-06 | Cantata Nimm, was dein ist, und gehe hin (Septuagesima) | B min. | data-sort-value="satSATB Obx2 Oba Str Bc" | satSATB 2Ob Oba Str Bc | data-sort-value="000.30: 075" | 30: 75 | data-sort-value="I/07: 001" | I/7: 1 | after Z 5629 (/3), 7568 (/6); text after Mt 20:14 (/1), by Rodigast (/3), Albert of Prussia (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0144.003" | 144/3 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 1) | G maj. | rowspan="2" | SATB | data-sort-value="000.30: 087" | 30: 87 | data-sort-value="III/02 1: 043" | III/2.1: 34
III/2.2: 36 | after Z 5629; text by Rodigast | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0144.006" | 144/6 | chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1) | B min. | data-sort-value="000.30: 092" | 30: 92 | data-sort-value="III/02 1: 044" | III/2.1: 35
III/2.2: 157 | after Z 7568; text by Albert of Prussia | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0145.000" | 145/1–5 | data-sort-value="147.002" rowspan="3" | 1. | rowspan="3" | 1729-04-19 | Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3) | D maj. | data-sort-value="stbSATB Tr Fl Obx2 Str Bc" | stbSATB Tr Fl 2Ob Str Bc | data-sort-value="000.30: 104" | 30: 104 | I/10: 111 | by Bach, C. P. E.?; after Z 1743 (/5); text by Picander, Herman (/5) | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0145.005" rowspan="2" | 145/5 | chorale setting "Erschienen ist der herrlich Tag" (s. 14) | F♯ min. | rowspan="2" | SATB | data-sort-value="000.30: 122" | 30: 122 | data-sort-value="III/02 2: 214" | III/2.2: 214 | rowspan="2" | by Bach, C. P. E.?; after Z 1743; text by Herman | rowspan="2" | قالب:BDW |- style="background: #F5F6CE;" | chorale setting "Erschienen ist der herrlich Tag" | E min. | | data-sort-value="III/02 2: 012" | III/2.2: 12 |- style="background: #F5F6CE;" | data-sort-value="0145.a00" rowspan="2" | 145/a | data-sort-value="148.001" rowspan="2" | 1. | rowspan="2" | | chorale setting "Auf, mein Herz, des Herren Tag" (s. 1) | rowspan="2" | D maj. | rowspan="2" | SATB (or) Org | data-sort-value="000.30: 093" rowspan="2" | 30: 93 | data-sort-value="III/02 2: 195" rowspan="2" | III/2.2: 195 | by Bach, C. P. E.; after Z 3432b; text by Neumann | قالب:BDW |- style="background: #F5F6CE;" | chorale setting "Jesus, meine Zuversicht" | by Bach, C. P. E.; after Z 3432b; text by L. H. of Brandenb. | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0146.000" | 146 | data-sort-value="148.002" | 1. | data-sort-value="1726-05-12" | 1726-05-12
or
1727-05-04 | Cantata Wir müssen durch viel Trübsal (Jubilate) | D min. | data-sort-value="satbSATB Fl Obx2 Obax2 Tai Str Org Bc" | satbSATB Fl 2Ob 2Oba Tai Str Org Bc | data-sort-value="000.30: 123" | 30: 123 | data-sort-value="I/11 2: 065" | I/11.2: 65 | after Z 6551 (/8); text after Acts 14:22 (/2); /1 & /2 ↔ BWV 1052/1 & /2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0147.200" | 147.2 | data-sort-value="149.002" | 1. | 1723-07-02 | Cantata Herz und Mund und Tat und Leben (Visitation) | D maj. | data-sort-value="satbSATB Tr Obx2 Oba Odcx2 Str Bc" | satbSATB Tr 2Ob Oba 2Odc Str Bc | data-sort-value="000.30: 191" | 30: 191 | data-sort-value="I/28: 063" | I/28: 63 | after BWV 147.1/1–5 (/1, /3, /7, /5, /9), Z 6551 (/6, /10); text by Franck, S. (/1, /3, /7, /5, /9), Janus (/6, /10) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0147.100" | 147.1 | data-sort-value="150.002" | 1. | 1716-12-20 | Cantata Herz und Mund und Tat und Leben (Advent IV) | D maj. | data-sort-value="satbSATB Tr Ob Str Bc" | satbSATB Tr Ob Str Bc | | data-sort-value="I/01" | I/1 | text by Franck, S., Kolross (/6); /1–/5 → BWV 147.2/1, /3, /7, /5, /9 | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0148.000" | 148 | data-sort-value="151.002" rowspan="2" | 1. | rowspan="2" | 1723-09-19 | Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII) | D maj. | data-sort-value="atSATB Tr Obax2 Odc Str Bc" | atSATB Tr 2Oba Odc Str Bc | data-sort-value="000.30: 235" | 30: 235 | I/23: 253 | after Z 2164 (/6); text after Picander | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0148.006" | 148/6 | chorale setting "Wo soll ich fliehen hin" | F♯ min.
F min. | SATB | data-sort-value="000.30: 260" | 30: 260 | data-sort-value="III/02 2: 016" | III/2.2: 16 | after Z 2164; text by Heermann | قالب:BDW |- | data-sort-value="0149.000" | 149 | data-sort-value="152.002" | 1. | 1729-09-29 | Cantata Man singet mit Freuden vom Sieg (Michaelmas) | D maj. | data-sort-value="satbSATB Trx3 Tmp Obx3 Bas Str Vne Bc" | satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc | data-sort-value="000.30: 261" | 30: 261 | data-sort-value="I/30: 097" | I/30: 97 | after BWV 208/15 (/1), Z 8326 (/7); text by Picander, Schalling (/7) | قالب:BDW |- id="BWV 149/1a" style="background: #E3F6CE;" | data-sort-value="0149.A01" | 149/1a | data-sort-value="152.003" | 1. | data-sort-value="1729-09-28" | Fall 1729 | Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?) | D maj. | SATB 3Tr Tmp 2Ob Str Bc | | I/40
I/30 | data-sort-value="in SBB P 0175" | in SBB P 175; was BWV Anh. 198 | قالب:BDW |- | data-sort-value="0150.000" | 150 | data-sort-value="153.002" | 1. | 1707-07-10 | Cantata Nach dir, Herr, verlanget mich (Trinity III) | B min. | data-sort-value="satbSATB Bas Vlx2 Bc" | satbSATB Bas 2Vl Bc | data-sort-value="000.30: 301" | 30: 301 | data-sort-value="I/41: 003" | I/41: 3 | text after Ps 25 (/2, /4, /6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0151.000" | 151 | data-sort-value="154.002" rowspan="2" | 1. | rowspan="2" | 1725-12-27 | Cantata Süßer Trost, mein Jesus kömmt (Christmas 3) | rowspan="2" | G maj. | satbSATB Fl Vl Oba Str Bc | data-sort-value="000.32: 001" | 32: 1 | data-sort-value="I/03 1: 169" | I/3.1: 169 | after Z 198 (/5); text by Lehms, Herman (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0151.005" | 151/5 | chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8) | SATB | data-sort-value="000.32: 016" | 32: 16 | data-sort-value="III/02 2: 030" | III/2.2: 30 | after Z 198; text by Herman | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0152.000" | 152 | data-sort-value="155.002" | 1. | 1714-12-30 | Cantata Tritt auf die Glaubensbahn (Christmas I) | E min. | sb Fl Ob Va Vdg Bc | data-sort-value="000.32: 017" | 32: 17 | data-sort-value="I/03 2: 003" | I/3.2: 3 | text by Franck, S.; /1 ↔ BWV 536/2, → 536a/2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0153.000" | 153 | data-sort-value="156.001" rowspan="6" | 1. | rowspan="6" | 1724-01-02 | Cantata Schau, lieber Gott, wie meine Feind (Christmas II) | A min. | atbSATB Str Bc | data-sort-value="000.32: 041" | 32: 41 | data-sort-value="I/04: 199" | I/4: 199 | after Z 4431 (/1), 5385a (/5), 533a (/9); text by Denicke (/1), Gerhardt (/5), Moller (/9), after Is 14:10 (/3) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0153.001" rowspan="2" | 153/1 | chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1) | rowspan="2" | A min. | rowspan="2" | SATB | data-sort-value="000.32: 043" rowspan="2" | 32: 43 | rowspan="2" data-sort-value="III/02 2: 003" | III/2.2: 3 | after Z 4431; text by Denicke | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Ach Gott, vom Himmel sieh darein" | after Z 4431; text by Martin Luther |- style="background: #E3F6CE;" | data-sort-value="0153.005" rowspan="2" | 153/5 | chorale setting "Befiehl du deine Wege" (s. 5) | rowspan="2" | A min. | rowspan="2" | SATB | data-sort-value="000.32: 046" rowspan="2" | 32: 46 | rowspan="2" data-sort-value="III/02 2: 014" | III/2.2: 14 | after Z 5385a; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Herzlich tut mich verlangen" | after Z 5385a; text by Knoll |- style="background: #E3F6CE;" | data-sort-value="0153.009" | 153/9 | chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18) | C maj. | SATB | data-sort-value="000.32: 058" | 32: 58 | data-sort-value="III/02 2: 128" | III/2.2: 128 | data-sort-value="after Z 0533a; text by Moller" | after Z 533a; text by Moller | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0154.000" | 154 | data-sort-value="157.002" rowspan="4" | 1. | rowspan="4" | 1724-01-09 | Cantata Mein liebster Jesus ist verloren (Epiphany I) | B min. | data-sort-value="atbSATB Obax2 Str Hc Bc" | atbSATB 2Oba Str Hc Bc | data-sort-value="000.32: 059" | 32: 59 | data-sort-value="I/05: 089" | I/5: 89 | after Z 6551 (/3), 3449 (/8); text by Janus (/3), Keymann (/8), after Lk 2:49; /3 → BWV 359 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0154.003" rowspan="2" | 154/3 | chorale setting "Jesu, meiner Seelen Wonne" (s. 2) | rowspan="2" | A maj. | rowspan="2" | SATB | data-sort-value="000.32: 065" rowspan="2" | 32: 65 | rowspan="2" data-sort-value="III/02 1: 127" | III/2.1: 87
III/2.2: 137 | after Z 6551; text by Janus; → BWV 359 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Werde munter, mein Gemüte" | after Z 6551; text by Rist |- style="background: #E3F6CE;" | data-sort-value="0154.008" | 154/8 | chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6) | D maj. | SATB | data-sort-value="000.32: 082" | 32: 82 | data-sort-value="III/02 1: 129" | III/2.1: 88
III/2.2: 88 | after Z 3449; text by Keymann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0155.000" | 155 | data-sort-value="158.002" rowspan="2" | 1. | data-sort-value="1716-01-19" rowspan="2" | 1716-01-19
1724-01-16 | Cantata Mein Gott, wie lang, ach lange? (Epiphany II) | D min. | satbSATB Bas Str Bc | data-sort-value="000.32: 083" | 32: 83 | data-sort-value="I/05: 173" | I/5: 173 | after Z 4430 (/5); text by Franck, S., Speratus (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0155.005" | 155/5 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | F maj. | SATB | data-sort-value="000.32: 096" | 32: 96 | data-sort-value="III/02 2: 194" | III/2.2: 194 | after Z 4430; text by Speratus | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0156.000" | 156 | data-sort-value="159.001" rowspan="2" | 1. | data-sort-value="1727-01-26" rowspan="2" | 1727-01-26
or
1729-01-23 | Cantata Ich steh mit einem Fuß im Grabe (Epiphany III) | F maj. | satbSATB Ob Str Bc | data-sort-value="000.32: 097" | 32: 97 | data-sort-value="I/06: 091" | I/6: 91 | after Z 2383 (/2), 4438 (/6); text by Picander, Schein (/2), Bienemann (de) (/6); /1 ↔ BWV 1056/2 | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0156.006" | 156/6 | chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1) | C maj. | SATB | data-sort-value="000.32: 114" | 32: 114 | data-sort-value="III/02 2: 185" | III/2.2: 185 | after Z 4438; text by Bienemann (de) | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0157.200" | 157.2 | data-sort-value="160.001" | 1. | data-sort-value="1741-02-06" | after 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification) | B min. | tbSATB Fl Ob Oba Va 2Vl Bc | data-sort-value="000.32: 115" | 32: 115 | data-sort-value="I/34: 041" | I/34: 41 | after Z 3449 (/5), BWV 157.1 (same text) | قالب:BDW |- | data-sort-value="0157.100" | 157.1 | data-sort-value="160.002" | 1. | 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral) | | tbSATB Fl Oba Va Bc | | data-sort-value="I/34" | I/34 | text by Picander, Keymann (/5), after Gen 32:27 (/1); → BWV 157.2 | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0158.000" | 158 | data-sort-value="161.001" rowspan="2" | 1. | data-sort-value="1730-07-01" rowspan="2" | 1725–1735ح. 1725–1735 | Cantata Der Friede sei mit dir (Purification; later: Easter 3) | D maj. | sbSATB Ob Vl Bc | data-sort-value="000.32: 141" | 32: 141 | I/10: 129 | after Z 6531 (/2), 7012a (/4); text by Albinus (/2), Luther (/4; ↔ BWV 279) | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0158.004" | 158/4 | chorale setting "Christ lag in Todes Banden" (s. 5) | E min. | SATB | data-sort-value="000.32: 154" | 32: 154 | data-sort-value="III/02 1: 024" | III/2.1: 24
III/2.2: 155 | after Z 7012a; text by Luther; ↔ BWV 279 | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0159.000" | 159 | data-sort-value="161.002" rowspan="2" | 1. | rowspan="2" | 1729-02-27 | Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi) | C min. | satbSATB Ob Str Bc | data-sort-value="000.32: 155" | 32: 155 | data-sort-value="I/08: 153" | I/8: 153 | after Z 5385a (/2), 6288a–b (/5); text by Picander, Gerhardt (/2), Stockmann (/5), after Lk 18:31 (/1), Jh 19:30 (/4) | قالب:BDW |- style="background: #F5F6CE;" | data-sort-value="0159.005" | 159/5 | chorale setting "Jesu Leiden, Pein und Tod" (s. 33) | E♭ maj. | SATB | data-sort-value="000.32: 168" | 32: 168 | data-sort-value="III/02 1: 052" | III/2.1: 41
III/2.2: 33 | after 6288a–b; text by Stockmann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0161.000" | 161 | data-sort-value="162.003" rowspan="3" | 1. | rowspan="3" | 1716-09-27 | Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version) | C maj. | data-sort-value="atSATB Flx2 Str Org Bc" | atSATB 2Fl Str Org Bc | data-sort-value="000.33: 001" | 33: 1 | data-sort-value="I/23: 001" | I/23: 1, 33 | after Z 5385a; text by Franck, S., Knoll; → BWV 161, v2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0161.006" rowspan="2" | 161/6 | chorale setting "Herzlich tut mich verlangen" (s. 4) | rowspan="2" | A min. | rowspan="2" | SATB | data-sort-value="000.33: 027" rowspan="2" | 33: 27 | rowspan="2" data-sort-value="III/02 1: 034" | III/2.1: 29
III/2.2: 160 | after Z 5385a; text by Knoll | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Befiehl du deine Wege" | after Z 5385a; text by Gerhardt |- | data-sort-value="0161.B00" | 161, v2 | data-sort-value="163.002" | 1. | data-sort-value="1736-12-31" | 1723–1750? | Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version) | C maj. | data-sort-value="satSATB Flx2 Str Bc" | satSATB 2Fl Str Bc | | data-sort-value="I/23: 033" | I/23: 33 | after BWV 161; text by Franck, S., Knoll | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0162.100" | 162.1 | data-sort-value="163.003" | 1. | 1716-10-25 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | A min. | satbSATB Str Bc | | data-sort-value="I/25: 001" | I/25: 1 | after Z 6783 (/6); text by Franck, S., Rosenmüller (/6); → BWV 162.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0162.200" | 162.2 | data-sort-value="163.004" | 1. | 1723-10-10 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | B min. | satbSATB Hn Str Bc | data-sort-value="000.33: 029" | 33: 29
(in a) | data-sort-value="I/25: 023" | I/25: 23 | after BWV 162.1 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0163.000" | 163 | data-sort-value="164.002" | 1. | 1715-11-24 | Cantata Nur jedem das Seine (Trinity XXIII) | B min. | data-sort-value="satbSATB Str Vcx2 Bc" | satbSATB Str 2Vc Bc | data-sort-value="000.33: 047" | 33: 47 | data-sort-value="I/26: 077" | I/26: 77 | after Z 3449 (/5), 2177 (/6); text by Franck, S., Heermann (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0164.000" | 164 | data-sort-value="165.002" rowspan="2" | 1. | rowspan="2" | 1725-08-26 | Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII) | G min. | data-sort-value="satbSATB Flx2 Obx2 Str Bc" | satbSATB 2Fl 2Ob Str Bc | data-sort-value="000.33: 065" | 33: 65 | data-sort-value="I/21: 057" | I/21: 57 | after Z 4297a (/6); text by Franck, S., Cruciger (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0164.006" | 164/6 | chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5) | B♭ maj. | SATB | data-sort-value="000.33: 088" | 33: 88 | data-sort-value="III/02 1: 082" | III/2.1: 59
III/2.2: 57 | after Z 4297a; text by Cruciger | قالب:BDW |- style="background: #F6E3CE;" | data-sort-value="0165.000" | 165 | data-sort-value="166.001" | 1. | data-sort-value="1715-06-16" | 1715-06-16
1724-06-04 | Cantata O heilges Geist- und Wasserbad (Trinity) | G maj. | satbSATB Fag Str Bc | data-sort-value="000.33: 089" | 33: 89 | data-sort-value="I/15: 001" | I/15: 1 | data-sort-value="after Z 0159 (/6)" | after Z 159 (/6); text by Franck, S., Helmbold (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0166.000" | 166 | data-sort-value="167.001" rowspan="2" | 1. | rowspan="2" | 1724-05-07 | Cantata Wo gehest du hin? (Cantate) | B♭ maj. | satbSATB Ob Str Bc | data-sort-value="000.33: 105" | 33: 105 | data-sort-value="I/12: 001" | I/12: 1 | after Z 4486 (/3), 2778 (/6); text by Franck, S., Ringwaldt (/3), E. J. of Schwarzburg-Rudolstadt (/6), after Jh 16:5 (/1); /2 → BWV 584 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0166.006" | 166/6 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1) | G min. | SATB | data-sort-value="000.33: 122" | 33: 122 | data-sort-value="III/02 2: 116" | III/2.2: 116 | after 2778; text by E. J. of Schwarzburg-Rudolstadt | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0167.000" | 167 | data-sort-value="168.001" | 1. | 1723-06-24 | Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) | G maj. | satbSATB Tr Ob Odc Str Bc | data-sort-value="000.33: 123" | 33: 123 | data-sort-value="I/29: 001" | I/29: 1 | after Z 8244 (/5); text by Gramann (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0168.000" | 168 | data-sort-value="168.002" rowspan="2" | 1. | rowspan="2" | 1725-07-29 | Cantata Tue Rechnung! Donnerwort (Trinity IX) | rowspan="2" | B min. | data-sort-value="satbSATB Obax2 Str Bc" | satbSATB 2Oba Str Bc | data-sort-value="000.33: 147" | 33: 147 | data-sort-value="I/19: 087" | I/19: 87 | after Z 4486 (/6); text by Franck, S., Ringwaldt (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0168.006" | 168/6 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | data-sort-value="000.33: 166" | 33: 166 | data-sort-value="III/02 2: 052" | III/2.2: 52 | after Z 4486; text by Ringwaldt | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0169.000" | 169 | data-sort-value="169.002" rowspan="2" | 1. | rowspan="2" | 1726-10-20 | Cantata Gott soll allein mein Herze haben (Trinity XVIII) | D maj. | data-sort-value="aSATB Obax2 Tai Str Org Bc" | aSATB 2Oba Tai Str Org Bc | data-sort-value="000.33: 167" | 33: 167 | data-sort-value="I/24: 059" | I/24: 59 | after Z 2029a (/7); text by Birkmann, Luther (/7); /1 & /5 ↔ BWV 1053/1 & /2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0169.007" | 169/7 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | data-sort-value="000.33: 192" | 33: 192 | data-sort-value="III/02 1: 036" | III/2.1: 30
III/2.2: 54 | after Z 2029a; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0170.000" | 170 | data-sort-value="170.002" | 1. | 1726-07-28 | Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI) | D maj. | a Oba Fl Str Org Bc | data-sort-value="000.33: 193" | 33: 193 | data-sort-value="I/17 2: 061" | I/17.2: 61 | text by Lehms | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0171.000" | 171 | data-sort-value="171.002" rowspan="2" | 1. | rowspan="2" | 1729-01-01 | Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year) | rowspan="2" | D maj. | data-sort-value="satbSATB Trx3 Tmp Obx2 Str Bc" | satbSATB 3Tr Tmp 2Ob Str Bc | data-sort-value="000.35: 001" | 35: 1 | data-sort-value="I/04: 131" rowspan="2" | I/4: 131 | data-sort-value="after BWV 0205 (/4), 0041/6 (/6)" | after BWV 205 (/4), 41/6 (/6); text by Picander, Hermann (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0171.006" | 171/6 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | data-sort-value="000.35: 032" | 35: 32 | data-sort-value="after BWV 0041/6" | after BWV 41/6; text by Hermann | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0172.100" | 172.1 | data-sort-value="172.002" rowspan="2" | 1. | rowspan="2" | 1714-05-20 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) | C maj. | data-sort-value="SATB Trx3 Tmp Fl Ob Vlx2 Vax2 Vc Bas Bc" | (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) | | I/13 | after Z 8359 (/6); text by Franck, S.?, Nicolai (/6), after Jh 14:23 (/2); → BWV 172.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0172.106" | 172/6 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 4) | F maj. | SATB | data-sort-value="000.35: 069" | 35: 69 | data-sort-value="III/02 2: 187" | III/2.2: 187 | after Z 8359; text by Nicolai | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0172.200" | 172.2 | data-sort-value="172.003" | 1. | 1724-05-28 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) | D maj. | data-sort-value="satbSATB Trx3 Tmp Fl Ob Oba Bas Vlx2 Vax2 Vc Bc" | satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc | | data-sort-value="I/13: 001" | I/13: 1 | after BWV 172.1 (same text); → BWV 172.3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0172.300" | 172.3 | data-sort-value="173.002" | 1. | 1731-05-13 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) | C maj. | data-sort-value="satbSATB Trx3 Tmp Ob Bas Vlx2 Vax2 Vc Org Bc" | satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc | data-sort-value="000.35: 035" | 35: 35 | data-sort-value="I/13: 033" | I/13: 33 | after BWV 172.2 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0173.200" | 173.2 | data-sort-value="173.003" | 1. | data-sort-value="1727-06-02" | 1727-06-02
1731-05-14 | Cantata Erhöhtes Fleisch und Blut (Pentecost 2) | D maj. | data-sort-value="satbSATB Flx2 Str Bc" | satbSATB 2Fl Str Bc | data-sort-value="000.35: 071" | 35: 71 | data-sort-value="I/14: 001" | I/14: 1 | data-sort-value="after BWV 0173.1" | after BWV 173.1 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0173.100" | 173.1 | data-sort-value="174.002" | 1. | 1722-12-10 | Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen) | D maj. | data-sort-value="satbSATB Flx2 Str Bc" | satbSATB 2Fl Str Bc | data-sort-value="000.34: 001" | 34: 1 | data-sort-value="I/35: 095" | I/35: 95 | data-sort-value="→ BWV 0173.2" | → BWV 173.2 (/1–/5, /8), 175/4 (/7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0174.000" | 174 | data-sort-value="175.002" rowspan="2" | 1. | rowspan="2" | 1729-06-06 | Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2) | G maj. | data-sort-value="atbSATB Cdcx2 Obx2 Tai Vlx3 Vax3 Vcx3 Str Bc" | atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc | data-sort-value="000.35: 103" | 35: 103 | data-sort-value="I/14: 063" | I/14: 63 | after BWV 1048/1 (/1), Z 8326 (/5); text by Picander, Schalling (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0174.005" | 174/5 | chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1) | D maj. | SATB | data-sort-value="000.35: 157" | 35: 157 | data-sort-value="III/02 1: 111" | III/2.1: 78
III/2.2: 32 | after Z 8326; text by Schalling | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0175.000" | 175 | data-sort-value="176.001" rowspan="3" | 1. | rowspan="3" | 1725-05-22 | Cantata Er rufet seinen Schafen mit Namen (Pentecost 3) | rowspan="3" | G maj. | data-sort-value="atbSATB Trx2 Flx3 Str Vc Bc" | atbSATB 2Tr 3Fl Str Vc Bc | data-sort-value="000.35: 159" | 35: 159 | I/14: 147 | data-sort-value="after BWV 0173.1/7 (/4)" | after BWV 173.1/7 (/4), BWV 59/3 (/7); text by Ziegler, C. M., Rist (/7), after Jh 10:3 & 6 (/1 & /5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0175.007" rowspan="2" | 175/7 | chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9) | rowspan="2" | SATB | data-sort-value="000.35: 177" rowspan="2" | 35: 177 | rowspan="2" data-sort-value="III/02 1: 110" | III/2.1: 76 | after Z 7445a; text by Rist | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Komm, Heiliger Geist, Herre Gott" | after Z 7445a; text by Luther |- style="background: #E3F6CE;" | data-sort-value="0176.000" | 176 | data-sort-value="177.001" rowspan="3" | 1. | rowspan="3" | 1725-05-27 | Cantata Es ist ein trotzig und verzagt Ding (Trinity) | rowspan="3" | C min. | data-sort-value="sabSATB Obx2 Odc Str Bc" | sabSATB 2Ob Odc Str Bc | data-sort-value="000.35: 179" | 35: 179 | data-sort-value="I/15: 017" | I/15: 17 | after Z 7246 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jer 17:9 (/1) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0176.006" rowspan="2" | 176/6 | chorale setting "Was alle Weisheit in der Welt" (s. 8) | rowspan="2" | SATB | data-sort-value="000.35: 198" rowspan="2" | 35: 198 | rowspan="2" data-sort-value="III/02 2: 067" | III/2.2: 67 | after Z 7246; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Christ unser Herr zum Jordan kam" | after Z 7246; text by Luther |- style="background: #E3F6CE;" | data-sort-value="0177.000" | 177 | data-sort-value="178.001" rowspan="2" | 1. | rowspan="2" | 1732-07-06 | Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV) | G min. | data-sort-value="satSATB Obx2 Odc Bas Vl Str Bc" | satSATB 2Ob Odc Bas Vl Str Bc | data-sort-value="000.35: 199" | 35: 199 | data-sort-value="I/17 1: 077" | I/17.1: 77 | rowspan="2" | after Z 7400; text by Agricola, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0177.005" | 177/5 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5) | G min.
E min | SATB | data-sort-value="000.35: 234" | 35: 234 | data-sort-value="III/02 1: 067" | III/2.1: 50
III/2.2: 40 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0178.000" | 178 | data-sort-value="178.002" | 1. | 1724-07-30 | Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII) | A min. | data-sort-value="atbSATB Hn Obx2 Obax2 Str Bc" | atbSATB Hn 2Ob 2Oba Str Bc | data-sort-value="000.35: 235" | 35: 235 | I/18: 159 | after Z 4441a; text after Jonas | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0179.000" | 179 | data-sort-value="180.001" rowspan="3" | 1. | rowspan="3" | 1723-08-08 | Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) | G min. | data-sort-value="stbSATB Obx2 Odcx2 Str Bc" | stbSATB 2Ob 2Odc Str Bc | data-sort-value="000.35: 273" | 35: 273 | data-sort-value="I/20: 055" | I/20: 55 | after Z 2778 (/6); text after JS 1:34 (/1), by Tietze (wikisource:de) (/6); /1 & /3 → BWV 236/1 & /5; /5 → 234/4 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0179.006" rowspan="2" | 179/6 | chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1) | rowspan="2" | A min. | rowspan="2" | SATB | data-sort-value="000.35: 292" rowspan="2" | 35: 292 | rowspan="2" data-sort-value="III/02 1: 075" | III/2.1: 55
III/2.2: 196 | after Z 2778; text by Tietze (wikisource:de) | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Wer nur den lieben Gott lässt walten | after Z 2778; text by Neumark |- style="background: #E3F6CE;" | data-sort-value="0180.000" | 180 | data-sort-value="180.002" rowspan="2" | 1. | rowspan="2" | 1724-10-22 | Cantata Schmücke dich, o liebe Seele (Trinity XX) | F maj. | data-sort-value="satbSATB Flx2 Fl Ob Odc Str Vc Bc" | satbSATB 2Fl Fl Ob Odc Str Vc Bc | data-sort-value="000.35: 293" | 35: 293 | data-sort-value="I/25: 041" | I/25: 41 | after Z 6923; text after Franck, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0180.007" | 180/7 | chorale setting "Schmücke dich, o liebe Seele" (s. 9) | F maj.
E♭ maj. | SATB | data-sort-value="000.35: 322" | 35: 322 | data-sort-value="III/02 1: 025" | III/2.1: 24
III/2.2: 15 | after Z 6923; text by Franck, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0181.000" | 181 | data-sort-value="181.002" | 1. | 1724-02-13 | Cantata Leichtgesinnte Flattergeister (Sexagesima) | E min. | satbSATB Tr Fl Ob Str Bc | data-sort-value="000.37: 001" | 37: 1 | data-sort-value="I/07: 133" | I/7: 133 | | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0182.000" rowspan="2" | 182 | data-sort-value="182.002" rowspan="2" | 1. | 1714-03-25 | rowspan="2" | Cantata Himmelskönig, sei willkommen (Palm Sunday) | B♭ maj. | data-sort-value="atbSATB Fl Ob Vlx2 Vax2 Bc" rowspan="2" | atbSATB Fl (Ob 2)Vl 2Va Bc | | data-sort-value="I/08 2: 001" | I/8.2: 1 | rowspan="2" | after 6288a–b (/7); text by Franck, S.?, Stockmann (/7), after Ps 40:8–9 (/3) | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="1724-03-25" | 1724-03-25
1728-03-21 | G maj. | data-sort-value="000.37: 021" | 37: 21 | data-sort-value="I/08 2: 043" | I/8.2: 43 |- style="background: #E3F6CE;" | data-sort-value="0183.000" | 183 | data-sort-value="183.002" rowspan="3" | 1. | rowspan="3" | 1725-05-13 | Cantata Sie werden euch in den Bann tun (Exaudi) | rowspan="3" | A min. | data-sort-value="satbSATB Obax2 Odcx2 Str Vc Bc" | satbSATB 2Oba 2Odc Str Vc Bc | data-sort-value="000.37: 059" | 37: 59 | I/12: 187 | after Z 5267 (/5); text by Ziegler, C. M., Gerhardt (/5), after Jh 16:2 (/1) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0183.005" rowspan="2" | 183/5 | chorale setting "Zeuch ein zu deinen Toren" (s. 5) | rowspan="2" | SATB | data-sort-value="000.37: 074" rowspan="2" | 37: 74 | rowspan="2" data-sort-value="III/02 2: 070" | III/2.2: 70 | after Z 5267; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Helft mir Gotts Güte preisen" | after Z 5267; text by Eber |- style="background: #E3F6CE;" | data-sort-value="0184.200" | 184.2 | data-sort-value="184.001" rowspan="2" | 1. | data-sort-value="1724-05-30" rowspan="2" | 1724-05-30
1727-06-03
1731-05-15 | Cantata Erwünschtes Freudenlicht (Pentecost 3) | G maj. | data-sort-value="satSATB Flx2 Str Bc" | satSATB 2Fl Str Bc | data-sort-value="000.37: 075" | 37: 75 | I/14: 119 | data-sort-value="after BWV 0184.1/1–/4" | after BWV 184.1/1–/4 & /6, Z 5690 (/5); text by Wildenfels (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0184.205" | 184.2/5 | chorale setting "O Herre Gott, dein göttlich Wort" (s. 8) | D maj.
G maj. | SATB | data-sort-value="000.37: 095" | 37: 95 | data-sort-value="III/02 1: 015" | III/2.1: 17
III/2.2: 10 | after Z 5690; text by Wildenfels | قالب:BDW |- id="BWV 184a" style="background: #E3F6CE;" | data-sort-value="0184.100" | 184.1 | data-sort-value="185.001" | 1. | 1721-01-01 | Secular cantata (incomplete) | G maj. | data-sort-value="sb Flx2 Vl Str Bc" | sb 2Fl Vl Str Bc (?) | | I/35 | data-sort-value="→ BWV 0184/1–/4" | → BWV 184.2/1–/4, /6 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0185.100" | 185.1 | data-sort-value="185.002" rowspan="2" | 1. | rowspan="2" | 1715-07-14 | Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) | rowspan="2" | F♯ min. | satbSATB Ob Str Bc | data-sort-value="000.37: 101" | 37: 101 | data-sort-value="I/17 1: 001" | I/17.1: 1 | after Z 7400 (/6); text by Franck, S., Agricola, J. (/6); → BWV 185.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0185.106" | 185/6 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1) | SATB | data-sort-value="000.37: 118" | 37: 118 | data-sort-value="III/02 1: 068" | III/2.1: 50 | after Z 7400; text by Agricola, J. | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0185.200" | 185.2 | data-sort-value="185.003" | 1. | 1723-06-20 | Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) | G min. | satbSATB Tr Ob Str Bc | data-sort-value="000.37: 101" | 37: 101 | data-sort-value="I/17 1: 001" | I/17.1: 1 | after BWV 185.1 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0186.200" | 186.2 | data-sort-value="186.002" | 1. | 1723-07-11 | Cantata Ärgre dich, o Seele, nicht (Trinity VII) | G min. | data-sort-value="satbSATB Obx2 Tai Bas Str Bc" | satbSATB 2Ob Tai Bas Str Bc | data-sort-value="000.37: 119" | 37: 119 | data-sort-value="I/18: 015" | I/18: 15 | after BWV 186.1/1–/5 (/1, /3, /5, /8, /10), Z 4430 (/6, /11); text by Franck, S. (/1, /3, /5, /8, /10), Speratus (/6, /11) | قالب:BDW |- | data-sort-value="0186.100" | 186.1 | data-sort-value="187.002" | 1. | 1716-12-13 | Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete) | | data-sort-value="stbSATB Obx2 Odc Tai Bas Str Bc" | stbSATB 2Ob Odc Tai Bas Str Bc | | data-sort-value="I/01" | I/1 | text by Franck, S., Helmbold (/6); → BWV 186.2/1, /3, /5, /8, /10 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0187.000" | 187 | data-sort-value="188.001" rowspan="2" | 1. | rowspan="2" | 1726-08-04 | Cantata Es wartet alles auf dich (Trinity VII) | rowspan="2" | G min. | data-sort-value="sabSATB Obx2 Str Bc" | sabSATB 2Ob Str Bc | data-sort-value="000.37: 155" | 37: 155 | data-sort-value="I/18: 091" | I/18: 91 | after Z 4816e (/7); text: Meiningen, after Ps 104:27–28 (/1), Mt 6:31–32 (/4), by Vogel (scores) (/7); /1, /3, /4, /5 → BWV 235/6, /4, /3, /5 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0187.007" | 187/7 | chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6) | SATB | data-sort-value="000.37: 191" | 37: 191 | data-sort-value="III/02 2: 061" | III/2.2: 61 | after Z 4816e; text by Vogel (scores) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0188.000" | 188 | data-sort-value="188.002" | 1. | 1728-10-17 | Cantata Ich habe meine Zuversicht (Trinity XXI) | D min. | data-sort-value="satbSATB Obx2 Tai Str Org Bc" | satbSATB 2Ob Tai Str Org Bc | data-sort-value="000.37: 193" | 37: 193 | I/25: 265 | after Z 2164 (/6); text by Picander; /1 ↔ BWV 1052/3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0190.100" | 190.1 | data-sort-value="189.003" rowspan="2" | 1. | rowspan="2" | 1724-01-01 | Cantata Singet dem Herrn ein neues Lied (New Year; incomplete) | rowspan="2" | D maj. | data-sort-value="atbSATB Trx3 Tmp Obx3 Oba Bas Str Bc" | atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | data-sort-value="000.37: 227" | 37: 227 | data-sort-value="I/04: 001" | I/4: 1 | after Z 8652 (/1–/2), 8477a (/7); text by Luther (/1–/2), Hermann (/7); → BWV 190.2/1, /2, /3, /5 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0190.107" | 190/7 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | data-sort-value="000.37: 257" | 37: 257 | data-sort-value="III/02 2: 189" | III/2.2: 189 | after 8477a; text by Hermann (/7) | قالب:BDW |- | data-sort-value="0190.200" | 190.2 | data-sort-value="190.002" | 1. | 1730-06-25 | Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete) | | data-sort-value="atbSATB Trx3 Tmp Obx3 Str Bc" | atbSATB 3Tr Tmp 3Ob Str Bc (?) | | I/34 | after BWV 190/1, /2, /3, /5; text by Picander, Luther (/1–/2, /7) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0191.000" | 191 | data-sort-value="191.002" | 1. | data-sort-value="1744-12-25" | 1743–1746 | Cantata Gloria in excelsis Deo (Christmas) | D maj. | data-sort-value="stSSATB Trx3 Tmp Flx2 Obx2 Str Bc" | stSSATB 3Tr Tmp 2Fl 2Ob Str Bc | data-sort-value="000.41: 001" | 41: 1 | data-sort-value="I/02: 171" | I/2: 171 | data-sort-value="after BWV 0232/4" | after BWV 232/4, /5, /8, /12; text: Lk 2:14, doxology | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0192.000" | 192 | data-sort-value="191.003" | 1. | data-sort-value="1730-10-31" | autumn 1730? | Cantata Nun danket alle Gott (incomplete) | G maj. | data-sort-value="sbSATB Flx2 Obx2 Str Bc" | sbSATB 2Fl 2Ob Str Bc | data-sort-value="000.41: 065" | 41: 65 | I/34: 107 | after Z 5142; text by Rinkart | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0193.200" | 193.2 | data-sort-value="192.002" | 1. | 1727-08-25 | Cantata Ihr Tore zu Zion (council election; incomplete) | D maj. | data-sort-value="saSATB Obx2 Str Bc" | saSA(TB) 2Ob Str (Bc) | data-sort-value="000.41: 091" | 41: 91 | data-sort-value="I/32 1: 201" | I/32.1: 201 | data-sort-value="after BWV 0193.1/1" | after BWV 193.1/1, /7, /9 | قالب:BDW |- | data-sort-value="0193.100" | 193.1 | data-sort-value="193.002" | 1. | 1727-08-03 | Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete) | | data-sort-value="saSATB Obx2 Str Bc" | saSA(TB) 2Ob Str (Bc) | | I/36 | text by Picander; → BWV 193.2/1, /3, /5 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0194.300" | 194.3 | data-sort-value="193.003" | 1. | data-sort-value="1724-06-04" | 1724-06-04
1731-05-20 | Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) | B♭ maj. | data-sort-value="stbSATB Obx3 Bas Str Bc" | stbSATB 3Ob Bas Str Bc | data-sort-value="000.29: 099" | 29: 99 | I/31: 145 | data-sort-value="after BWV 0194.2" | after BWV 194.2 (same text); → BWV 194.4 | قالب:BDW |- | data-sort-value="0194.400" | 194.4 | data-sort-value="193.004" | 1. | 1726-06-16 | Cantata Nun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version) | B♭ maj. | data-sort-value="stbSATB Obx3 Bas Str Bc" | stbSATB 3Ob Bas Str Bc | data-sort-value="000.29: 099" | 29: 99 | I/31: 145, 235 | data-sort-value="after BWV 0194.3" | after BWV 194.3/12, /2, /3, /4, /5, /7, /10 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0194.200" | 194.2 | data-sort-value="193.005" rowspan="6" | 1. | rowspan="6" | 1723-11-02 | Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) | B♭ maj. | data-sort-value="sabSATB Obx3 Bas Str Bc" | sabSATB 3Ob Bas Str Bc | data-sort-value="000.29: 099" | 29: 99 | I/31: 123 | data-sort-value="after BWV 0194.1/1" | after BWV 194.1/1, /3, /5, /7, /9, Z 6543 (/6), 159 (/12); text by Heermann (/6), Gerhardt (/12); → BWV 194.3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0194.206" rowspan="3" | 194.2/6 | chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7) | rowspan="3" | B♭ maj.
G maj. | rowspan="3" | SATB | data-sort-value="000.29: 124" rowspan="3" | 29: 124 | rowspan="3" data-sort-value="III/02 1: 018" | III/2.1: 20
III/2.2: 35, 152 | after Z 6543; text by Heermann | rowspan="3" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Jesu, deine tiefen Wunden" | after Z 6543; text by Heermann |- style="background: #E3F6CE;" | chorale setting "Freu dich sehr, o meine Seele" | after Z 6543 |- style="background: #E3F6CE;" | data-sort-value="0194.212" rowspan="2" | 194.2/12 | chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10) | rowspan="2" | B♭ maj. | rowspan="2" | SATB | data-sort-value="000.29: 138" rowspan="2" | 29: 138 | rowspan="2" data-sort-value="III/02 1: 019" | III/2.1: 20
III/2.2: 52, 152 | data-sort-value="after Z 0159; text by Gerhardt" | after Z 159; text by Gerhardt | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "Nun lasst uns Gott dem Herren" | data-sort-value="after Z 0159; text by Helmbold" | after Z 159; text by Helmbold |- | data-sort-value="0194.100" | 194.1 | data-sort-value="195.001" | 1. | data-sort-value="1720-07-01" | 1717–1723? | Secular cantata model for church cantata versions of BWV 194 (incomplete) | B♭ maj. | data-sort-value="Obx3 Str" | 3Ob Str &? | | I/35 | data-sort-value="→ BWV 0194.2/1" | → BWV 194.2/1, /3, /5, /8, /10 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0195.300" | 195.3 | data-sort-value="195.002" | 1. | data-sort-value="1748-12-31" | ح.1748–1749 | Cantata Dem Gerechten muß das Licht (wedding; last version) | D maj. | data-sort-value="satbSATB Trx3 Tmp Hnx2 Flx2 Obx2 Obax2 Str Bc" | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc | data-sort-value="000.13 1: 001" | 13¹: 1 | I/33: 171 | data-sort-value="after BWV 0195.2, Z 0198" | after BWV 195.2, Z 198 (/6); text after Ps 97:11–12 (/1), by Gerhardt (/6) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0195.100" | 195.1 | data-sort-value="195.003" | 1. | data-sort-value="1729-07-01" | 1727–1731 | Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost) | | data-sort-value="SATB Trx3 Tmp Flx2 Obx2 Str Bc" | SATB 3Tr Tmp 2Fl 2Ob Str Bc | | I/33 | data-sort-value="→ BWV 0195.2" | → BWV 195.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0195.200" | 195.2 | data-sort-value="196.002" | 1. | data-sort-value="1742-07-01" | 1742ح. 1742 | Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete) | | data-sort-value="SATB" | SATB &? | | I/33 | data-sort-value="after BWV 0195.1" | after BWV 195.1, 30.1/5, /1 (/6, /8); text after Ps 97:11–12 (/1); → BWV 195.3 | قالب:BDW |- | data-sort-value="0196.000" | 196 | data-sort-value="197.001" | 1. | data-sort-value="1708-06-05" | 1708-06-05? | Cantata Der Herr denket an uns (wedding) | C maj. | stbSATB Str Bc | data-sort-value="000.13 1: 071" | 13¹: 71 | data-sort-value="I/33: 001" | I/33: 1 | text after Ps. 115: 12–15 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0197.200" | 197.2 | data-sort-value="197.002" rowspan="3" | 1. | data-sort-value="1736-12-31" rowspan="3" | 1736–1737 | Cantata Gott ist unsre Zuversicht (wedding) | D maj. | data-sort-value="sabSATB Trx3 Tmp Obx2 Obax2 Bas Str Bc" | sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc | data-sort-value="000.13 1: 095" | 13¹: 95 | I/33: 117 | after Z 2029a (/5), 2778 (/10), BWV 197.1/4, /6 (/6, /8); text by Luther (/5) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0197.205" | 197.2/5 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | data-sort-value="000.13 1: 128" | 13¹: 128 | data-sort-value="III/02 2: 046" | III/2.2: 46 | after Z 2029a; text by Luther | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0197.210" | 197.2/10 | chorale setting "Wer nur den lieben Gott lässt walten" | B min. | SATB | data-sort-value="000.13 1: 144" | 13¹: 144 | data-sort-value="III/02 2: 037" | III/2.2: 37 | after Z 2778; text by Neumark | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0197.100" | 197.1 | data-sort-value="199.001" rowspan="3" | 1. | rowspan="3" | 1728-12-25 | Cantata Ehre sei Gott in der Höhe (Christmas; incomplete) | rowspan="3" | D maj. | data-sort-value="abSATB Flx2 Oba Bas Str Vc Bc" | abSATB 2Fl Oba Bas Str Vc Bc | data-sort-value="000.41: 109" | 41: 109 | data-sort-value="I/02: 063" | I/2: 63 | after Z 5206b–c (/7); text by Picander, Ziegler, C. (/7; ↔ BWV 398), after Lk 2:14 (/1); /4 & /6 → BWV 197.2/6, /8 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0197.107" rowspan="2" | 197.1/7 | chorale setting "Ich freue mich in dir" (s. 4) | rowspan="2" | SATB | data-sort-value="000.41: 114" rowspan="2" | 41: 114 | rowspan="2" data-sort-value="III/02 2: 182" | III/2.2: 182 | after Z 5206b–c; text by Ziegler, C.; ↔ BWV 398 | rowspan="2" | قالب:BDW |- style="background: #E3F6CE;" | chorale setting "O Gott, du frommer Gott" | after Z 5206b–c; text by Heermann; ↔ BWV 398 |- style="background: #E3F6CE;" | data-sort-value="0198.000" | 198 | data-sort-value="199.002" | 1. | 1727-10-17 | Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine) | B min. | data-sort-value="satbSATB Flx2 Obx2 Obax2 Str Vdgx2 Lux2 Bc" | satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc | data-sort-value="000.13 3: 001" | 13³: 1
44: 54 | I/38: 179 | text by Gottsched, J. C.; ↔ BWV 244a, 247 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0199.200" | 199.2 | data-sort-value="201.001" | 1. | data-sort-value="1720-12-31" | 1720–1721 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) | D min. | s Ob Str Vdg Bc | data-sort-value="000.41: 202" | 41: 202 | data-sort-value="I/20: 048" | I/20: 48 | data-sort-value="after BWV 0199.1" | after BWV 199.1 (same text); → 199.3 | قالب:BDW |- | data-sort-value="0199.300" | 199.3 | data-sort-value="201.002" | 1. | 1723-08-08 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version) | D min. | s Ob Str Vc Bc | | data-sort-value="I/20: 023" | I/20: 23 | data-sort-value="after BWV 0199.2" | after BWV 199.2 (same text) | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0199.100" | 199.1 | data-sort-value="201.003" | 1. | 1714-08-12 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version) | C min. | s Ob Str Bc | data-sort-value="000.63 2: 000" | NBG 13² | data-sort-value="I/20: 001" | I/20: 1 | text by Lehms, Heermann (/6); → BWV 199.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0200.000" | 200 | data-sort-value="202.001" | 1. | data-sort-value="1742-12-31" | 1742–1743 (JSB) | Aria Bekennen will ich seinen Namen | E maj. | data-sort-value="a Vlx2 Bc" | a (2Vl) Bc | | data-sort-value="I/28 1: 189" | I/28.1: 189 | after Stölzel; text after Lk 2:29–32 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0201.000" | 201 | data-sort-value="202.002" | 1. | data-sort-value="1729-09-28" | autumn 1729 | Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica) | D maj. | data-sort-value="sattbb Trx3 Tmp Flx2 Obx2 Oba Str Bc" | sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc | data-sort-value="000.11 2: 001" | 11²: 1
44: 85 | I/40: 117 | text by Picander; /7 → BWV 212/20 | قالب:BDW |- | data-sort-value="0202.000" | 202 | data-sort-value="204.001" | 1. | data-sort-value="1718-07-01" | ح.1718? | Secular cantata Weichet nur, betrübte Schatten (wedding) | G maj. | s Ob Str Bc | data-sort-value="000.11 2: 073" | 11²: 73 | data-sort-value="I/40: 001" | I/40: 1 | in D-LEb Peters Ms. R 8 | قالب:BDW |- | data-sort-value="0203.000" | 203 | data-sort-value="205.001" | 1. | data-sort-value="1720-07-01" | ح.1720? | Secular cantata Amore traditore | A min. | b Hc | data-sort-value="000.11 2: 091" | 11²: 91 | data-sort-value="I/41: 031" | I/41: 31 | | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0204.000" | 204 | data-sort-value="205.002" | 1. | data-sort-value="1726-12-31" | 1726–1727 | Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit | B♭ maj. | data-sort-value="s Fl Obx2 Str Bc" | s Fl 2Ob Str Bc | data-sort-value="000.11 2: 103" | 11²: 103 | data-sort-value="I/40: 079" | I/40: 79 | text after Hunold | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0205.100" | 205.1 | data-sort-value="206.002" | 1. | 1725-08-03 | Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller) | D maj. | data-sort-value="satbSATB Trx3 Tmp Hnx2 Flx2 Obx2 Oba Str Va Vdg Bc" | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | data-sort-value="000.11 2: 137" | 11²: 137
44: 39 | data-sort-value="I/38: 001" | I/38: 1 | text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/7 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0205.200" | 205.2 | data-sort-value="208.002" | 1. | 1734-02-19 | Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III) | | data-sort-value="satbSATB Trx3 Tmp Hnx2 Flx2 Obx2 Oba Str Va Vdg Bc" | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | | I/37 | data-sort-value="after BWV 0205.1/1" | after BWV 205.1/1–/7, /9–/11, /13, /15; text by Picander? | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0206.100" | 206.1 | data-sort-value="208.003" | 1. | data-sort-value="1736-10-07" | 1736-10-07
(1734?) | Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx3 Obax2 Str Bc" | satbSATB 3Tr Tmp 3Fl 2Oba Str Bc | data-sort-value="000.20 2: 001" | 20²: 1 | I/36: 157 | data-sort-value="→ BWV 0206.2" | → BWV 206.2 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0206.200" | 206.2 | data-sort-value="208.004" | 1. | 1740-08-03 | Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx3 Obx2 Obax2 Str Bc" | satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc | | I/36: 157 | data-sort-value="after BWV 0206.1" | after BWV 206.1 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0207.100" | 207.1 | data-sort-value="210.002" | 1. | 1726-12-11 | Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx2 Obax2 Tai Str Bc" | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | data-sort-value="000.20 2: 071" | 20²: 71 | data-sort-value="I/38: 097" | I/38: 97 | after BWV 1046/3 (/1); → BWV 207.2/1, /3, /5, /7–/9 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0207.200" | 207.2 | data-sort-value="211.002" | 1. | 1735-08-03 | Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx2 Obax2 Tai Str Bc" | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | data-sort-value="000.20 2: 139" | 20²: 139
34: 345 | data-sort-value="I/37: 001" | I/37: 1 | data-sort-value="after BWV 0207" | after BWV 207.1/1, /3, /5, /7–/9 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0208.100" | 208.1 | data-sort-value="212.001" | 1. | 1713-02-23 | Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels) | F maj. | data-sort-value="sstb Hnx2 Flx2 Obx2 Tai Bas Str Vc Bc Vne" | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | data-sort-value="000.29: 001" | 29: 1 | data-sort-value="I/35: 001" | I/35: 1 | text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/1 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="1040.000" | 1040 | data-sort-value="212.002" | 1. | 1713-02-23 | Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?) | F maj. | Vl Ob Bc | data-sort-value="000.29: 230" | 29: 230 | data-sort-value="I/35: 002" | I/35: 1 | data-sort-value="after BWV 0208/13" | after BWV 208.1/13; =BWV 208.1/13a | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0208.200" | 208.2 | data-sort-value="212.003" | 1. | data-sort-value="1715-07-01" | ح.1715 | Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar) | F maj. | data-sort-value="sstb Hnx2 Flx2 Obx2 Tai Bas Str Vc Bc Vne" | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | data-sort-value="000.29: 001" | 29: 1 | data-sort-value="I/35: 001" | I/35: 1 | after BWV 208.1 (near-identical text); → BWV 208.3 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0208.300" | 208.3 | data-sort-value="214.002" | 1. | 1742-08-03 | Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III) | F maj. | data-sort-value="sstb Hnx2 Flx2 Obx2 Tai Bas Str Vc Bc Vne" | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? | | I/37 | after BWV 208.2; text after Franck, S. | قالب:BDW |- | data-sort-value="0209.000" | 209 | data-sort-value="214.003" | 1. | data-sort-value="1747-07-01" | 1747? | Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?) | B min. | s Fl Str Bc | data-sort-value="000.29: 043" | 29: 43 | data-sort-value="I/41: 043" | I/41: 43 | text after Metastasio | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0210.200" | 210.2 | data-sort-value="215.002" | 1. | 1741-09-19 | Secular cantata O holder Tag, erwünschte Zeit (wedding) | A maj. | s Fl Oba Str Hc Vne | data-sort-value="000.29: 067" | 29: 67 | data-sort-value="I/40: 035" | I/40: 35 | data-sort-value="after BWV 0210.1" | after BWV 210.1/1–/2, /4, /8, /10 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0210.100" | 210.1 | data-sort-value="216.002" | 1. | 1729-01-12 | Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels) | A maj. | data-sort-value="s Fl Oba Str Bc" | s (Fl Oba Str Bc)? | data-sort-value="000.29: 245" | 29: 245 | I/39: 141 | data-sort-value="→ BWV 0210.2/1" | → BWV 210.2/1–/2, /4, /8, /10 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0211.000" | 211 | data-sort-value="217.001" | 1. | data-sort-value="1734-07-01" | ح.1734 | Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata | G maj. | stb Fl Str Hc Bc | data-sort-value="000.29: 139" | 29: 139
44: 86 | I/40: 193 | text by Picander | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0212.000" | 212 | data-sort-value="218.001" | 1. | 1742-08-30 | Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) | G maj. | sb Hn Fl Str Bc | data-sort-value="000.29: 173" | 29: 173
44: 132 | I/39: 151 | after BWV 1157/9 (/14), 201/7 (/20); text by Picander | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0213.000" | 213 | data-sort-value="219.002" | 1. | 1733-09-05 | Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony) | F maj. | data-sort-value="satbSATB Hnx2 Obx2 Oba Vlx2 Vax2 Bc" | satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc | data-sort-value="000.34: 119" | 34: 119 | data-sort-value="I/36: 001" | I/36: 1 | text by Picander; /1, /3, /5, /7, /9, /11 → BWV 248/36, /19, /39, /41, /4, /29 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0214.000" | 214 | data-sort-value="221.002" | 1. | 1733-12-08 | Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha) | D maj. | data-sort-value="satbSATB Trx3 Tmp Flx2 Obx2 Oba Str Vne Bc" | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc | data-sort-value="000.34: 175" | 34: 175 | data-sort-value="I/36: 089" | I/36: 89 | text by Picander; /1, /5, /7, /9 → BWV 248/1, /15, /8, /24 | قالب:BDW |- style="background: #E3F6CE;" | data-sort-value="0215.000" | 215 | data-sort-value="222.002" | 1. | 1734-10-05 | Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland) | D maj. | data-sort-value="stbSATBx2 Trx3 Tmp Flx2 Obx2 Oba Str Va Bc" | stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc | data-sort-value="000.34: 243" | 34: 243 | data-sort-value="I/37: 085" | I/37: 85 | after BWV 1157/1 (/1)?; text by Clauder (fr); /7 → BWV 248/47 | قالب:BDW |- | data-sort-value="0216.100" | 216.1 | data-sort-value="223.002" | 1. | 1728-02-05 | Secular cantata Vergnügte Pleißenstadt (wedding; incomplete) | C maj. | sa &? | | data-sort-value="I/40: 021" | I/40: 21 | data-sort-value="after BWV 0204/8 (/3), 0205.1/13 (/7)" | after BWV 204/8 (/3), 205.1/13 (/7); text by Picander; → BWV 216.2/1, /3, /5, /7 | قالب:BDW |- | data-sort-value="0216.200" | 216.2 | data-sort-value="224.002" | 1. | data-sort-value="1729-12-31" | 1728–1731 | Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete) | | at &? | | I/39 | data-sort-value="after BWV 0216.1" | after BWV 216.1/1, /3, /5, /7; text by Meißner (scores) after Picander | قالب:BDW |}

References

^ Eller, R. (Summer 1990). "Thoughts on Bach's Leipzig creative years". Bach. Riemenschneider Bach Institute. 21 (2): 31–54. JSTOR 41640342.
^ Farstad, Arthur L. (1996). "Grace in the Arts: / An Evangelical Musical Genius: / "J.S.B.: S.D.G."". Journal of the Grace Evangelical Society. 9 (16). Archived from the original on 2017-05-06. Retrieved 16 December 2011.
^ Grob, Jochen (2014). "BWV 38 / BC A 152" (in الألمانية). s-line.de. Archived from the original on 18 November 2015. Retrieved 15 October 2015.
^ Gardiner, John Eliot (2010). "Cantatas for the Second Sunday after Trinity / Basilique Saint-Denis, Paris" (PDF). bach-cantatas.com. p. 5. Retrieved 29 June 2011.
^ "XXII. DE VIOLONE. I. De violone en de violoncello – PDF Gratis download".
^ Mincham, Julian (2010). "Chapter 11 BWV 32 Liebster Jesu, mein Verlangen". jsbachcantatas.com. Archived from the original on 2 April 2016. Retrieved 8 January 2013.
^ Marissen, Micheal (2007). "Historically informed rendering of the librettos from Bach's church cantatas". In Zager, Daniel (ed.). Music and theology: essays in honor of Robin A. Leaver. Lanham (Maryland): Scarecrow Press. pp. 103–120. ISBN 978-0-8108-5414-7.
^ Koster, Jan. "Weimar 1708–1717". let.rug.nl. Archived from the original on 28 March 2014. Retrieved 16 December 2011.
^ Koster, Jan. "Köthen 1717–1723 Part 1 (1717–1720)". let.rug.nl. Archived from the original on 14 January 2019. Retrieved 16 December 2011.
^ Koster, Jan. "Köthen 1717–1723 Part 2 (1717–1720)". let.rug.nl. Archived from the original on 13 January 2019. Retrieved 16 December 2011.
^ Work قالب:BDW at Bach Digital website
^ Wolff, Christoph. "Chorale cantatas from the cycle of the Leipzig church cantatas 1724–25" (PDF). bach-cantatas.com. p. 8. Retrieved 21 November 2011.
^ ^أ ^ب Tatiana Shabalina "Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas" pp. 77–99 in Understanding Bach 4, 2009
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ BDW قالب:BDW
^ Günther Zedler. Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung. Books on Demand, 2011. ISBN 9783842357259, p. 26
^ Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732; 2nd printing 1737), p. 79ff
^ Terry, Charles Sanfo (1928). Bach: A Biography. Kessinger Publishing. pp. 160–161. ISBN 9780766146778.
^ Christoph Wolff; et al. (1983). The New Grove Bach Family. NY: Norton. p. 178. ISBN 0-393-30088-9. (Worklist for J.S. Bach).
^ "Paris Applauds Bach In Lighter Vein". The New York Times. 30 December 1928. Retrieved 21 November 2011.
^ "NDR Chor" (PDF). Festkonzert zur Überreichung der Brahms-Medaille der Stadt Hamburg an den NDR Chor (in الألمانية). NDR. 19 April 2010. Retrieved 1 June 2017.
^ "Max Thurn & NDR-Chor & NDR Sinfonieorchester / Bach Cantatas & Other Vocal Works". Bach-Cantatas. Retrieved 17 April 2017.
^ "Motettenprogramm" [Motets program] (in الألمانية). leipzig-online.de. Archived from the original on 2011-11-09. Retrieved 21 November 2011.
^ "Bachvesper". Archived from the original on March 11, 2004. Retrieved 2017-07-13.{{cite web}}: CS1 maint: unfit URL (link)
^ "The Works of Bach". Ton Koopman. 2010. Retrieved 17 October 2010.
^ Ibbitson, John, "A Bach cantata two decades in the making," Toronto Globe and Mail, Nov. 08, 2013 URL= https://www.theglobeandmail.com/arts/music/a-bach-cantata-two-decades-in-the-making/article15346443/
^ Siemon-Netto, Uwe (2005). "Why Nippon Is Nuts About J.S. Bach. The Japanese yearn for hope". atlantic-times.com. Archived from the original on 30 September 2011. Retrieved 21 November 2011.
^ Petersen-Mikkelsen, Birger (2003). Praedicatio sonora. Musik und Theologie bei Johann Sebastian Bach, in: Kirchenmusik und Verkündigung – Verkündigung als Kirchenmusik. Zum Verhältnis von Theologie und Kirchenmusik (in الألمانية). Eutiner Beiträge zur Musikforschung 4, Eutin. p. 47.

External links

Bach Cantatas website, a link to information about works, translations to various languages, prescribed reading, commentaries, singers, ensembles, recordings
Johann Sebastian Bach on "IMSLP / Petrucci Music Library, The free public domain sheet music library"
Emmanuel Music notes and translations to English
The cantatas of Johann Sebastian Bach A listener and student guide, Julian Mincham, 2010
Johann Sebastian Bach – A Listener's Guide to the Cantatas and a list of book and references by Simon Crouch on the Classical Net website

قالب:Bach cantatas قالب:Church cantatas by Johann Sebastian Bach قالب:Secular cantatas by Johann Sebastian Bach قالب:Johann Sebastian Bach

This article may include material from Wikimedia licensed under CC BY-SA 4.0. Please comply with the license terms.

[RBI-1] Eller, R. (Summer 1990). "Thoughts on Bach's Leipzig creative years". Bach. Riemenschneider Bach Institute. 21 (2): 31–54. JSTOR 41640342.

[Farstad-2] Farstad, Arthur L. (1996). "Grace in the Arts: / An Evangelical Musical Genius: / "J.S.B.: S.D.G."". Journal of the Grace Evangelical Society. 9 (16). Archived from the original on 2017-05-06. Retrieved 16 December 2011.

[Grob-3] Grob, Jochen (2014). "BWV 38 / BC A 152" (in الألمانية). s-line.de. Archived from the original on 18 November 2015. Retrieved 15 October 2015.

[Gardiner-4] Gardiner, John Eliot (2010). "Cantatas for the Second Sunday after Trinity / Basilique Saint-Denis, Paris" (PDF). bach-cantatas.com. p. 5. Retrieved 29 June 2011.

[5] "XXII. DE VIOLONE. I. De violone en de violoncello – PDF Gratis download".

[Mincham-6] Mincham, Julian (2010). "Chapter 11 BWV 32 Liebster Jesu, mein Verlangen". jsbachcantatas.com. Archived from the original on 2 April 2016. Retrieved 8 January 2013.

[7] Marissen, Micheal (2007). "Historically informed rendering of the librettos from Bach's church cantatas". In Zager, Daniel (ed.). Music and theology: essays in honor of Robin A. Leaver. Lanham (Maryland): Scarecrow Press. pp. 103–120. ISBN 978-0-8108-5414-7.

[Weimar-8] Koster, Jan. "Weimar 1708–1717". let.rug.nl. Archived from the original on 28 March 2014. Retrieved 16 December 2011.

[Köthen_I-9] Koster, Jan. "Köthen 1717–1723 Part 1 (1717–1720)". let.rug.nl. Archived from the original on 14 January 2019. Retrieved 16 December 2011.

[Köthen_II-10] Koster, Jan. "Köthen 1717–1723 Part 2 (1717–1720)". let.rug.nl. Archived from the original on 13 January 2019. Retrieved 16 December 2011.

[11] Work قالب:BDW at Bach Digital website

[Wolff-12] Wolff, Christoph. "Chorale cantatas from the cycle of the Leipzig church cantatas 1724–25" (PDF). bach-cantatas.com. p. 8. Retrieved 21 November 2011.

[Shabalina2009-13] أ ^ب Tatiana Shabalina "Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas" pp. 77–99 in Understanding Bach 4, 2009

[14] BDW قالب:BDW

[15] BDW قالب:BDW

[16] BDW قالب:BDW

[17] BDW قالب:BDW

[18] BDW قالب:BDW

[19] BDW قالب:BDW

[20] BDW قالب:BDW

[21] BDW قالب:BDW

[22] BDW قالب:BDW

[23] BDW قالب:BDW

[24] BDW قالب:BDW

[25] BDW قالب:BDW

[26] BDW قالب:BDW

[27] BDW قالب:BDW

[28] BDW قالب:BDW

[29] BDW قالب:BDW

[30] BDW قالب:BDW

[31] Günther Zedler. Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung. Books on Demand, 2011. ISBN 9783842357259, p. 26

[Picander1732-32] Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732; 2nd printing 1737), p. 79ff

[Terry-33] Terry, Charles Sanfo (1928). Bach: A Biography. Kessinger Publishing. pp. 160–161. ISBN 9780766146778.

[ngbf1-34] Christoph Wolff; et al. (1983). The New Grove Bach Family. NY: Norton. p. 178. ISBN 0-393-30088-9. (Worklist for J.S. Bach).

[NYT-35] "Paris Applauds Bach In Lighter Vein". The New York Times. 30 December 1928. Retrieved 21 November 2011.

[NDR-36] "NDR Chor" (PDF). Festkonzert zur Überreichung der Brahms-Medaille der Stadt Hamburg an den NDR Chor (in الألمانية). NDR. 19 April 2010. Retrieved 1 June 2017.

[Thurn-37] "Max Thurn & NDR-Chor & NDR Sinfonieorchester / Bach Cantatas & Other Vocal Works". Bach-Cantatas. Retrieved 17 April 2017.

[Thomaner-38] "Motettenprogramm" [Motets program] (in الألمانية). leipzig-online.de. Archived from the original on 2011-11-09. Retrieved 21 November 2011.

[BV-39] "Bachvesper". Archived from the original on March 11, 2004. Retrieved 2017-07-13.{{cite web}}: CS1 maint: unfit URL (link)

[Koopman-40] "The Works of Bach". Ton Koopman. 2010. Retrieved 17 October 2010.

[41] Ibbitson, John, "A Bach cantata two decades in the making," Toronto Globe and Mail, Nov. 08, 2013 URL= https://www.theglobeandmail.com/arts/music/a-bach-cantata-two-decades-in-the-making/article15346443/

[Siemon-Netto-42] Siemon-Netto, Uwe (2005). "Why Nippon Is Nuts About J.S. Bach. The Japanese yearn for hope". atlantic-times.com. Archived from the original on 30 September 2011. Retrieved 21 November 2011.

[Petersen-Mikkelsen-43] Petersen-Mikkelsen, Birger (2003). Praedicatio sonora. Musik und Theologie bei Johann Sebastian Bach, in: Kirchenmusik und Verkündigung – Verkündigung als Kirchenmusik. Zum Verhältnis von Theologie und Kirchenmusik (in الألمانية). Eutiner Beiträge zur Musikforschung 4, Eutin. p. 47.

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