فرانكو ساكتي
Franco Sacchetti | |
|---|---|
 Franco Sacchetti | |
| وُلِد | 1332 Ragusa, Republic of Ragusa |
| توفي | أغسطس 1400 (aged 67–68) San Miniato, Republic of Florence |
| الوظيفة |
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| اللغة |
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| العرق | Italian |
| الصنف الأدبي |
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| الحركة الأدبية | Renaissance humanism |
| الزوج | Maria Felice Strozzi
(m. 1354; died 1377)Ghita di Piero Gherardini
(m. 1383; died 1396)Giovanna di Francesco Bruni
(after 1396) |
| الوالدان | Benci del Buono Sacchetti and Maria Sacchetti |
فرانكو ساكتي (ت. 1335 - 1400)، شاعر وروائي إيطالي.
سيرة
ولد في فلورنسا أو في راجوسا (الحديث دوبروفنيك)، وقال انه كان ابن Benci دي Uguccione، ملقب "بوونو"، فلورنسي تاجر من عائلة نبيلة والقديمة للSacchetti. في حين لا يزال شابا حقق سمعة باعتباره شاعر، ويبدو أنه قد سافر في شؤون ذات أهمية أكثر أو أقل بقدر ما إلى ميلان،
أعماله
Sacchetti was a prolific writer. His literary career proceeds in tandem with his busy public life and is partly a commentary on it. His first work is an encomiastic poem in ottava rima, La battaglia delle belle donne di Firenze con le vecchie (1354). This mixes popular and literary features; its metre is that of the marketplace improvisers, but the models are Boccaccio's early Caccia di Diana, which paid homage to the belles of the Neapolitan court, and Dante's (lost) sirventes on the sixty most beautiful ladies in Florence mentioned in the Vita Nova (6). Sacchetti began collecting his lyric poems around the same time, eventually producing a Libro delle rime, which contains more than 300 poems covering a variety of topics and written in a variety of metres. It is a kind of poetic diary, in which Sacchetti notes, usually in chronological order, reflections and musings linked to his daily life. The earlier poems are on love or political themes or are comic in character, whilst those of his mature years are more moralistic and religious.
Sacchetti is best known as a writer of novelle. His narrative abilities are already evident in the Sposizioni di Vangeli (ح. 1381), a lay equivalent of the kind of sermon-writing practised by contemporary preachers. It is modelled on sermons for Lent. Its forty-nine chapters are each divided into three parts: the quaestio, proposing the theme to be treated, the exemplum developing the narrative proper, and the absolutio which states the moral to be drawn.
The Trecentonovelle, Sacchetti's masterpiece of novella writing, has something of the same stamp. It was planned as early as 1385, but the stories were written and gathered together between 1392 and 1397. The title presupposes the inevitable comparison with the 100 stories of the Decameron, with which it does not aim to compete stylistically, but which it assumes can be supplemented and updated in terms of narrative material. The Proemio announces that the collection includes not just traditional novelle, but accounts of events which the author witnessed or which happened to him personally. Although there is no frame, the presence of the author as narrator, or on occasion as a character, gives the work its narrative unity. The action of memory links the stories together and a sturdy moral approach extracts practical lessons from them. The result is a full, lively depiction of Florence as it was at the end of the 14th century The Trecentonovelle has survived only in a 16th-century transcription, containing 223 out of the original 300 novelle.
انظر أيضا
المصادر
Sources
- Werner, A. The Humour of Italy. London: W. Scott Ltd.
- تحوي هذه المقالة معلومات مترجمة من الطبعة الحادية عشرة لدائرة المعارف البريطانية لسنة 1911 وهي الآن من ضمن الملكية العامة.