يورودانس

يجب ألا يـُخلـَط بينها وبين Eurobeat, Eurodisco, or Europop.
Eurodance
أسماء أخرى
  • Euro-NRG
الأصول النمطية
الأصول الثقافية1980s, Belgium, Italy, Netherlands, France, Sweden, Denmark, United Kingdom, Germany[5]
الأشكال المشتقة
الأنواع المُدمجة
المشاهد الإقليمية
  • Europe
  • Italy
  • Belgium
  • Germany
  • France
  • Denmark
  • Netherlands
  • Sweden
  • United Kingdom
موضوعات أخرى

الرقص الأوروبي إنگليزية: Eurodance هو نوع ثانوي من موسيقى الرقص الإليكتروني والذي نشأ في أوائل التسعينات، يدمج العديد من أنواع الموسيقى مثل : موسيقى الهاوس و الهيب هوب و هاي إنرجي.

موسيقى يورو الرقص متأثرة بشدة بإستخدام الأغاني اللحنية الغنية وبدرجة أقل من أغاني الراب

الشعبية

في أوروبا

Pandora in Karlstad, Sweden, in 2004

From the early to mid-1990s, Eurodance was popular in Europe; the style received extensive airplay on radio stations and television shows, resulting in many singles appearing in the charts. Technotronic from Belgium had hits with "Pump Up the Jam" and "Get Up" (featuring Ya Kid K).[6] In Italy, there were seven singles in the top ten of the chart at the end of May 1995.[7] At the height of the popularity of the genre, it influenced other musical genres such as Mákina in Spain and disco polo in Poland, and it spearheaded the birth of the regional variant Italo dance in Italy.

By 1996, the popularity of this genre had started to decline. From then, the classic Eurodance sound gradually morphed into progressive house.[8] By 1997 and towards the end of the millennium house and trance music increased popularity over Eurodance in Europe's commercial, chart-oriented dance records.[9][10][11] In the early 2000s, the mainstream music industry in Europe moved away from Eurodance in favour of other styles of dance music such as nu-disco, electro house, dance-pop and R&B.[12][13]

المملكة المتحدة

After Cappella's Gianfranco Bortolotti set up Media Records in Brescia, northern Italy[14][15][16] to release his 'commercial European dance music' (a set-up which included fifteen studios featuring various production teams working almost non-stop on a huge number of records) he decided to take the label into other markets and set up a UK office in the UK. Run by Peter Pritchard and featuring many records by Stu Allan's British Eurodance act Clock,[17] this record company would eventually turn into hard house label Nukleuz (known for its DJ Nation releases).[18][19]

As Media turned into Nukleuz, it would fall to All Around the World Productions to be the label in the 21st Century which was more likely to release Eurodance tracks in the UK than other, with its Clubland TV music channel still having regular blocks of Eurodance videos in 2020[20][21] (though extending its scope to include hits by David Guetta as well as Cascada and Scooter)

أمريكا الشمالية

كندا

During the 1990s, Eurodance became popular in Canada, which produced its own variant called Candance (although it was mostly referred to as "Eurodance" or "dance music").[22] Eurodance received significant airplay on radio stations in the Greater Toronto Area such as Power 88.5, Energy 108 and Hot 103.5. Montreal was also a major Eurodance market, with MC Mario's famous radio show on Mix 96, called Party Mix and Bouge de là, a popular TV show on MusiquePlus. Eurodance featured prominently on Electric Circus, a dance-party TV show broadcast nationally in English and French versions.[23] Beginning in mid-1992, Eurodance began to dominate the RPM dance chart in Canada, with acts such as 2 Unlimited, Snap!, Captain Hollywood Project, Culture Beat, Haddaway, Whigfield, each reaching number-one.

From approximately 1992 to 2000, Canadian acts such as Capital Sound, Love Inc., Jacynthe and Emjay had success with the Eurodance sound. The Toronto sound was more pop-oriented, while the Montreal one was more house-oriented.

الولايات المتحدة

While Eurodance is well known in major metropolitan areas such as New York City, Los Angeles, Chicago, and Miami, Eurodance did not make as big of an impact in the rest of the country. Exemplifying this is the Eurodance classic "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)", by Scatman John, an American artist; despite topping the charts in multiple European countries and reaching number 3 in the United Kingdom, it only reached as high as "number 60" on the US Hot 100.[24] Another notable example is the Life in the Streets album, a combined Eurodance music project from American rapper Marky Mark and Caribbean reggae vocalist Prince Ital Joe, which was not released in the United States, but was a huge success in several European countries including singles like "Happy People" and "United" that topped the German charts.[25][26]

A few Eurodance artists including 2 Unlimited, Haddaway, La Bouche and Ace of Base made the Rhythmic Top 40, Top 40 Mainstream and the Billboard Hot 100 during the early to mid-1990s. However, the sound tended to be more house and the rap-oriented artists received airplay. For instance, the German hip-house project Snap!, the Belgian hip-house project Technotronic and the Dutch techno dance project L.A. Style received quite a bit of airplay early on.[27]

The more Hi-NRG-oriented artists were typically played only during special "mix" shows, and it was often necessary to go to a club to hear Eurodance music. While Eurodance did become popular with club DJs in the United States, radio stations were cautious about playing anything that sounded too much like disco during most of the 1980s and 1990s. By the end of the 1990s, however, some of the later acts such as Italian group Eiffel 65 and Danish group Aqua did receive extensive airplay.

Despite lack of widespread radio play, many Hi-NRG and Eurodance songs are popular at professional sporting events in the United States, especially ice hockey and basketball.[28][29]

Compilation albums, such as the DMA Dance: Eurodance series of compilation albums (1995–1997) from Interhit Records and Dance Music Authority magazine, were popular and helped to define the genre as well as to make it accessible in the U.S. and Canada.[30]

Hands up

Hands up (also known as handz up! (stylized as HandzUp!) or dancecore in Eastern Europe) is a style of trance music, and a derivation of Eurodance. The genre comes from its name, meaning music that requires listeners to "put their hands up", as well as fitness and danceability.

The genre developed in Germany in the mid- to late 1990s as part of the emerging trance music scene. Representatives of Eurodance such as Starsplash and Mark 'Oh are sometimes regarded as forerunners of hands up. The biggest commercial success was the music until the mid-2000s.[مطلوب توضيح]

The synthesizer melodies are often catchy and simple. Often the vocal melody is accompanied by a synthesizer. In contrast to techno, short, high-pitched synthesizer tones are used. Hands up does not rely on the structure of tension build-up, but rather is based on the typical verse-chorus pop music scheme. The main elements are the bassline, drums and a catchy lead sound. A typical stylistic device of hands up is pitched female or resulting feminine vocals, but male vocals are also common. In addition, distorted, autotuned, chopped and repeated spoken phrases are common characteristics.

DJs & groups such as Manian, Rob Mayth, Rocco & Bass-T, DJ Gollum, Scooter, ItaloBrothers, Klubbingman, Discotronic, Ma.Bra., and Megastylez etc. are representative figures of this subgenre in both Germany and around the world.

انظر أيضاً

المراجع

  1. ^ "Euro-Dance Music Genre Overview". AllMusic. Complex Media. Archived from the original on 17 يوليو 2017. Retrieved 12 نوفمبر 2008.
  2. ^ أ ب ت خطأ استشهاد: وسم <ref> غير صحيح؛ لا نص تم توفيره للمراجع المسماة allmusic guide
  3. ^ "Euro-Dance Music Genre Overview". AllMusic. Complex Media. Archived from the original on 17 يوليو 2017. Retrieved 12 نوفمبر 2008.
  4. ^ Ahlers, Michael; Jacke, Christoph (2017). Perspectives on German Popular Music. London & New York: Routledge, Taylor & Francis Ltd. p. 113. ISBN 9781472479624. Archived from the original on 6 يونيو 2024. Retrieved 31 أكتوبر 2020.
  5. ^ German punk to Euro dance Archived 25 سبتمبر 2022 at the Wayback Machine Retrieved 6 July 2022
  6. ^ TECHNOTRONIC full Official Chart History Archived 24 مايو 2023 at the Wayback Machine Retrieved 5 July 2022
  7. ^ "HPI - Settimana del 27/05/95". Retrieved 19 يناير 2025.
  8. ^ خطأ استشهاد: وسم <ref> غير صحيح؛ لا نص تم توفيره للمراجع المسماة wiph
  9. ^ M., John. "A history of trance music". Archived from the original on 26 ديسمبر 2012. Retrieved 29 نوفمبر 2019.
  10. ^ "Progressive Trance". AllMusic. Archived from the original on 17 أبريل 2019. Retrieved 29 نوفمبر 2019.
  11. ^ "Is Trance Dead?". clubglow.com. 1 مايو 2012. Archived from the original on 3 مايو 2012. Retrieved 29 نوفمبر 2019.
  12. ^ "Electro House". Beat Explorers' Dance Music Guide. Archived from the original on 15 يونيو 2015. Electro House rose to prominence in the early to mid 2000s as a heavier alternative to other house subgenres that were prevalent at the time.
  13. ^ Kellman, Andy (17 يناير 2011). "Andy Kellman's 100 Favorite Charting R&B Singles of 2000-2009". AllMusic. Archived from the original on 22 أبريل 2019. Retrieved 8 مارس 2016.
  14. ^ "About Us". Mediarecords.dance. Archived from the original on 17 يناير 2021. Retrieved 7 يناير 2021.
  15. ^ "Interview with Gianfranco Bortolotti". Richtvx.com. 7 يوليو 2020. Archived from the original on 17 يناير 2021. Retrieved 7 يناير 2021.
  16. ^ "Media Records · Record label ⟋ RA". Resident Advisor. Archived from the original on 26 نوفمبر 2022. Retrieved 7 يناير 2021.
  17. ^ "CLOCK | full Official Chart History | Official Charts Company". Officialcharts.com. Archived from the original on 29 نوفمبر 2020. Retrieved 7 يناير 2021.
  18. ^ "DJ NATION | full Official Chart History | Official Charts Company". Officialcharts.com. Archived from the original on 18 أكتوبر 2020. Retrieved 7 يناير 2021.
  19. ^ "NUKLEUZ DJ'S | full Official Chart History | Official Charts Company". Officialcharts.com. Archived from the original on 25 سبتمبر 2023. Retrieved 7 يناير 2021.
  20. ^ "Clubland TV TV Listings - TVGuide.co.uk". www.tvguide.co.uk. Archived from the original on 2 مارس 2021. Retrieved 30 نوفمبر 2020.
  21. ^ "Clubland TV - TVEpg.eu - United Kingdom". Tvepg.eu. Retrieved 7 يناير 2021.
  22. ^ Dart, Chris (24 فبراير 2015). "Emjay, Love Inc. and beyond: remembering Canadian Eurodance". CBC. Archived from the original on 18 فبراير 2018. Retrieved 21 مايو 2018.
  23. ^ Teitel, Emma (19 يوليو 2014). "Is Kiesza trolling us?". Macleans.ca. Archived from the original on 19 ديسمبر 2023. Retrieved 19 ديسمبر 2023.
  24. ^ Billboard [[[:قالب:AllMusic]] Allmusic.com] (Retrieved 9 July 2014)
  25. ^ Spahr, Wolfgang (3 ديسمبر 1994). "Hitmakers '94". Billboard magazine. New York: Nielsen Business Media, Inc. p. 54. ISSN 0006-2510. Archived from the original on 6 يونيو 2024. Retrieved 4 مارس 2006.
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وصلات خارجية

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