متحف گيميه Guimet Museum

Guimet Museum

The museum in December 2013
Location within پاريس
تأسس	قالب:Start year and age
الموقع	6, Place d'Iéna, 16th arrondissement of Paris
الإحداثيات	48°51′55″N 2°17′38″E
النوع	Asian art
الموقع الإلكتروني	www.guimet.fr/en

The Guimet Museum (full name in فرنسية: Musée national des arts asiatiques-Guimet, MNAAG; abbr. Musée Guimet, [myze ɡimɛ]) is a Parisian art museum with one of the largest collections of Asian art outside of Asia which includes items from Cambodia, Thailand, Vietnam, Tibet, India, and Nepal, among other countries.

Founded in the late 19th century, it is located in the 16th arrondissement of Paris, at 6, Place d'Iéna. Its name literally translated into English is the National Museum of Asian Arts-Guimet, or Guimet National Museum of Asian Arts.

 التاريخ

Panoramic view of the library in the Guimet Museum

Ground floor of the museum.

Founded by Émile Étienne Guimet, a French industrialist and traveler, the museum first opened in Lyon in 1879 but was later transferred to Paris, opening on the Place d'Iéna in 1889. Devoted to travel, Guimet was in 1876 commissioned by the minister of public instruction to study the religions of the Far East, and the museum contains many of the fruits of this expedition, including a fine collection of Chinese and Japanese porcelain and objects relating not merely to the religions of the East, but also to those of ancient Egypt, Greece and Rome. One of its wings, the Panthéon Bouddhique, displays Buddhist artworks.^{[بحاجة لمصدر]}

Some of the museum's artifacts, originating from Cambodia, are connected with the studies conducted by the first scholars to be interested in Khmer culture, Louis Delaporte and Etienne Aymonier. They sent examples of Khmer art to France at a time when museums were not existing in Southeast Asia, with the agreement of the King of Cambodia, to show to Europe the high level of the ancient Khmer culture.^{[بحاجة لمصدر]}

From December 2006 to April 2007, the museum harboured collections of the Kabul Museum, with archaeological pieces from the Greco-Bactrian city of Ai-Khanoum, and the Indo-Scythian treasure of Tillia Tepe.^{[بحاجة لمصدر]}

In early 2024, the Parliament of the Central Tibetan Administration was joined by a group of Asian scholars published on 03 September by Le Monde, and by the French Senate's Tibet Support Group in strongly criticizing the museum for removing the word "Tibet" from its catalogues and exhibitions. Guimet Museum had changed the appellation of Tibet to "Himalayan World", while a second museum, Musee du Quai Branly changed their appellation of Tibet to the Chinese government's 2023 internal legal term, "Xizang". The use of the name "Xizang" is considered an "historical fraud" by the group of Asian scholars published by Le Monde. By 25 September, Musee du Quai Branly had formally apologized to a delegation of six Tibetan activist groups.

 الأعمال الفنية

 الفن اليوناني-البوذي

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  Gandhara Buddha, 1st–2nd century CE

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  Hellenistic decorative scrolls from Hadda, northern Afghanistan

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  Standing Buddha, ancient region of Gandhara, northern Afghanistan, 1st century

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  Stone palette of a Nereid sea-goddess riding a Ketos sea-monster, Sirkap, 2nd century BCE

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  Wine-drinking and music, Hadda, 1st–2nd century CE

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  A Corinthian capitol with a Buddha at its center, 2nd century, Surk Kotal, Afghanistan

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  The Greek god Atlas, supporting a Buddhist monument, Hadda

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  The Bodhisattva Maitreya, 2nd century, Gandhara

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  Scene of the life of the Buddha. 2nd–3rd century. Gandhara

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  Portraits from the site of Hadda, 3rd century

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  Statuette excavated from the Dharmarajika Stupa site at Sirkap, Pakistan

 الفن السرهندي

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  "Heroic gesture of the Bodhisattva", 6th–7th century terracotta, Tumshuq (Xinjiang)

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  Head of a Bodhisattva, 6th–7th century terracotta, Tumshuq (Xinjiang)

 الفن الصيني

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  Han dynasty Horse (1st–2nd century)

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  Buddha triad, Eastern Wei (534–550), China

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  Tang dynasty Foreign Merchant

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  Northern Qi depiction of Sogdians

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  One of the Group of glazed pottery luohans from Yixian, c. 1000

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  A sitting celadon lion, dated 11th to 12th century, Song dynasty

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  A porcelain vase with design of men fighting on horseback, from the Jiajing reign period (1521–1567), Ming dynasty

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  A round sancai dish from the Tang dynasty, 8th to 9th century

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  Painting Bodhisattva Who Leads the Way from Mo-kao caves, 900–950 A.D.

 الفن الهندي

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  An aniconic representation of Mara's assault on the Buddha, 2nd century, Amaravati style, eastern India

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  The Bodhisattva Maitreya, 2nd century, Mathura

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  A Buddha, 2nd century, Mathura

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  Buddha of the Gupta period, 5th century, Mathura

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  Head of a Buddha, Gupta period, 6th century

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  Rishabhanatha, sandstone, Madhya Pradesh, Chandela period, 10th–11th century

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  Buddha and Bodhisattvas, 11th century, Pala Empire

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  Vishnu, Madhya Pradesh, 11th–12th century

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  Shiva from Tamil Nadu, Chola period, 11th century

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  Rishabhanatha, 11th–12th century, Orissa

 فن جنوب شرق آسيا

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  Head of Buddha taken from Borobudur, c. 8th–9th century Central Java, Indonesia

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  Agastya, c. 8th–9th century Central Java, Indonesia

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  Hindu deity Brahma, Cambodia

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  Brahma 10th century, Khmer art, Cambodia

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  Shiva from Vijayapura, Vietnam

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  Vishnu on Garuda, Champa art, Vietnam

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  Ganesha, Siem Reap, Cambodia, c. 12th–13th century

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  Mons Wheel of the Law (Dharmacakra), art of Dvaravati, c. 8th century

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  A Cambodian Buddha, 14th century

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  Bodhisattva Lokiteśvara, Cambodia 12th century

 قِطـَع مختلفة

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  Gladiateur, verre émaillé. Art romain قالب:S-, trésor de Begrâm, région de Kâpîssâ, Afghanistan.

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  Bodhisattva, art du Gandhâra, قالب:Sp- Empire kouchan. Schiste H : 120 cm. Pakistan.

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  Bouddha en robe uttarâsangâ, début du قالب:S- empire Gupta, école de Mathura, grès rose, H. 142 cm. Inde.

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  Bhairava, forme terrible de Shiva. Karnataka, époque Hoysala, قالب:S-, chloritoschiste. Inde.

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  Coupe à vin. Empire moghol قالب:S-. Jade, or, rubis, émeraudes. Donation Jean et Krishna Riboud. Inde.

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  Harihara (Shiva et Vishnou), art khmer قالب:S-, grès, province de Takeo, Style de Phnom Da. Cambodge.

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  Bodhisattva Lokeśvara, art khmer fin قالب:Sp-. Cambodge.

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  Tête présumée de Jayavarman VII, 1181-1201 ou 1218, style du Bayon (Angkor). Cambodge.

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  Bouddha. Peinture murale, provenant de Kucha. Dynastie Tang, première moitié du VIII. Asie centrale du Xinjiang, Chine.

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  Masque taotie, ivoire. Dynastie Shang قالب:S- av. n.è. Chine.

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  Joueuse de polo. Dynastie Tang, première moitié قالب:S-. Terre cuite, englobe blanc et polychromie. Chine du Nord.

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  Ensemble de grès à couverte céladon. Zhejiang, Longquan, Dynastie Song du Sud, قالب:S-, Chine du Sud.

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  Wang Hui, ? 1632- ? 1720. La forêt sous le givre par un soir clair, dans le style de Wang Meng. Encre et couleurs légères sur papier. Dernier quart du قالب:S-, dynastie Qing. Détail.

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  Vase à décor « mille fleurs ». Porcelaine de Jingdezhen, Jiangxi. Fin période Qianlong (1736-1795), dynastie Qing. Détail, porcelaine à décor tapissant d'émaux poudrés, « famille rose ». Chine du Sud.

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  Bodhisattva en méditation. Trois Royaumes de Corée قالب:S-, royaume de Paekche. Bronze doré, H. 15,5 cm.

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  Verseuse en forme de double gourde. Décor incrusté sous couverte céladon. Goryeo (918-1392), قالب:XIIe-قالب:XIIIe. Corée

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  Figurine Dogū, statuette de terre cuite région du Kantō ou de Tōhoku, période Jōmon final 1000-300 av. n. è.. Japon.

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  Portrait. Bois peint et laqué incrusté de cristal de roche (yeux). Début قالب:S- époque d'Edo. Japon.

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  Masque du théâtre Nô représentant un adolescent. Époque d'Edo 1603-1868, bois laqué et peint. Japon.

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  Hokusai : de la série Mille Images de l’océan : Chōshi dans la préfecture de Chiba, 1832-1834. Xylographie polychrome: nishiki-e, format chuban: 19 cm × 25,4 cm.

 انظر أيضاً

• قائمة المتاحف في پاريس

 وصلات خارجية

• Musée Guimet
• Musée national des arts Asiatiques Guimet, special issue of art magazine Connaissance des Arts, available in French and English